secrets of organ playing - when you practice, miracles happen
  • HOME
  • BLOG
  • STORE
  • TOTAL ORGANIST
  • TOOLS
  • YOUTUBE
  • COMPOSITIONS
  • COACHING
  • ABOUT
  • RECITALS
  • PHOTOS
  • CONTACT
  • LOGIN
  • LT
  • AUSRA'S YOUTUBE

SOPP282: My dream is to be able to play some of my favorite music on a good pipe organ

9/5/2018

Comments

 
Vidas: Hi guys, this is Vidas.
 
Ausra: And Ausra.
 
V: Let’s start episode 282 of Secrets of Organ Playing Podcast. This question was sent by Anders, and he wrote:
 
Hi Vidas and Ausra!
I´m following the information you give with great interest. I have been playing the piano for a while but I´m not very good at it, though I really love it and listening to great music, Classic as well as Jazz and Ragtime. In the last period I have started to think much about playing the organ and I've asked the local organist to give me lessons (lessons are free in the Swedish Church) and I hope lessons will start this autumn. I bought an old Electronic organ but am extremely disappointed since the sound is outright awful. It´s not what is called a Church organ, they´re much more expensive. I will throw my Electronic organ and buy some good instrument with a really good sound.

The short answer to the questions are:

1.) My dream is to be able to play "well enough" on the organ some of my favorite music on a good pipe organ. This I wish to do in a Church where I can enjoy the fantastic and mysterious sound of the different voices of the pipes.

2.) What is stopping me is really nothing except:
A.) The feeling that I have no time (I do have long working days and other commitments)
B.) The feeling that my wife really doesn't enjoy listening to me repeating the difficult parts over and over again. Though she doesn't complain.
C.) The lack of a good instrument.

And these three things shouldn't stop me. I know and I´m working on it...

Now I´ll explain what I mean by playing "well enough":

It´s not at all necessary for me to dream of reaching a level of high professionalism, though I fully understand and wish to play with correctness and musicality. For me it´s better to listen to an amateur playing a simple piece very well instead of some half-professional doing a sloppy job on too complicated pieces. I think that for me it will be much more realistic to find, or even better, to be able to arrange the music so it will be simple but still beautiful and retaining the real spirit and essence of the pieces. For that I obviously will have to learn about music theory and learn to play chords and their inversions etc. Maybe not so impossible.

For instance i have maybe 5-6 different versions of some piece of music ranging from the very simple to the very difficult. And it´s far from always the fastest version with most notes and difficult fingering that catches the essentials! Thank god for that. I have some rather simple pieces that are really beautiful if you perform them correct and with real spirit.

My taste includes classical pieces such as "Poem" by Fibich, pieces by Grieg and Delius and some very nice pieces by Eric Satie. Some jazz pieces I wish to play are maybe not very well known but some are jazz standards. I especially point out some outstanding jazz recordings made by Fats Waller in 1927 on a Church pipe organ (Estey). There has not been any recordings of jazz organ to compare with before or after these few musical pearls, so rich in harmony and feeling. Of course I will never be able to play like Waller did, far from. But maybe be able to play some simplified and still beautiful version in a not too fast tempo. In my opinion speed is not often very important, many pieces win on being played slower but correctly giving time to listen to the music.

As a rounding off I wish to say that I fully appreciate and try to apply the principles of slow playing in practice, repeating until I play without faults and learning a piece step by step. Actually I was smiling with remembrance when I read through your "Organ practice is a privilege". The reason is that I already knew about the principles since my last wife was a really good piano teacher (from St Petersburg). And she applied these rules. Before she died 6 years ago I was lucky to learn the importance of these rules, though I was never a very good pupil. And it was maybe not so easy to have the wife as a teacher (she was really serious).

Best of Wishes,
Anders from Sweden

 
V: Wow, that’s a very long message that Anders wrote, and so thoughtful that I think we have a lot to talk about, right Ausra?
 
A: Sure. And I think it’s very instructive. He sort of confirms our beliefs in learning slowly and practicing patiently.
 
V: And a person like Anders, who wrote such a detailed detailed description of how he practices, what is his situation, how he feels his obstacles are means that he has a very deep level of self observance. Sort of, he analyzes his own actions and ideas, and he might become his own teacher.
 
