secrets of organ playing - when you practice, miracles happen
  • HOME
  • BLOG
  • STORE
  • TOTAL ORGANIST
  • TOOLS
  • YOUTUBE
  • COMPOSITIONS
  • COACHING
  • ABOUT
  • RECITALS
  • PHOTOS
  • CONTACT
  • LOGIN
  • LT
  • AUSRA'S YOUTUBE

Vom Himmel hoch, da komm' ich her, BWV 606 by J.S. Bach

6/8/2018

Comments

 
Picture
Would you like to learn Vom Himmel hoch, da komm' ich her, BWV 606 by J.S. Bach from the Orgelbüchlein?

I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.

Thanks to Paul Rosas for meticulous transcription of fingering and pedaling from the slow motion video.

Basic level. PDF score. 1 page. 50% discount is valid until June 15.

This score is free for Total Organist students.

​Check it out here
​
Bellow is my practice video in slow motion:
Comments

AVA196: What other composers use Pachelbel variation style?

4/12/2018

Comments

 
Vidas: Hi guys, this is Vidas.

Ausra: And Ausra.

V: Let’s start Episode 196 of Ask Vidas and Ausra podcast.  This question was sent by Howard:

Vidas and Ausra:  I have recently begun working on chorales and variations and partitas by Pachelbel and I am very interested in the style he used to create these works.  I have also found similar styles composed by Walther and Krebs. What other composers use this style and are there any contemporary composers that use this style?

V: Ausra do you love partitas and chorale variations by Pachelbel?

A: Yes I like them they are easy and pretty pieces.

V: They are very suitable not only for concerts but for liturgy too.

A: Yes, that’s right.  I think Pachelbel is one of the most composers for liturgy.

V: Yes, I remember you have played plenty of Pachelbel works.

A: Yes, because I had that volume of his music.  

V: Published by Dover, right?

A: Yes, yes, and I used a lot because you know I needed new music each week to play at church.

V: I used this collection too.  I loved not only his variations but also his chorale settings.  Four part settings. They were like expanded versions of chorale harmonizations.

A: Yes.

V: With short interludes it seemed to me.  What is the basis of the style. I think people should get a better feeling how those pieces are constructed.  Probably continuo feeling, basso continuo.

A: Yes, but I think you know the main thing is the subject, the theme and if it’s you know free composition then composer you know just composes the theme and variates it.  But if it’s chorale based work then you know the theme is chorale based melody which you know composer harmonizes first and then you know creates different settings based on that theme.

V: Let’s talk a little bit about the structure of those variations.  Variations could be done just for manuals only or it could be done with pedals like passacaglia or chaconne.

A: Yes.

V: And we have those famous two chaconnes by Pachelbel in D Minor and F Minor.

A: Yes.  And you know why it’s not so hard you know to learn partitas or variations as separate pieces because the harmonic chords they are the same all the time although the figuration is different in each variation.

V: Usually they start slower and they speed up variation with smaller note values toward the end.

A: Yes, so for example you would take like traditional variation, you could expect that you know that theme will be exposed to you, presented to you by quarter-notes, let’s say yes, and maybe some half-notes in the cadences.  Then in the first variation you will get like eighth notes and then later you will have sixteenth notes, maybe some triplets, and you know you could even achieve thirty-second notes.

V: To make the whole process more interesting somewhere in the middle Pachelbel might change the mode to the minor and add chromaticisms.

A: Yes, that’s true.  And do you know if he uses parallel minor or just you know same name key but minor key.  Like C Major versus C Minor.

V: Yeah, same name key.  Otherwise these variations stay in the same key.  And that’s what’s magical about those variations because you always can recognize the theme and always have the same color throughout the cycle and your listeners would appreciate everything very well.  They would understand how the piece is constructed so well. And you know Johann Sebastian Bach when he was young and tried to study foreign composer works he a lot of times chose Pachelbel’s chorales and expanded them.

A: Yes, I think Pachelbel was one of his main influences in life.  He’s very important actually, composer.

V: Because Pachelbel was the teacher of his brother who was the first teacher of Johann Sebastian too.

A: Yes. And you know as in our question there mentioned other composers.  For example, Krebs, yes?

