studies at the age of twelve in Germany under the instruction of Tassilo Schlenther. For twenty-five years, Robert has held Director of Music positions in German Lutheran, Presbyterian, Episcopal, and Evangelical Lutheran churches. Robert holds a Bachelor's of Music degree in Organ Performance from Malone University in Canton, Ohio. While at Malone, Robert received instruction from W. Robert Morrison, FAGO and also earned a piano teaching certificate.

Over the years, Robert has earned three organ certifications: the D-Schein from the Lutheran Church in Germany, the Service Playing certificate from the American Guild of Organists, and the Colleague certification from the American Guild of Organists. Robert is an eighteen-year member of the American Guild of Organists, and has served on the Executive Committee for the Lehigh Valley chapter. He continued his organ studies in Allentown, PA with Stephen C. Williams. Robert has served as Director of Music at St. Paul's Evangelical Lutheran Church in Red Hill, PA, Good Shepherd Lutheran Church in Kreidersville, PA,  and as Contemporary Worship Coordinator at St. Mark's Lutheran Church in Pennsburg, PA. In addition to managing his own piano studio in the Lehigh and Perkiomen valleys, he was the choral director of the Lehigh Valley Saengerbund in Allentown, PA.

In 2007, Robert received his Master's degree in Music History from West Chester University of Pennsylvania, where he also earned a research award from the university for his work on the topics of Ralph Vaughan Williams' agnosticism. Robert's thesis was based on the jazz organ music of Dr. Joe Utterback of Rowayton, Connecticut. He also has played harpsichord and sung for the Renaissance and Early Music ensemble, Collegium Musicum, at West Chester. He also toured Germany performing organ concerts in Nochern, Wiesbaden-Bleidenstadt and Taunustein-Hahn.

In July 2009, Robert returned to the Pittsburgh area. Until May 2011, he was the Director of Worship and Music at Pleasant Hills Community Presbyterian Church in Pittsburgh, PA. Robert served as Director of Worship and Music at Beulah Presbyterian Church in Pittsburgh, PA from 2011-2016 leading a comprehensive music ministry that included nine music ensembles.

On August 1, 2016 Robert began his ministry at Emmanuel Lutheran Church in Vienna, VA where he is the Director of Music Ministry /Organist and directs the Sanctuary Choir and Cross Generational Choir and plays with the Revelation Band. He also records and publishes on You Tube a “Hymn of the Week” series which includes history of a hymn from the Evangelical Lutheran Worship each week.

Robert also is the coordinator of his family’s Christmas Praise series: A Christmas benefit concert now in its 28th year of works from chant to modern which is performed at a different location every year during Christmas week.

Robert has also recorded four compact discs: The complete organ works of Antonin Dvořàk, from Mendelssohn to Morehead (various selections from Baroque to modern), Faith Musings (a recording of Christian songs) and  Christmas Piano Improvisations (improvisations for Christmas performed on the piano).

In his free time, Robert is a free-lance recitalist (recently performing a recital series of organ works based on the book “Rediscovering Jesus” ) and composer performing throughout the United States and Germany. On October 8, 2009 (Robert's birthday), Robert's wife, Miranda, gave birth to their son, Kieren Micah. Just recently, Miranda gave birth to a daughter Lauryn Elora on July 8, 2016.
In this conversation, Robert shares his ideas about his organ practice, coordination between hands and feet, fingering, hymn of the week and challenging your listeners in his work as a church musician.

I was very glad to hear Robert has found my Organ Sight-Reading Master Course challenging but helpful and he talks about his experiences with this course at the end of the conversation.

Enjoy and share your comments below.

​And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends.

And if you like it, please head over to iTunes and leave a rating and review. This helps to get this podcast in front of more organists who would find it helpful.

Thanks for caring.

Listen to the conversation

Related Links:
https://www.rmorehead.com
http://elcvienna.org
Robert's channel on YouTube with the hymns of the week:
https://www.youtube.com/channel/UCIPoozArfbZNmNqXC4Xuqmw

She has received touring artist grants from the Arkansas Arts Council, California Arts Council, the American Embassies in Prague and Vienna, and the Czech Embassy in St. Petersburg. Dr. Scheide regularly performs chamber music with Le Meslange des Plaisirs and Voix seraphique on historic string keyboard instruments; and as Due Solisti (flute/organ) with Czech flutist Zofie Volalkova.

