 By Ausra Motuzaite-Pinkeviciene (get free updates of new posts here)
A few problems are as difficult as rhythm when you play the organ. Usually rhythm starts to be challenging when something changes in your piece. As long as an episode moves in similar rhythmical values, you're OK. You figure it out once and continue on autopilot. I remember such places especially when a section with eighth-note triplets transitions into eighth-notes. Like at the end of the 2nd page of BWV 546. When I was a student and first learned this piece that's the place where I got stuck rhythmically. I would involuntarily speed up, I think. The key is count out loud and always subdivide the beats. No, you can't rely on doing it in your mind silently, you have to utter the numbers "1 and 2 and 3 and 4 and" aloud. Otherwise you get carried by your own irregular playing. It's not easy for beginners, I know that. But there's no other way. In order to connect the rhythms of different episodes, you have to connect the pulse too. |
Photo by Edgaras Kurauskas
Would you like to say "Thank You" to us? Buy Us Coffee.
Authors
Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene Organists of Vilnius University , creators of Secrets of Organ Playing. 
Do you have a unique skill or knowledge related to the organ art? Pitch us your story to become a guest on Secrets of Organ Playing Podcast.
Don't have an organ at home? Download paper manuals and pedals, print them out, cut the white spaces, tape the sheets together and you'll be ready to practice anywhere where is a desk and floor. Make sure you have a higher chair. Archives
February 2019
|
RSS Feed