(LIVE) Online Organ Recital - Bach, Widor, Lefebure-Wely - Vidas Pinkevicius (2020 June 13)6/15/2020 Vidas Pinkevicius performs online organ recital (2020 June 13). PROGRAM: 1:15 Prelude and Fugue in A Major, BWV 536 (Johann Sebastian Bach) Score: https://www.sheetmusicplus.com/title/... 10:32 O Lamm Gottes, unschuldig, BWV 656 (J.S. Bach) Score: https://www.sheetmusicplus.com/title/... 21:00 Symphonie Gothique: II. Andante Sostenuto (Charles-Marie Widor) Score: https://www.sheetmusicplus.com/title/... 28:05 Sortie in E flat Major (Louis Jamie Alfred Lefebure-Wely) Score: https://www.sheetmusicplus.com/title/... I'm playing these pieces using Rotterdam Sint Laurenskerk sample set by Sonus Paradisi of Hauptwerk VPO. If you like my music making, you can support me on Patreon and get free organ CD's at https://patreon.com/secretsoforganpla... Buy me coffee: https://www.paypal.me/VPinkevicius Our Hauptwerk setup: https://www.organduo.lt/tools.html Secrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.lt
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On April 19th this year Vidas and I were supposed to perform arias and choruses from Bach's Easter Oratorio at Vilnius University St John's church. Naturally, this recital got cancelled because of the quarantine. However, we kept practicing our program, recording those pieces one by one and uploading them to YouTube. So today, not even 2 months after the original recital's date we have completed this task. During this time our Hauptwerk setup grew from 3 to 4 manuals - from more vertical keyboard stand to more horizontal table setup. I hope you will enjoy the last chorus. It's joyful and powerful. Score: https://www.sheetmusicplus.com/title/easter-oratorio-sheet-music/16648092?aff_id=454957 We have played this piece using Velesovo sample set by Sonus Paradisi of Hauptwerk VPO. If you like my music making, you can support me on Patreon and get free organ CD's at https://patreon.com/secretsoforganplaying Buy me coffee: https://www.paypal.me/ausramotuzaite My Hauptwerk setup: https://www.organduo.lt/tools.html Secrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.lt
Vidas: Hello and welcome to Secrets of Organ Playing Podcast!
Ausra: This is a show dedicated to helping you become a better organist. V: We’re your hosts Vidas Pinkevicius... A: ...and Ausra Motuzaite-Pinkeviciene. V: We have over 25 years of experience of playing the organ A: ...and we’ve been teaching thousands of organists online from 89 countries since 2011. V: So now let’s jump in and get started with the podcast for today. A: We hope you’ll enjoy it! V: Hi guys! This is Vidas. A: And Ausra. V: Let’s start episode 592 of Secrets of Organ Playing Podcast. This question was sent by Amir, and he writes: “Hi Vidas Thanks for your email! What I have now in my schedule is a daily time to practice sight reading. It does not take more than 15 minutes daily. At the same time I am redoing the exercises I have done 10 weeks ago. I find that looking at the same things again after 10 weeks of doing them, gives me more confidence that things are getting better. Most important benefit is for me to be regular in the sense of the beat pulse, and I think this is not beneficial for sight reading only but for music interpretation in general. It is better to do an intended "rallentando" than to slow down because the passage is just difficult. In addition these exercises are allowing me to predict to a certain extent my capabilities to keep a steady tempo in a piece of music. Looking at difficult passages and to have a certain estimation about how things can go, can help me to be steady. Changing to unexpected notes and rhythms is always tricky. Hoping that I am getting better. Amir” V: So, Amir is in our Organ Sight-Reading Master Course, Ausra. A: Excellent! V: And it seems that he’s spending 15 minutes a day, every day, and seeing regular practice, and seeing also regular progress, and he is actually checking the progress by playing exercises from 10 weeks ago. A: I think that he touched some very important points that I think could be beneficial to many of us. V: Such as? A: Such as that spending 15 minutes every day on something is very important. It’s more important to spend 15 minutes a day on a regular basis than to spend let’s say 3 hours once a week. I think such a case, if you spend some time every day regularly, you’ll see progress much faster. V: I have another point to make about his