V: Um-hmm.  And Walther.

A: So basically you know Walther was basically almost contemporary of Pachelbel, maybe just a little bit younger but you know…

V: Krebs was also not too far removed from Bach because he was a student.

A: So basically this style of variation settings of partitas was very common in baroque time and not only in Germany.  J. S. Bach composed partitas as well.

V: But he also lived in Germany.

A: Yes.

V: But in various parts of Germany.  Bohm lived in Luneborg and that’s not Germany.  And Walther lived in central Germany and Krebs also in central Germany.  And Johann Sebastian Bach wrote partitas I think fairly early in his life influenced by those composers previously mentioned.  So...

A: And I think if we are talking about influence we need to mention Dieterich Buxtehude as well.  Because he composed partitas as well and he influenced Bach as well.

V: Well exactly.  And those partitas are not too far removed from variation cycles like they call Verses by maybe Sweelinck, Scheidt and their contemporaries too.  They are more polyphonically created of course than Pachelbel but they also have the same structure.  The themes go throughout sometimes have more imitations. But they are very beautiful to play.

A: And if you like variations and partitas you definitely have to see french noels too because these I know typical french type of music that are you know based on Christmas Carols and are also composed in variation styles.  Such composers are Daquin for example or …

V: Balbastre.

A: Dandrieu.

V: Exactly.

A: They all composed variations.

V: Even more romantic composer like Guilmant wrote cycles of noels too.

A: Yes, that’s a French tradition.

V: Um-hmm.  So talking about more modern times I think Hugo Distler wrote some variations too.  But then that style might be more contemporary. The language of musical composition might be more contemporary.

A: You know if you really like that Pachelbel style you have to improvise yourself.  This will be sort of you know already modern composition but in style. Because I think that Pachelbel’s partitas and variations are wonderful models for improvisation.

V: In the old style you mean.

A: Yes.

V: A lot of improvisors who love early music they started with his style, not with Bach’s style, not with Buxtehude, not with Sweelinck…

A: Yes, because his style is not a complicated.

V: But nevertheless very beautiful.

A: That’s true.

V: So where to start if a person loves to improvise.  Maybe pick a hymn tune from your hymnal and do what Pachelbel did.  Maybe analyze what he did in his partitas. See how many variations move in eighth notes, how many in triplets, where does he change the mode and chromaticism.  How does he transfer to sixteenth note values, maybe even sextuplets too at the end. Um-hmm. And then do the same on your chorale tune, on your hymn.

A: Yes.  And you know if your talking back to liturgy I think it’s excellent for those places in the liturgy where you don’t know how much music you will need in advance because you can you know end up in any of those variations.

V: You mean you can stop, right?

A: Yes.

V: Thanks guys, we hope this was useful to you.  Pachelbel is an amazing source to explore and experience with your musical adventures and we hope they will lead you to more musical discoveries, right Ausra?

A: Yes, we hope so.

V: And send us more of your questions.  These are wonderful situations. We would love to help you grow.  And remember when you practice…

A: Miracles happen.
Comments

    DON'T MISS A THING! FREE UPDATES BY EMAIL.

    Thank you!

    You have successfully joined our subscriber list.

    .
    Picture
    PicturePhoto by Edgaras Kurauskas
    Authors
    Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene
    Organists of Vilnius University , creators of Secrets of Organ Playing.

    DONATE BY PAYPAL
    Picture
    Our Hauptwerk Setup:
    Don't have an organ at home? No problem - print out our paper organ manuals and pedals and start practicing today!

