I hope you found Part 1 of Creating Processional March helpful and are getting excited to test your creative skills. Part 2 of Creating Processional March is ready for you to watch here.
We'll deal with Part B in our composition which according to our plan has to be in e minor. In this video, you will see the problems I got into when trying to connect Part A from video 1 with Part B.
The goal was to create a smooth bass line and avoid forbidden parallel octaves, fifths, augmented intervals, parallel motion of all voices, and accommodate the reach of wider intervals between the two hands since it's a piece for manuals only . It wasn't always easy, but the end was worth it.
Duo III (p. 3) by Antonio de Cabezón (1510-1566), a blind Spanish Renaissance composer and organist.
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Our Hauptwerk Setup:
Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene
Organists of Vilnius University , creators of Secrets of Organ Playing.
Don't have an organ at home?
Download paper manuals and pedals, print them out, cut the white spaces, tape the sheets together and you'll be ready to practice anywhere where is a desk and floor. Make sure you have a higher chair.