Vidas and I today are practicing Aria sopra la Bergamasca (1642) by Marco Uccellini from his Sonate, arie et correnti, Op. 3 and using Groningen Martinikerk organ sample set by Sonus Paradisi and Hauptwerk VPO software. The upper two parts are quite demanding and in reality should be played by two separate instrumentalists. So I was thinking to myself why did I agree to sight-read this piece in public during live-stream...
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Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene
Organists of Vilnius University , creators of Secrets of Organ Playing.
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