A: Yes, I think that’s wonderful features that he has.
 
V: Because when people sometimes want to improve, but are not necessarily conscience of what they’re doing wrong, they just have this distant dream or goal in mind, like a horizon, and the days are passing by, they’re practicing without knowing if they are improving or not—without knowing if they’re going towards the goal or away from it.
 
A: That’s true.
 
V: Do you think that Anders will reach his goal faster than most of the other people we encountered?
 
A: Probably yes, because this sort of a paradox line that often people who do not rush into things achieve their goal first.
 
V: Exactly. You know, the feeling I got from reading his messages was that I’m reading a blog post or an article some place online from a personal blog about organ practice by an organist very conscience of his or her own efforts. Don’t you think that this kind of message should be posted, actually, on his own personal blog?
 
A: Sure, of course! Definitely. I think then that people would benefit from reading a message like this.
 
V: I’m not even thinking about many people, you know, I think he will personally benefit from thinking about his ideas and writing them down, and once he writes them down, he can practice much more efficiently. He can articulate other ideas as well. And you’re right, other people will enjoy listening and reading them, too.
 
A: Yes, the thing that struck me in this letter was that Swedish church gives organ lessons for free.
 
V: I didn’t understand fully….
 
A: This was a big surprise to me. I don’t think there is another country that could do this. But, who then is paying the organist for those lessons, the State? The church?
V: Could be! If the church fully supports an organist, like a full time position, then maybe those organ lessons are included in his workload, maybe. I’m not sure if it is that situation. If it is, then it would a be fantastic situation for students. For organists, I don’t know if it’s fantastic or not, depending on what kind of salary they get from the State. But obviously, the Swedish church is not connected with the state anymore. It separated from the State. So the church has to be quite willing to support the organist and the lessons.
 
A: But what would the organist have to do if there would be 5 or 10 people who suddenly decide to learn to play the organ, and he or she would still have to teach them all?
 
V: Maybe they have a maximum or minimum number of people to teach.
 
A: But that’s an interesting thing we need to ask our friend from Sweden, Göran tomorrow.
 
V: Yes, maybe we didn’t understand something from this message correctly. We’ll have to double check.
 
A: Another thing I found amusing is about his wife, that she doesn’t complain about his practicing hard spots over and over again. In any case, you could give your wife earplugs as a present, that she wouldn’t have to listen to your practice at all if she doesn’t like it!
 
V: Or, if it’s an electronic organ you’re practicing on, you could practice with earphones, too.
 
A: Yes, anyway, but I think it’s funny.
 
V: Ausra, when I’m practicing my spots over and over again, how do you feel?
 
A: Well, that’s fine, because I know what you are going through, so it doesn’t bother me.
 
V: It takes an organist to understand an organist.
 
A: And actually, I like when you practice.
 
V: I love it, too. One of my favorite moments of the day these past few weeks have been when we go to the first floor where our organ is located, and you sit down first thing in the morning and you practice your Chorale Fantasia “An Wasserflüssen Babylon” by Johann Adam Reincken. And those 21 minutes are some of my favorites in the day.
 
A: Good to know.
 
V: Yours, too, right?
 
A: Yes, that’s right. It’s a pretty Fantasy. Well, what about those arrangements, because Anders mentioned that he wanted to play some arrangements for organ and not necessarily do they need to be hard—do you agree that different music would be performed on the organ, let’s say not original organ music.
 
V: Mhm, sure! It could be. We’re performing vocal motets, right? It’s not original, we add some diminutions and flourishes in passages, and it sounds much better on the organ that way. So, it’s been a widespread practice to perform an arrangement—other music, instrumental music, and vocal music, and even symphonic music on the organ, too!
 
A: Yes, and if you take any collection of, let’s say, wedding music or Christmas music, you will find a huge variety of arrangements and transcriptions for organ. And they vary in difficulty. You can find really easy ones, and you can find quite hard ones, too.
 
V: Right.
 
A: Let’s take, for example, such a popular piece as Hallelujah from Handel’s Messiah. You can find so many transcriptions for organ.
 
