I confess I think about this issue sometimes.
Will my improvisations be perceived as original? Is my organ playing original enough or am I just regurgitating what other people did? Do they look original now? Will my compositions look original in a hundred years from now?
And I guess a lot of other creators worry about that, too which often stops them from creating, as it did to me - if I didn't think that my creative method is original enough, I might not even sit down to create.
And of course these doodles - my little sketches and drawings. How on earth can a person like me hope to ever be original in drawing a line or two? Is it not a complete and utter waste of time (and paper)?
Here's the thing - I worry about being original only when I'm not creating, when I'm procrastinating.
In other words, it's our inner dragon's ultimate weapon against us to keep us from creating because I believe everybody thought about it at least once:
"Do I have anything original to say?"
It doesn't matter what we think, though. What's more important is this:
"Do I care?"
PS Here's what C.S. Lewis thought about being original. And in case you are wondering, will we ever run out of new music, here's a remarkable video about that.
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Our Hauptwerk Setup:
Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene
Organists of Vilnius University , creators of Secrets of Organ Playing.
Don't have an organ at home?
Download paper manuals and pedals, print them out, cut the white spaces, tape the sheets together and you'll be ready to practice anywhere where is a desk and floor. Make sure you have a higher chair.