    RSS Feed

    Categories

    All
    100 Things
    18th Century Organ Music
    19th Century French Organ Music
    19th Century German Organ Music
    2016 Secrets Of Organ Playing Calendar
    20th Century English Organ Music
    20th Century French Organ Music
    20th Century Music
    Ach-gott
    Ach-gott-vom-himmel-sieh-darein
    Achieving-success
    Acoustics
    A Cuckoo
    Ad-wammes
    A Fear
    Affiliate-program
    Airi And Tuomas Saloniemi
    Aiusra Playing
    Alain Trouche
    Alexandre Guilmant Op. 1
    Alla Breve
    Alternate Toe Technique
    Alto Part
    Amateur Vs Pro
    A-mighty-fortress-is-our-god
    Andante From Sonata No. 1
    Andreas-spahn
    Angela-kraft-cross
    Anniversaries-of-organ-composers-2016
    Anthem Playing
    An Wasserflussen Babylon
    App
    Arjan-breukhoven
    Arnoldas-leleika
    Arpeggio
    Arrangement
    Articulate Legato
    Articulation
    Ask-vidas-and-ausra
    Ask-vidas-and-ausra
    As-thou-wilt
    Atonal-music
    Attracting-new-audience
    Auguste-descarres
    Auke-jongbloed
    Aus-meines-herzens-gunde
    Ausra-motuzaite-pinkeviciene
    Ausra-motuzaitepinkeviciene
    Ausras-playing
    Ave-verum
    Bach-a-young-rascal
    Bach-organ-music
    Bachs-birthday
    Bachs-chorale-harmonisation
    Bachs-circle
    Bachs-improvisation
    Bachs-manuscripts
    Bachs-music
    Bachs-organ-world
    Bachs-organ-world
    Bad-habits
    Bamboo-organ
    Baroque Organ Music
    Basecamp
    Basso-continuo
    Becoming-an-organist
    Becoming-cathedral-organist
    Beethoven
    Being-original
    Beth-zucchino
    Bitcoin
    Blind-organist
    Blockchain
    Blogging
    Boellmann
    Bonus-material
    Book-reviews
    Buxheimer-orgelbuch
    Buxtehude
    Bwv-1080
    Bwv-147
    Bwv-531
    Bwv-532
    Bwv-533
    Bwv-534
    Bwv-536
    Bwv-537
    Bwv-538
    Bwv-539
    Bwv-540
    Bwv-541
    Bwv-542
    Bwv-543
    Bwv-544
    Bwv-545
    Bwv-546
    Bwv-547
    Bwv-549
    Bwv-552
    Bwv-553-training
    Bwv-5621
    Bwv-564
    Bwv-5641
    Bwv-5652
    Bwv-566
    Bwv-570
    Bwv-572
    Bwv-577
    Bwv-578
    Bwv-582
    Bwv-590
    Bwv-630
    Bwv-639
    Bwv 659 Home Study Course
    Bwv-731
    Bwv 731 Home Study Course
    Bwv 731 Mini Course
    Bwv-767
    Bwv-957
    Cadences
    Canon-for-organ
    Cantata
    Carillon
    Carl-dodrill
    Carlotta-ferrari
    Carrilon
    Carson-cooman
    Cello-and-piano
    Cesar-franck
    Challenges
    Charles-spanner
    Charles-tournemire
    Children
    Choir Conducting
    Choir-organ
    Choral Accompaniments
    Choral-analysis
    Chorale-fantasias
    Chorale-prelude
    Choral-harmonisation
    Chord-analysis
    Chord-progressions
    Chords
    Christe
    Christmas-carols
    Christmas-for-organist
    Christmas-music
    Christophe-mantoux
    Christopher-henley
    Christus
    Chromaticisms
    Church Organist
    Church-organ-music
    Church-organ-playing
    Ciurlionis
    Classical Organ Music
    C-major-scale
    Coaching
    Colin-andrews
    Competition
    Complicated Rhythms
    Composing-organ-music
    Composition
    Compositions Of Ausra Motuzaite Pinkeviciene
    Compositions Of Ausra Motuzaitepinkeviciene
    Composition Tutorials
    Concentration
    Concert-organist
    Concert-trip
    Congregation
    Contemporary Organ Music
    Continuo Playing
    Coounterpoint
    Coronavirus
    Correcting-mistakes
    Cosmology
    Counterpoint
    Counterpoint Exercises
    Counting
    Creating-a-storm
    Creating-melody
    Creativity
    Crescendo Pedal