V: Right. I think the easiest thing to play for organ is just two outer voices; soprano and the bass with two hands, if they are just starting out. So, maybe Anders can do that. If he wants to create a little more advanced version, then a third middle part must be entered, maybe with pedals playing the bass line, then. Trio texture, right?
 
A: Sure. And you know what I actually like the most about Anders’s letter? That he understands that it’s better to pick up an easy piece, and to play it very well, than to take too hard of a piece and to play it sloppy. I think this is the basic rule.
 
V: Mhm, that’s quite a mature feeling he has, right? Even though he can’t play maybe very advanced versions, yet, very well, but he has a good taste. That’s helpful.
 
A: Do you remember we had such a studio member back in Nebraska at Lincoln? The guy was a big fan of American football, and he always wanted to play grand pieces. And he could not do them at that time. It was not in his ability, not in his capability to do it. But he wanted to play like fantasies by Reger and all that other hard stuff. And I just don’t know how Dr. Faulkner and Dr. Ritchie handled him. But, I think then he stopped taking organ anymore.
 
V: You know, when you practice too advanced pieces for a while, and your professors say that you are not playing well enough, obviously, on these particular pieces, you get discouraged, simply, right, and you quit. Or you switch to the easier repertoire if you’re wise enough.
 
A: True.
 
V: So, to end this conversation, I think let’s wish Anders to acquire a different organ, maybe a better organ, better solution for his home, and start doing those organ arrangements, right? Practice to the best of his ability.
 
A: Yes, and let us know how your progress is doing!
 
V: Wonderful. Thank you guys for sending these wonderful questions, and anyone who’s so detailed as Anders would really think, at least try to put those ideas online, maybe not on your own blog, but maybe on a social media channel. Right? That will be very beneficial for everyone who is writing and reading as well. Thanks guys, this was Vidas,
 
A: And Ausra,
 
V: And remember, when you practice,
 
A: Miracles happen.

This blog/podcast is supported by Total Organist - the most comprehensive organ training program online. It has hundreds of courses, coaching and practice materials for every area of organ playing, thousands of instructional videos and PDF's.  ​You will NOT find more value anywhere else online...

Total Organist helps you to master any piece, perfect your technique, develop your sight-reading skills, and improvise or compose your own music and much much more... Sign up and begin your training today. And of course, you will get the 1st month free too. You can cancel anytime.

Join 80+ other Total Organist students here
Comments

    DON'T MISS A THING! FREE UPDATES BY EMAIL.

    Thank you!

    You have successfully joined our subscriber list.

    .
    Picture
    PicturePhoto by Edgaras Kurauskas
    Authors
    Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene
    Organists of Vilnius University , creators of Secrets of Organ Playing.

    DONATE BY PAYPAL
    Picture
    Our Hauptwerk Setup:
    Don't have an organ at home? No problem - print out our paper organ manuals and pedals and start practicing today!