Scheide earned degrees in early music (with honors) and organ performance (organ department prize) at New England Conservatory and the University of Southern California. Her teachers have included John Gibbons and Cherry Rhodes. She teaches harpsichord at Westminster Choir College of Rider University, Princeton, and teaches online and sometimes traditional classes for Rowan College at Burlington. She lives in a 17th-century stone house Wiggan, and plays organ in the 1740 stone barn at Church of the Loving Shepherd, Bournelyf, West Chester.

A Founding Member of various early keyboard societies, Dr. Scheide was recently elected to a second term on the Executive Committee of the Philadelphia Philadelphia Chapter., American Guild of Organists. She is also a Past Dean of the San Diego Chapter.

Dr. Scheide is also a published composer with a significant discography. Her compositions have been made available through Darcey Press, E.C. Schirmer, Piano Press, Time Warner, Wayne Leupold and World Library. Current commissions include a piece for the 10th Anniversary of the Kimmel Center Organ. Her recordings are available on Dutch HLM, Organ Historical Society, Palatine and Raven labels.

In this conversation, Dr. Scheide shares her insights about her fascination with the Nasard stop, Olivier Messiaen's cycle "L'Ascencion", "Labyrinth" by the Czeck composer Petr Eben, and her collaboration initiatives with chamber music. At the end she gives her 3 steps in becoming a better organist so make sure you listen to the very end.

Enjoy and share your comments below.

​And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends.

And if you like it, please head over to iTunes and leave a rating and review. This helps to get this podcast in front of more organists who would find it helpful.

Thanks for caring.

Listen to the conversation

Related Link:
http://kathleenscheide.com

Dijk who is City Organist, and organist of the Grote Sint Laurenskerk, in Alkmaar, the Netherlands, where he acts as custodian to two of the world’s most significant historic organs. As one of Europe’s most sought-after teachers, Van Dijk is Professor and Head of Organ Studies at the Conservatory of Amsterdam, a position he combines with a Professorship at the Hochschule für Musik und Theater in Hamburg. Together with Frank van Wijk, he is Artistic Director of Organ Festival Holland, which places the renowned Alkmaar instruments at the center of a prestigious international organ competition, organ academy and concert series. 

Pieter van Dijk was a pupil of Bert Matter at the Arnhem Conservatory, before going on to further his studies with Gustav Leonhardt, Marie-Claire Alain and Jan Raas. As a performer he was awarded prizes at international competitions in Deventer (1979) and Innsbruck (1986). His many recordings on historic organs throughout the Netherlands and beyond have included the Fugue State Films DVD ‘The Organs of the Laurenskerk’, which in 2013 was awarded the Preis der Deutsche Schallplattenkritik. In 2017 he commenced the recording of a complete Bach-cycle for DMP Records.

Van Dijk’s research interests have led to the publication of articles about Weckmann, Sweelinck, Bach and the playing style of the great early 20th century German organist Karl Straube. He was one of the advisors behind the much-lauded reconstruction of the organ at the St Katharinenkirche in Hamburg, on which Bach famously performed in 1720.

As a performer and jury member at international competitions, Pieter van Dijk has appeared throughout Europe as well as in the USA and Japan.

You can also listen to my previous interview with Pieter van Dijk (SOP Podcast #22) from 2015.

Pieter came to Vilnius to teach and perform at the Summer Organ Academy which my colleague Balys Vaitkus and his team organized.

We met at the restaurant of his hotel and talked about his teaching and performing experiences at the Academy as well about his project to record complete organ works of J.S. Bach on significant historical instruments of Holland, Germany and Norway.

Enjoy and share your comments below.

​And don't forget to help spread the word about the SOP Podcast by sharing it with your organist friends.

And if you like it, please head over to iTunes and leave a rating and review. This helps to get this podcast in front of more organists who would find it helpful.

Thanks for caring.

Listen to the conversation

Related Link:
​https://www.dmp-records.nl