    Crista-miller
    Curiosity
    Custom-tutorials
    Daniel-moult
    Daniel-segner
    Daniel-vanden-broecke
    Danzig-organ-culture
    David-danielson-eaton
    David-knight
    Dedicace
    Der-ist-mein-leben
    Diego-innocenzi
    Different-editions
    Dina-ichina-denis-machankov
    Distrokid
    D-major-scale-in-the-pedals
    Domenico-severin
    Don-cook
    Dorian-toccata
    Double-harmonic-scale
    Downloading-scores
    Dylan-mccaig
    Early-fingering
    Early Hymn Playing
    Early-keyboard-technique
    Early-organ-music
    Early Pedal Technique
    Ear Training
    Ear Training Exercises
    E-book
    Ebook
    Edward-landin
    Electronic Organs
    Electropneumatic-organ
    Elevazione
    Eliminating Mistakes
    Email-delivery
    Emanate
    Emotion In Performance
    Emotions
    English-organ-music
    Enrico-presti
    Entrepreneurship
    Epiphany
    Erik-satie
    Es-ist-das-heil-uns-kommen-her
    Estampie
    Exams
    Exceptions Of Legato Articulation
    Exercises
    Fantasia-and-fugue-in-a-minor
    Fast Tempo
    Feelings
    Felipe-dominguez
    Fighting-woodworm
    Finding A Mentor
    Finding-help
    Finding Organ Teacher
    Finding-repertoire
    Finding-time
    Finger Crossing
    Finger Glissando
    Fingering
    Finger Substitution
    Following-the-rules
    Forkel-about-bach
    Francine-and-matthieu-latreille
    Francine-nguyensavaria
    Francoise-couperin
    Frank-mento
    Franz-buhler
    Franz-seydelmann
    Frederic-chopin
    Frederik-magle
    Freelancing
    French-classical-organ-music
    French-ornaments
    French Tradition Of Organ Improvisation
    Fugheta-bwv-696
    Fughetta
    Fugue
    Fugue-in-d-minor
    Fugue-on-bach
    Funeral-music
    Future-of-organ-art
    Gavin-black
    Gena-bedrosian
    Gene-bedient
    Genevan-psalter
    Georg-bohm
    George-ritchie
    Gerd-hennecke-markus-kumpf
    German-anthem
    German-baroque-organ-music
    Gershwin
    Getting-the-audience
    Gigout-toccata
    Giving-away-ideas
    Glenn-tompkins
    Goal Setting
    Goran-grahn
    Gotteslob-257
    Graham-twist
    Grand-plein-jeu
    Gregorian Chant
    Guy-bovet
    Hand And Feet Coordination
    Hand-bell-choir
    Handel
    Hand Independence
    Handling-gossips
    Hans-davidsson
    Hansola-ericsson
    Harmona 85
    Harmonium
    Harmonium-music
    Harmonization
    Harmonization Exercises
    Harmonizing-melody
    Harmony
    Harmony Exercise
    Harmony-for-organists
    Harpsichord
    Harpsichord-playing-for-organists
    Harsh-sounding-music
    Hauptwerk
    Having-fun
    Hayo-boerema
    Healthy-practicing
    Heather-hernandez
    Historical-organs
    Hopes-and-fairs-of-2015
    How To Play The Organ
    Hugo-bakker
    Hugo-distler
    Hymn Analysis
    Hymn Harmonisation
    Hymn Improvisation
    Hymn Modulation
    Hymn Playing
    Hymn Playing Exercises
    Hymn-singing
    Ich-dank-dir
    Identifying-the-problem
    Imagination
    Immediate-results
    Improvisation
    Improvisation-contest
    Improvisation Exercises
    Improvisation-in-bach-style
    Improvisation Tutorials
    In-memoriam-jacques-van-ootmerssen
    Inside-of-the-organ
    Inspiration
    Instructional Videos
    Intabulations
    Interesting Organ Music Links
    International Organist Career
    Intervals
    Invention
    Invertible-counterpoint
    I-place-my-trust-in-god
    Italian-organ-music
    Italian-romantic-organ-music
    Italian-style
    Italy
    Jacquesnicolas-lemmens
    Ja-krygell-fugue-in-g-minor
    James-d-hicks