    RSS Feed

    Categories

    All
    100 Things
    18th Century Organ Music
    19th Century French Organ Music
    19th Century German Organ Music
    2016 Secrets Of Organ Playing Calendar
    20th Century English Organ Music
    20th Century French Organ Music
    20th Century Music
    Ach-gott
    Ach-gott-vom-himmel-sieh-darein
    Achieving-success
    Acoustics
    A Cuckoo
    Ad-wammes
    A Fear
    Affiliate-program
    Airi And Tuomas Saloniemi
    Aiusra Playing
    Alain Trouche
    Alexandre Guilmant Op. 1
    Alla Breve
    Alternate Toe Technique
    Alto Part
    Amateur Vs Pro
    A-mighty-fortress-is-our-god
    Andante From Sonata No. 1
    Andreas-spahn
    Angela-kraft-cross
    Anniversaries-of-organ-composers-2016
    Anthem Playing
    An Wasserflussen Babylon
    App
    Arjan-breukhoven
    Arnoldas-leleika
    Arpeggio
    Arrangement
    Articulate Legato
    Articulation
    Ask-vidas-and-ausra
    Ask-vidas-and-ausra
    As-thou-wilt
    Atonal-music
    Attracting-new-audience
    Auguste-descarres
    Auke-jongbloed
    Aus-meines-herzens-gunde
    Ausra-motuzaite-pinkeviciene
    Ausra-motuzaitepinkeviciene
    Ausras-playing
    Ave-verum
    Bach-a-young-rascal
    Bach-organ-music
    Bachs-birthday
    Bachs-chorale-harmonisation
    Bachs-circle
    Bachs-improvisation
    Bachs-manuscripts
    Bachs-music
    Bachs-organ-world
    Bachs-organ-world
    Bad-habits
    Bamboo-organ
    Baroque Organ Music
    Basecamp
    Basso-continuo
    Becoming-an-organist
    Becoming-cathedral-organist
    Beethoven
    Being-original
    Beth-zucchino
    Bitcoin
    Blind-organist
    Blockchain
    Blogging
    Boellmann
    Bonus-material
    Book-reviews
    Buxheimer-orgelbuch
    Buxtehude
    Bwv-1080
    Bwv-147
    Bwv-531
    Bwv-532
    Bwv-533
    Bwv-534
    Bwv-536
    Bwv-537
    Bwv-538
    Bwv-539
    Bwv-540
    Bwv-541
    Bwv-542
    Bwv-543
    Bwv-544
    Bwv-545
    Bwv-546
    Bwv-547
    Bwv-549
    Bwv-552
    Bwv-553-training
    Bwv-5621
    Bwv-564
    Bwv-5641
    Bwv-5652
    Bwv-566
    Bwv-570
    Bwv-572
    Bwv-577
    Bwv-578
    Bwv-582
    Bwv-590
    Bwv-630
    Bwv-639
    Bwv 659 Home Study Course
    Bwv-731
    Bwv 731 Home Study Course
    Bwv 731 Mini Course
    Bwv-767
    Bwv-957
    Cadences
    Canon-for-organ
    Cantata
    Carillon
    Carl-dodrill
    Carlotta-ferrari
    Carrilon
    Carson-cooman
    Cello-and-piano
    Cesar-franck
    Challenges
    Charles-spanner
    Charles-tournemire
    Children
    Choir Conducting
    Choir-organ
    Choral Accompaniments
    Choral-analysis
    Chorale-fantasias
    Chorale-prelude
    Choral-harmonisation
    Chord-analysis
    Chord-progressions
    Chords
    Christe
    Christmas-carols
    Christmas-for-organist
    Christmas-music
    Christophe-mantoux
    Christopher-henley
    Christus
    Chromaticisms
    Church Organist
    Church-organ-music
    Church-organ-playing
    Ciurlionis
    Classical Organ Music
    C-major-scale
    Coaching
    Colin-andrews
    Competition
    Complicated Rhythms
    Composing-organ-music
    Composition
    Compositions Of Ausra Motuzaite Pinkeviciene
    Compositions Of Ausra Motuzaitepinkeviciene
    Composition Tutorials
    Concentration
    Concert-organist
    Concert-trip
    Congregation
    Contemporary Organ Music
    Continuo Playing
    Coounterpoint
    Coronavirus
    Correcting-mistakes
    Cosmology
    Counterpoint
    Counterpoint Exercises
    Counting
    Creating-a-storm
    Creating-melody
    Creativity
    Crescendo Pedal
    Crista-miller
    Curiosity
    Custom-tutorials
    Daniel-moult
    Daniel-segner
    Daniel-vanden-broecke
    Danzig-organ-culture
    David-danielson-eaton
    David-knight
    Dedicace
    Der-ist-mein-leben
    Diego-innocenzi
    Different-editions
    Dina-ichina-denis-machankov
    Distrokid
    D-major-scale-in-the-pedals
    Domenico-severin
    Don-cook
    Dorian-toccata
    Double-harmonic-scale
    Downloading-scores
    Dylan-mccaig
    Early-fingering
    Early Hymn Playing
    Early-keyboard-technique
    Early-organ-music
    Early Pedal Technique
    Ear Training
    Ear Training Exercises
    E-book
    Ebook
    Edward-landin
    Electronic Organs
    Electropneumatic-organ
