A fear of making mistakes when playing in public
A fear of forgetting the music when playing from memory
A fear of not being able to coordinate left hand and pedals
A fear of leading hymn singing too slow, too fast, too loud, or too soft
A fear of not having enough time to prepare for recital or church service
A fear of not being liked
A fear of not being noticed
A fear of not reaching your full potential
A fear of breaking trust
A fear of wasting an opportunity to be helpful and generous, to inspire and to lead
Which fears would you choose? Which ones would you like your colleague/boss/friend/family member to have?
Part IV: Toccata (p. 13) from Suite Gothique, op. 25 by Leon Boellmann (1862-1897), French Romantic composer and organist.
Angel Voices, Ever Singing
Tom writes that his dream is to achieve technical confidence and express the beauty of the music and liturgies that he plays. The three things that inhibit his progress are that sometimes he lets time constraints win over discipline, problems with accurate pedal playing, and getting beyond always having to prepare what he has to play at the next mass.
If you are in a situation like Tom, you probably feel a fair amount of fear. A fear that your won't be able to play the pedals without mistakes when needed; a fear that you won't have enough time to prepare for the liturgy; a fear that when you don't have enough time to practice the right way, you'll take shortcuts and sacrifice the mental toughness you have accumulated over the years in favor of the panic that sets in when you feel the pressure.
If you really want to advance to a whole new level in organ playing, one day in the not too distant future you are going to face your worst fears and see what you are really made of. You are not going to try finding an easy way out, you are not going to turn around and run, and you are not going to change your goal.
What you really need is to feel your fear, acknowledge it, and look straight into the eyes of the thing that scares you the most. This is how you overcome fear and move to the next level.
It's not easy. I remember my fear I had when I first started to improvise full-length recitals in public. I feared that I would not be able to improvise for a full hour; I feared that my improvisations are going to be boring; I feared that I would miss the time-marks and go way over the limits of the 60 minutes; I feared that I would not be able to change the stops by myself.
I had no choice but to face my fears. A deadline was set. The day came. I sat on the organ bench and played. It was scary at first. The waiting for the recital was scary. The beginning of it was scary too. But I had to keep going - you can't just stop and leave the church in the middle of the performance, can you? I had to figure it out. Interestingly enough, it was easier and easier after the half-time mark. After that I knew it could be done.
And so likewise, you, my reader, have to just do it, simply open your eyes and see it through what you fear the most. There is no magic to it, only determination and will-power.
After that, you will be changed.
What's the thing you fear the most in organ playing?
Part II: Adagio doloroso (p. 11) from Organ Sonata "Appassionata", Op.57 by Johan Adam Krygell (1835-1915) who was a Danish organist and composer of the Romantic period.
All Hail The Power Of Jesus’ Name
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Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene
Organists of Vilnius University , creators of Secrets of Organ Playing.
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