    James-flores
    James-kibbie
    James-michael-stevens
    James-spanner
    Janis-kalnins
    Jan-karman
    Jan-zwart
    Jay-farnes
    Jeanne-demessieux
    Jeannine-jordan
    Jeanpaul-imbert
    Jeff-perks
    Jehan-alain
    Jeremy-david-tarrant
    Jeremy-owens
    Jesse-eschbach
    Jesus-sinners-doth-receive
    Johann-adam-krygell
    Johann-adam-reincken
    Johann-christoph-bach
    Johannes-brahms
    Johann-ludwig-krebs
    Johann-nicolaus-hanff
    Johann-pachelbel
    John-boody
    John-higgins
    John-stanley
    Jonathan-embry
    Joris-verdin
    Jose-lidon
    Joseph-bonnet
    Joseph-rheinberger
    Jp-sweelinck
    Js-bach
    Js-bach
    Js-bach-bwv-525
    Js-bach-bwv-565
    Jsbach Music4f07d8816e
    Jsbach Musicb4ce245bde
    Jsbach Organ Music2fb25be29c
    Jsbach Organ Music91e7fe89b0
    Jsbach Organ Musicaf35993ca2
    Juozas-naujalis
    Kae-hannah-matsuda
    Kalle-toivio
    Katelyn-emerson
    Kathleen-scheide
    Kauffmann
    Keyboard Practice
    Kimberly-marshall
    Kinetic-theatre
    Krzyzstof-urbaniak
    Latvia
    Latvian-organ-culture
    Learning New Music
    Learn With Vidas
    Left Hand Technique
    Legato Playing
    Liebe-herre
    Liebster-jesu
    Liepaja
    Listeners
    Lists Of Organ Compositions
    Lithuanian Music
    Lithuanian Organ Music
    Lithuanian Organs
    Liturgical-musician
    Live-coaching
    Live Performance Vs Recording
    Livestream
    Loosing-job
    Lord-of-all-power-and-might
    Louisnicolas-clerambault
    Louis-vierne
    Luca-massaglia
    Luigi-pozzi
    Lydia-vroegindeveijn-erin-scheessele
    Lynne-davis
    Making-choices
    Making-goals
    Making-mistakes
    Making-music-together
    Making Organ Recordings
    Making-progress
    Manual Changes
    Manual-playing
    Manual Scales
    Manual-scales
    Manuscripts
    Marcel-dupre
    Marches-for-organ
    Marches-for-wedding
    Marco-lo-muscio
    Marie-rubis-bauer
    Marketing For Organists
    Mark-konewko
    Martin-jean
    Martin-pasi
    Martin-sander
    Mary Murrell And Quentin Faulkners
    Mary-murrell-and-quentin-faulkners
    Mastery
    Matthew-buller
    Matthew-cates
    Matthias-schneider
    Maurice-durufle
    Maurizio-croci
    Max-reger
    Mechanical Action Organs
    Mechanical-action-organs
    Melodica
    Melodic Dictation
    Melodic Dictation Exercises
    Memorisation
    Memorization
    Mendelssohn Organ Music
    Mental Attitude In Organ Playing
    Messiaen
    Meter
    Michael-bauer
    Michael-calabris
    Michael-dierks
    Michael-hammer
    Michael-johnston-and-john-apple
    Michael-wise
    Missing-links
    Mixing-colors
    Modality
    Moderato
    Modern-art
    Modern-music
    Modern Organ Music
    Modern-variation
    Modes
    Modulation
    Motivation
    Movie-music-for-organ
    Mozart
    Mozart-bach
    Musical Analysis
    Musical-clefs
    Music-blogging
    Music-for-easter
    Music-for-lent
    Music-forms
    Music-for-pentecost
    Music-for-pope-francis
    Music For Ukraine
    Music Of Johann Ludwig Krebs
    Musicoin
    Music Theory Exercises
    Music Theory For Organists
    Music-therapy
    Musing-with-children
    My Compositions
    My-jesus
    My-music
    Nativity-story
    Nicholas-papadimitriou
    Nico-declerck
    Nicole-keller
    Nigel-williams
    Nordic-organ-music
    North German Baroque Organ Music
    Norwegian-organ-music
    Numbers
    Older-age
    Oliver-schulte
    Olivier-latry
    One Manual Organ
    On The Bench With Vidas
    Op-7
    Open-score
    Ordinary Touch