    Elevazione
    Eliminating Mistakes
    Email-delivery
    Emanate
    Emotion In Performance
    Emotions
    English-organ-music
    Enrico-presti
    Entrepreneurship
    Epiphany
    Erik-satie
    Es-ist-das-heil-uns-kommen-her
    Estampie
    Exams
    Exceptions Of Legato Articulation
    Exercises
    Fantasia-and-fugue-in-a-minor
    Fast Tempo
    Feelings
    Felipe-dominguez
    Fighting-woodworm
    Finding A Mentor
    Finding-help
    Finding Organ Teacher
    Finding-repertoire
    Finding-time
    Finger Crossing
    Finger Glissando
    Fingering
    Finger Substitution
    Following-the-rules
    Forkel-about-bach
    Francine-and-matthieu-latreille
    Francine-nguyensavaria
    Francoise-couperin
    Frank-mento
    Franz-buhler
    Franz-seydelmann
    Frederic-chopin
    Frederik-magle
    Freelancing
    French-classical-organ-music
    French-ornaments
    French Tradition Of Organ Improvisation
    Fugheta-bwv-696
    Fughetta
    Fugue
    Fugue-in-d-minor
    Fugue-on-bach
    Funeral-music
    Future-of-organ-art
    Gavin-black
    Gena-bedrosian
    Gene-bedient
    Genevan-psalter
    Georg-bohm
    George-ritchie
    Gerd-hennecke-markus-kumpf
    German-anthem
    German-baroque-organ-music
    Gershwin
    Getting-the-audience
    Gigout-toccata
    Giving-away-ideas
    Glenn-tompkins
    Goal Setting
    Goran-grahn
    Gotteslob-257
    Graham-twist
    Grand-plein-jeu
    Gregorian Chant
    Guy-bovet
    Hand And Feet Coordination
    Hand-bell-choir
    Handel
    Hand Independence
    Handling-gossips
    Hans-davidsson
    Hansola-ericsson
    Harmona 85
    Harmonium
    Harmonium-music
    Harmonization
    Harmonization Exercises
    Harmonizing-melody
    Harmony
    Harmony Exercise
    Harmony-for-organists
    Harpsichord
    Harpsichord-playing-for-organists
    Harsh-sounding-music
    Hauptwerk
    Having-fun
    Hayo-boerema
    Healthy-practicing
    Heather-hernandez
    Historical-organs
    Hopes-and-fairs-of-2015
    How To Play The Organ
    Hugo-bakker
    Hugo-distler
    Hymn Analysis
    Hymn Harmonisation
    Hymn Improvisation
    Hymn Modulation
    Hymn Playing
    Hymn Playing Exercises
    Hymn-singing
    Ich-dank-dir
    Identifying-the-problem
    Imagination
    Immediate-results
    Improvisation
    Improvisation-contest
    Improvisation Exercises
    Improvisation-in-bach-style
    Improvisation Tutorials
    In-memoriam-jacques-van-ootmerssen
    Inside-of-the-organ
    Inspiration
    Instructional Videos
    Intabulations
    Interesting Organ Music Links
    International Organist Career
    Intervals
    Invention
    Invertible-counterpoint
    I-place-my-trust-in-god
    Italian-organ-music
    Italian-romantic-organ-music
    Italian-style
    Italy
    Jacquesnicolas-lemmens
    Ja-krygell-fugue-in-g-minor
    James-d-hicks
    James-flores
    James-kibbie
    James Michael Stevens
    James-spanner
    Janis-kalnins
    Jan-karman
    Jan-zwart
    Jay-farnes
    Jeanne-demessieux
    Jeannine-jordan
    Jeanpaul-imbert
    Jeff-perks
    Jehan-alain
    Jeremy-david-tarrant
    Jeremy-owens
    Jesse-eschbach
    Jesus-sinners-doth-receive
    Johann-adam-krygell
    Johann-adam-reincken
    Johann-christoph-bach
    Johannes-brahms
    Johann-ludwig-krebs
    Johann-nicolaus-hanff
    Johann-pachelbel
    John-boody
    John-higgins
    John-stanley
    Jonathan-embry
    Joris-verdin
    Jose-lidon
    Joseph-bonnet
    Joseph-rheinberger
    Jp-sweelinck
    Js-bach
    Js-bach
    Js-bach-bwv-525
    Js-bach-bwv-565
    Jsbach Music4f07d8816e
    Jsbach Musicb4ce245bde
    Jsbach Organ Music2fb25be29c
    Jsbach Organ Music91e7fe89b0
    Jsbach Organ Musicaf35993ca2
    Juozas-naujalis
    Kae-hannah-matsuda
    Kalle-toivio
    Katelyn-emerson
    Kathleen-scheide
    Kauffmann
    Keyboard Practice
    Kimberly-marshall
    Kinetic-theatre
    Krzyzstof-urbaniak
    Latvia
    Latvian-organ-culture
    Learning New Music
    Learn With Vidas
    Left Hand Technique
    Legato Playing
    Liebe-herre
    Liebster-jesu
    Liepaja
    Listeners
    Lists Of Organ Compositions
    Lithuanian Music
    Lithuanian Organ Music
    Lithuanian Organs
    Liturgical-musician
    Live-coaching
    Live Performance Vs Recording
    Livestream