rallentando, conscious rallentando and conscious change of tempo. If you have to slow down, you have to know that you are slowing down, and if that piece of music changes, direction changes rhythms and pulse, you have to be quite conscious about it. Right? A: Yes, definitely! Your technical difficulties cannot dictate the tempo of the piece. If you can play it fast but some difficult passages you have to slow down, it means this tempo is too fast for you, and you need to play the entire piece in a slower tempo. V: To me, when I’m playing a rhythmically difficult piece, it helps me to play really really slowly at first. Do not speed up the passage before I can play it comfortably. Do you find it useful, too, Ausra? A: Yes, although sometimes I lack either the time or the patience to do that, but I see what you are doing, and I think it’s very beneficial. V: It takes time and patience, as you say, but you reap rewards! You see how the piece of music is getting better and better, maybe not daily, but probably weekly progress can be noticeable. Right? A: True. V: A lot of people don’t have the patience to do this, but one week is not that long, right? You can come back to a difficult passage after one week and play it through, and see that it’s not that difficult anymore. A: That’s right. I think it’s always good to go back and to play, let’s say, the same thing that you played a week ago or two weeks ago, and you will see how much better you are. V: And for your repertoire in general, I think it’s better to refresh it once in a while regularly. Keep it under your fingers and under your toes, because then you expand your repertoire, not just discarding it by learning new pieces every time, but you’re expanding your baggage of tricks. A: Yes, as you said, to keep it under your toes, I didn’t know that you play with your toes! I thought that you played with your feet! V: Oh, I have excellent toe technique! Five toe technique! A: Could you play a trill with your one foot using different toes? V: I can play two trills! Double trills! A: That’s funny. V: You know, I sometimes marvel at organists who play, or can play long recitals very frequently like maybe once a week or twice a week of difficult and different organ music every time, and I wonder what’s their secret. And the secret probably is refreshing their old material once in a while, frequently, while also learning something new! A: Well, he keeps asking me, “How can we do this? How can we do this? Tell me how can we do this?” And I’m just saying that they are more talented and more hard working than you are, so that’s the secret. V: Yeah, there is one Dutch organist whom I admire. Minne Veldman… I had to think about spelling of that name… but ok, Minne Veldman. And he plays like twice a week on YouTube, one hour long recitals, sometimes from his living room with Hauptwerk, sometimes from different churches. It's just superhuman to me. Don’t you think? And I asked him in a comment, “What is your secret? How are you able to play like three recitals per week?” because recently he posted three recitals. He actually answered, although he’s very well known and very popular, probably gets a lot of comments like this. But he answered, “Just keep playing and studying large repertoire.” This is true, right? A: Yes, this is true! V: Simple, yet effective. A: You cannot expand your repertoire if you will sit on the couch all day long watching TV. V: And talking about expanding repertoire. A: And talking about playing. V: Yeah. We all suffer from this, right? We see big names and try to emulate them and imitate them, but when it comes down to doing the work, there is no substitute. A: True. V: Thank you guys, this was Vidas, A: And Ausra! V: Please send us more of your questions; we love helping you grow. And remember, when you practice, A: Miracles happen. V: This podcast is supported by Total Organist - the most comprehensive organ training program online. A: It has hundreds of courses, coaching and practice materials for every area of organ playing, thousands of instructional videos and PDF's. You will NOT find more value anywhere else online... V: Total Organist helps you to master any piece, perfect your technique, develop your sight-reading skills, and improvise or compose your own music and much much more… A: Sign up and begin your training today at organduo.lt and click on Total Organist. And of course, you will get the 1st month free too. You can cancel