    Organ-accompaniment
    Organ And Choir Music
    Organ-and-recorder
    Organ-and-saxophone
    Organ And Voice
    Organ Arrangements
    Organ-as-an-instrument
    Organ-assistant
    Organ-bench
    Organ Building
    Organ-competition
    Organ Composition
    Organ-composition
    Organ-concert
    Organ Demonstration
    Organ Duet Recitals
    Organ Duets
    Organ Exercises
    Organ-exercises
    Organ Improvisation
    Organist Auditions
    Organist Career
    Organist Mistakes
    Organist Shoes
    Organist Success
    Organize Organ Festival
    Organ Maintenance
    Organ-mechanics
    Organ Method Books
    Organ-mirror
    Organ Music
    Organ-music-of-reformation-time
    Organ-pedagogy
    Organ Pedal Technique
    Organ-performance
    Organ Playing
    Organ-playing-level
    Organ Playing Mistakes
    Organ Playing Styles
    Organ Playing Tips
    Organ Playing Tutorial
    Organ Practice
    Organ-prelude
    Organ Recital Playing
    Organ Recitals
    Organ Registration
    Organ-registration
    Organ Repertoire
    Organ Restoration
    Organ Shoes
    Organ-stops
    Organ-teacher
    Organ Technique
    Organ-technologies
    Organ-touch
    Organ-tour
    Organ-training-material
    Organ Transposition
    Organ-tuning
    Organ-videos-from-italy
    Organ Wind System
    Orgelbuchlein
    Ornamentation
    Overcoming Frustration
    Owning-your-music
    Pachelbel
    Page-turnining
    Pain Issues
    Pamela-ruiter-feenstra
    Pamela-ruiterfeenstra
    Paper-organ
    Parenting-and-organ-playing
    Parish
    Paslek
    Passacaglia
    Pastor-de-lasala
    Patreon
    Paul-ayres
    Paul-cienniwa
    Paulius-grigonis
    Pedal Exercises
    Pedaling
    Pedal Playing
    Pedal-point
    Pedal Preparation
    Pedal Scales
    Pedal Technique
    Pedal-trills
    Pedal-tutorial
    Pedal-virtuoso-master-course
    Perfect-pitch
    Performance Anxiety
    Performance-anxiety
    Performance-practice
    Performing-organ-music
    Perseverance
    Personal Development
    Peter-holder
    Peter-sykes
    Peter-van-tour
    Phil-lehenbauer
    Phillip-parkey
    Phrasing
    Piano Exercises
    Piano Practice
    Piano Technique On The Organ
    Piano Touch
    Pieter-dirksen
    Pieter-van-dijk
    Pinkevicius-op-37
    Pipe-organ
    Planning Organ Recitals
    Playing-accelerandos
    Playing Attitude
    Playing-concert
    Playing-from-memory
    Playing-in-ensemble
    Playing-organ-at-an-older-age
    Playing-recital
    Playing With Confidence
    Playing-with-orchestra
    Playing-with-solo-instrument
    Podcast
    Poland
    Polyphonic-music
    Portable-hauptwerk-setup
    Portative Organ
    Positive-feedback
    Postlude
    Practice-guide
    Practice Instruments
    Practice-time
    Practicing Habits
    Praetorius
    Pray-for-paris
    Prelude-and-fugue
    Prelude-improvisation
    Prepare-ye-the-way-of-the-lord
    Preparing-for-an-organ-event
    Preparing For Recitals
    Preparing-for-recitals
    Preparing-for-the-premiere
    Principal-chorus
    Products
    Programing Organ Recitals
    Psalms
    Publishing
    Publishing-organ-music
    Randall-krum
    Recital-opportunities
    Recit-de-chrohorne
    Recording-complete-works-by-bach
    Recording-organ-music-and-bach
    Recording-yourself
    Reed Organ
    Reincken
    Renaissance Organ Music
    Repeated-notes
    Repetitions
    Replacing-organist
    Resistance
    Resolutions
    Rhetoric-figures
    Robert-mccormick
    Robert-morehead
    Robin-gullbrandsson
    Roger-sherman
    Romantic French Organ Music