    Loosing-job
    Lord-of-all-power-and-might
    Louisnicolas-clerambault
    Louis-vierne
    Luca-massaglia
    Luigi-pozzi
    Lydia-vroegindeveijn-erin-scheessele
    Lynne-davis
    Making-choices
    Making-goals
    Making-mistakes
    Making-music-together
    Making Organ Recordings
    Making-progress
    Manual Changes
    Manual-playing
    Manual Scales
    Manual-scales
    Manuscripts
    Marcel-dupre
    Marches-for-organ
    Marches-for-wedding
    Marco-lo-muscio
    Marie-rubis-bauer
    Marketing For Organists
    Mark-konewko
    Martin-jean
    Martin-pasi
    Martin-sander
    Mary Murrell And Quentin Faulkners
    Mary-murrell-and-quentin-faulkners
    Mastery
    Matthew-buller
    Matthew-cates
    Matthias-schneider
    Maurice-durufle
    Maurizio-croci
    Max-reger
    Mechanical Action Organs
    Mechanical-action-organs
    Melodica
    Melodic Dictation
    Melodic Dictation Exercises
    Memorisation
    Memorization
    Mendelssohn Organ Music
    Mental Attitude In Organ Playing
    Messiaen
    Meter
    Michael-bauer
    Michael-calabris
    Michael-dierks
    Michael-hammer
    Michael-johnston-and-john-apple
    Michael-wise
    Missing-links
    Mixing-colors
    Modality
    Moderato
    Modern-art
    Modern-music
    Modern Organ Music
    Modern-variation
    Modes
    Modulation
    Motivation
    Movie-music-for-organ
    Mozart
    Mozart-bach
    Musical Analysis
    Musical-clefs
    Music-blogging
    Music-for-easter
    Music-for-lent
    Music-forms
    Music-for-pentecost
    Music-for-pope-francis
    Music For Ukraine
    Music Of Johann Ludwig Krebs
    Musicoin
    Music Theory Exercises
    Music Theory For Organists
    Music-therapy
    Musing-with-children
    My Compositions
    My-jesus
    My-music
    Nativity-story
    Newsletter
    Nicholas-papadimitriou
    Nico-declerck
    Nicole-keller
    Nigel-williams
    Nordic-organ-music
    North German Baroque Organ Music
    Norwegian-organ-music
    Numbers
    Older-age
    Oliver-schulte
    Olivier-latry
    One Manual Organ
    On The Bench With Vidas
    Op-7
    Open-score
    Ordinary Touch
    Organ-accompaniment
    Organ And Choir Music
    Organ-and-recorder
    Organ-and-saxophone
    Organ And Voice
    Organ Arrangements
    Organ-as-an-instrument
    Organ-assistant
    Organ-bench
    Organ Building
    Organ-competition
    Organ Composition
    Organ-composition
    Organ-concert
    Organ Demonstration
    Organ Duet Recitals
    Organ Duets
    Organ Exercises
    Organ-exercises
    Organ Improvisation
    Organist Auditions
    Organist Career
    Organist Mistakes
    Organist Shoes
    Organist Success
    Organize Organ Festival
    Organ Maintenance
    Organ-mechanics
    Organ Method Books
    Organ-mirror
    Organ Music
    Organ-music-of-reformation-time
    Organ-pedagogy
    Organ Pedal Technique
    Organ-performance
    Organ Playing
    Organ-playing-level
    Organ Playing Mistakes
    Organ Playing Styles
    Organ Playing Tips
    Organ Playing Tutorial
    Organ Practice
    Organ-prelude
    Organ Recital Playing
    Organ Recitals
    Organ Registration
    Organ-registration
    Organ Repertoire
    Organ Restoration
    Organ Shoes
    Organ-stops
    Organ-teacher
    Organ Technique
    Organ-technologies
    Organ-touch
    Organ-tour
    Organ-training-material
    Organ Transposition
    Organ-tuning
    Organ-videos-from-italy
    Organ Wind System
    Orgelbuchlein
    Ornamentation
    Overcoming Frustration
    Owning-your-music
    Pachelbel
    Page-turnining
    Pain Issues
    Pamela-ruiter-feenstra
    Pamela-ruiterfeenstra
    Paper-organ
    Parenting-and-organ-playing
    Parish
    Paslek
    Passacaglia
    Pastor-de-lasala
    Patreon
    Paul-ayres
    Paul-cienniwa
    Paulius-grigonis
    Pedal Exercises
    Pedaling
    Pedal Playing
    Pedal-point
    Pedal Preparation
    Pedal Scales
    Pedal Technique
    Pedal-trills
    Pedal-tutorial
    Pedal-virtuoso-master-course
    Perfect-pitch
    Performance Anxiety
    Performance-anxiety
    Performance-practice
    Performing-organ-music
    Perseverance
    Personal Development
    Peter-holder
    Peter-sykes
    Peter-van-tour
    Phil-lehenbauer
    Phillip-parkey
    Phrasing
    Piano Exercises
    Piano Practice
    Piano Technique On The Organ
    Piano Touch
    Pieter-dirksen
    Pieter-van-dijk
    Pinkevicius-op-37
    Pipe-organ
    Planning Organ Recitals
    Playing-accelerandos
    Playing Attitude
    Playing-concert
    Playing-from-memory
    Playing-in-ensemble
    Playing-organ-at-an-older-age
    Playing-recital
    Playing With Confidence
    Playing-with-orchestra
    Playing-with-solo-instrument
    Podcast
    Poland
    Polyphonic-music
    Portable-hauptwerk-setup
    Portative Organ
    Positive-feedback
    Postlude
    Practice-guide
    Practice Instruments
    Practice-time
    Practicing Habits
    Praetorius
    Pray-for-paris
    Prelude-and-fugue
    Prelude-improvisation
    Prepare-ye-the-way-of-the-lord
    Preparing-for-an-organ-event
    Preparing For Recitals
    Preparing-for-recitals
    Preparing-for-the-premiere
    Principal-chorus
    Products
    Programing Organ Recitals
    Psalms
    Publishing
    Publishing-organ-music
    Randall-krum
    Recital-opportunities
    Recit-de-chrohorne
    Recording-complete-works-by-bach
    Recording-organ-music-and-bach
    Recording-yourself
    Reed Organ
    Reincken
    Renaissance Organ Music
    Repeated-notes
    Repetitions
    Replacing-organist
    Resistance
    Resolutions
    Rhetoric-figures
    Robert-mccormick
    Robert-morehead
    Robin-gullbrandsson
    Roger-sherman
    Romantic French Organ Music
    Romantic German Organ Music
    Romantic Organ Music
    Sacred-music
    Saint-cecilia
    Saint-lucia
    Samuel-delaunay
    Samuel-giddy
    Sara-schott
    Scales And Arpeggios
    Scales-and-arpeggios
    Scheidemann
    Scheidt
    Schublers-chorales
    Science-and-art
    Scott-elsholz
    Secrets-of-organ-playing
    Secrets-of-organ-playing-calendar-2017
    Secrets-of-organ-playing-contest
    Selecting-repertoire
    Selecting-tempo
    Self-doubts
    Selfdoubts
    Selfimprovementd902628688
    Sharing-your-talents
    Shopify
    Short-octave
    Short Pedal Board
    Sietze-de-vries
    Sigh-motive
    Sight Reading
    Sightreading9d750d820d
    Sightreadinga5764d655d
    Silencing-the-crowd
    Sinfonia
    Singing-your-music
    Slawomir-zubrzycki
    Slow-and-easy
    Small Hands
    Software-program
    Sonata
    Sonata-form
    Sophieveronique-caucheferchoplin
    Sound Delay
    Soundrop
    Spanish-fingering
    Spinet Organs
    Split-keys
    Stanislaw-moniuszko
    Steemit
    Success
    Swedish-organ-culture
    Sweelinck Organ Music
    Swell-pedal
    Sydney Organ Journal
    Taking-a-break
    Talking-on-the-radio
    Taming-the-instrument
    Teaching
    Teaching-organ-playing
    Teisutis-makacinas
    Tempo
    Testimonials
    Tetrachord
    Thanking-someone
    Thanksgiving
    The-art-of-organ-building
    The-art-of-organ-improvisation
    The-arts-ministry-in-the-21st-century
    The-largest-tracker-organ
    The-notebook-of-anna-magdalena-bach
    Thierry-mechler
    Thomas-aberg
    Thomas-leslie
    Time Management
    Tobitha-moldenhauer
    Toccata
    Toccata-in-c-major
    Tom-trenney
    Tonality
    Top 5 Lists
    Tore-bjorn-larsen
    Total Organist
    Tournemire
    Toy-stops
    Tracker-organ
    Training
    Transcription
    Transposition
    Trio
    Trios
    Trio Sonatas
    Triplets
    Trust-and-authority
    Trying-different-organs
    Trying-new-things
    Tune-in-tenor
    Tuning
    Turning Pages
    Tutor
    Two-kinds-of-organists
    Two-part-training
    Tyler-boehmer
    Ugly-music
    Uncomfortable Organs
    Unda Maris Studio
    Unpredictable-organist
    Variations
    Vidas-pinkevicius
    Vidas Pinkevicius Compositions
    Vidas-pinkevicius-op-2
    Vidas-playing
    Video-training
    Viernes-final-from-the-symphony-no1
    Viola-organistica
    Virtual Organs
    Visiting-casparinis-organ
    Voluntary
    Vom-himmel-sieh-darein
    Walter-gatti
    Wayne-leupold
    Webinars
    Wedding-playing
    Weston-jennings
    Widor
    Widor-toccata
    Wilhelm-friedemann-bach
    William-mason
    William-whitehead
    Wir-sind-hier
    Wolff-von-ross
    Wolfram-kampffmeyer
    Workshop
    World-class-artist
    Worldclass-artist
    Writing-fugues
    Wyatt-smith
    Year-of-2014
    Year-review-2014
    You-tube
    Youtube