    Romantic German Organ Music
    Romantic Organ Music
    Sacred-music
    Saint-cecilia
    Saint-lucia
    Samuel-delaunay
    Samuel-giddy
    Sara-schott
    Scales And Arpeggios
    Scales-and-arpeggios
    Scheidemann
    Scheidt
    Schublers-chorales
    Science-and-art
    Scott-elsholz
    Secrets-of-organ-playing
    Secrets-of-organ-playing-calendar-2017
    Secrets-of-organ-playing-contest
    Selecting-repertoire
    Selecting-tempo
    Self-doubts
    Selfdoubts
    Selfimprovementd902628688
    Sharing-your-talents
    Shopify
    Short-octave
    Short Pedal Board
    Sietze-de-vries
    Sigh-motive
    Sight Reading
    Sightreading9d750d820d
    Sightreadinga5764d655d
    Silencing-the-crowd
    Sinfonia
    Singing-your-music
    Slawomir-zubrzycki
    Slow-and-easy
    Small Hands
    Software-program
    Sonata
    Sonata-form
    Sophieveronique-caucheferchoplin
    Sound Delay
    Soundrop
    Spanish-fingering
    Spinet Organs
    Split-keys
    Stanislaw-moniuszko
    Steemit
    Success
    Swedish-organ-culture
    Sweelinck Organ Music
    Swell-pedal
    Sydney Organ Journal
    Taking-a-break
    Talking-on-the-radio
    Taming-the-instrument
    Teaching
    Teaching-organ-playing
    Teisutis-makacinas
    Tempo
    Testimonials
    Tetrachord
    Thanking-someone
    Thanksgiving
    The-art-of-organ-building
    The-art-of-organ-improvisation
    The-arts-ministry-in-the-21st-century
    The-largest-tracker-organ
    The-notebook-of-anna-magdalena-bach
    Thierry-mechler
    Thomas-aberg
    Thomas-leslie
    Time Management
    Tobitha-moldenhauer
    Toccata
    Toccata-in-c-major
    Tom-trenney
    Tonality
    Top 5 Lists
    Tore-bjorn-larsen
    Total-organist
    Tournemire
    Toy-stops
    Tracker-organ
    Training
    Transcription
    Transposition
    Trio
    Trios
    Triplets
    Trust-and-authority
    Trying-different-organs
    Trying-new-things
    Tune-in-tenor
    Tuning
    Turning Pages
    Tutor
    Two-kinds-of-organists
    Two-part-training
    Tyler-boehmer
    Ugly-music
    Uncomfortable Organs
    Unda Maris Studio
    Unpredictable-organist
    Variations
    Vidas-pinkevicius
    Vidas Pinkevicius Compositions
    Vidas-pinkevicius-op-2
    Vidas-playing
    Video-training
    Viernes-final-from-the-symphony-no1
    Viola-organistica
    Virtual Organs
    Visiting-casparinis-organ
    Voluntary
    Vom-himmel-sieh-darein
    Walter-gatti
    Wayne-leupold
    Webinars
    Wedding-playing
    Weston-jennings
    Widor
    Widor-toccata
    Wilhelm-friedemann-bach
    William-mason
    William-whitehead
    Wir-sind-hier
    Wolff-von-ross
    Wolfram-kampffmeyer
    Workshop
    World-class-artist
    Worldclass-artist
    Writing-fugues
    Wyatt-smith
    Year-of-2014
    Year-review-2014
    You-tube
    Youtube

    Archives

    May 2025
    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    June 2024
    May 2024
    April 2024
    March 2024
    February 2024
    January 2024
    December 2023
    November 2023
    October 2023
    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011

This site participates in the SheetMusicPlus, Amazon, Thomann and other affiliate programs, the proceeds of which keep it free for anyone to read.
​Copyright  © 2011-2025 by Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene.
​Terms of Service and Privacy Policy
  • HOME
  • BLOG
  • STORE
  • TOTAL ORGANIST
  • TOOLS
  • YOUTUBE
  • COMPOSITIONS
  • COACHING
  • ABOUT
  • RECITALS
  • PHOTOS
  • CONTACT
  • LOGIN
  • LT
  • AUSRA'S YOUTUBE