    Archives

    June 2025
    May 2025
    April 2025
    March 2025
    February 2025
    January 2025
    December 2024
    November 2024
    October 2024
    September 2024
    August 2024
    July 2024
    June 2024
    May 2024
    April 2024
    March 2024
    February 2024
    January 2024
    December 2023
    November 2023
    October 2023
    September 2023
    August 2023
    July 2023
    June 2023
    May 2023
    April 2023
    March 2023
    February 2023
    January 2023
    December 2022
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    April 2015
    March 2015
    February 2015
    January 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013
    July 2013
    June 2013
    May 2013
    April 2013
    March 2013
    February 2013
    January 2013
    December 2012
    November 2012
    October 2012
    September 2012
    August 2012
    July 2012
    June 2012
    May 2012
    April 2012
    March 2012
    February 2012
    January 2012
    December 2011

This site participates in the SheetMusicPlus, Amazon, Thomann and other affiliate programs, the proceeds of which keep it free for anyone to read.
​Copyright  © 2011-2025 by Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene.
​Terms of Service and Privacy Policy
  • HOME
  • BLOG
  • STORE
  • TOTAL ORGANIST
  • TOOLS
  • YOUTUBE
  • COMPOSITIONS
  • COACHING
  • ABOUT
  • RECITALS
  • PHOTOS
  • CONTACT
  • LOGIN
  • LT
  • AUSRA'S YOUTUBE