anytime. V: If you like our organ music, you can also support us on Patreon and get free CD’s. A: Find out more at patreon.com/secretsoforganplaying Today is the Corpus Christi festivity so I wanted to improvise on the Gregorian chant Lauda Sion Salvatore sequence. I used various modes and keys on my 4 manual Hauptwerk setup. At around 11:22 strangely the sound disappeared but the power was still on, the recording was still going on so I just kept playing on a silent keyboard. Can you notice it? Even though I couldn't hear a sound I tried to improvise something meaningful and finish on a Tutti registration. Hope you will enjoy it! I'm playing this piece using Rotterdam Sint Laurenskerk sample set by Sonus Paradisi of Hauptwerk VPO. If you like my music making, you can support me on Patreon and get free organ CD's at https://patreon.com/secretsoforganplaying Vidas Pinkevicius performs online organ recital (2020 June 13). PROGRAM: Prelude and Fugue in A Major, BWV 536 (Johann Sebastian Bach) O Lamm Gottes, unschuldig, BWV 656 (J.S. Bach) Symphonie Gothique: II. Andante Sostenuto (Charles-Marie Widor) Sortie in E flat Major (Louis Jamie Alfred Lefebure-Wely) I'm playing these pieces using Rotterdam Sint Laurenskerk sample set by Sonus Paradisi of Hauptwerk VPO. If you like my music making, you can support me on Patreon and get free organ CD's at https://patreon.com/secretsoforganplaying Buy me coffee: https://www.paypal.me/VPinkevicius Our Hauptwerk setup: https://www.organduo.lt/tools.html Secrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.lt I played this organ recital at Vilnius University St John's church in Vilnius, Lithuania on 12 November, 2011. Program: 00:10 Estampie Retrove (Robertsbridge Codex, ca. 1360) 9:40 Adesto (Robertsbridge Codex, ca. 1360) 16:12 De ce fol pencer from the Faenza Codex for Organ, ca. 1430 22:00 Mensura duorum notarum from the Tablature of Adam Ileborgh, 1448 28:15 Fundamentum Organisandi by Conrad Paumann for organ, 1452 (Excerpts) 33:30 En avois from Lochamer Liederbuch, 1452 34:40 Mit ganczem willen wunsch ich dir from Lochamer Liederbuch, 1452 36:15 Paumgartner from Lochamer Liederbuch, 1452 40:08 Redeuntes in La from Buxheimer Orgelbuch ca. 1455-60 41:25 Annabasana from Buxheimer Orgelbuch, ca. 1455-60 43:15 Kyrieleyson de S. Maria V. from Buxheimer Orgelbuch, ca. 1455-60 54:12 Maria zart by Arnolt Schlick from Tabulatur etlicher Lobgesang, 1512 1:02:45 Excerpt from Ascendo ad patrem meum by Arnolt Schlick for organ for 10 voices Score: https://www.sheetmusicplus.com/title/... If you like my music making, you can support me on Patreon and get free organ CD's at https://patreon.com/secretsoforganpla... Buy me coffee: https://www.paypal.me/VPinkevicius My Hauptwerk setup: https://www.organduo.lt/tools.html Secrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.lt (LIVE) Meet the King of Instruments (Organ Demonstration) (October 29, 2011) - Vidas Pinkevicius6/11/2020 I played this organ demonstration at Vilnius University St John's church in Vilnius, Lithuania on 29 October, 2011. Program: 0:00 Toccata in D Minor, BWV 565/1 (Johann Sebastian Bach) Score: https://www.sheetmusicplus.com/title/... 10:15 Song of Seikilos Score: https://www.sheetmusicplus.com/title/... 17:25 Estampie Retrove (Robertsbridge Codex) Score: https://www.sheetmusicplus.com/title/... 22:05 Prelude in C Major from Well-Tempered Clavier I, BWV 846 (J.S. Bach) Score: https://www.sheetmusicplus.com/title/... 29:55 Liebster Jesu, wir sind hier, BWV 731 (J.S. Bach) Score: https://www.sheetmusicplus.com/title/... 34:50 In dich hab ich gehoffet, Her (Georg Friedrich Kauffmann) Score: https://www.sheetmusicplus.com/title/... 41:08 Jesu bleibet meine Freude from Cantata No. 147 (J.S. Bach) Score: https://www.sheetmusicplus.com/title/... 44:40 Canzona in G Major (Franz Tunder) Score: https://www.sheetmusicplus.com/title/... 48:15 Cantabile from Sonata No. 7 (Alexander Guilmant) Score: https://www.sheetmusicplus.com/title/... 53:20 Hautbois from Religious Meditations (Louis-Alfred-Jaime Lefebure-Wely) Score: https://www.sheetmusicplus.com/title/... 57:50 Prelude from Te Deum (Marc-Antoine Charpentier) Score: https://www.sheetmusicplus.com/title/... 1:02:47 Sortie in Eb Major (A.-J. Lefebure-Wely) Score: https://www.sheetmusicplus.com/title/... If you like my music making, you can support me on Patreon and get free organ CD's at https://patreon.com/secretsoforganpla... Buy me coffee: https://www.paypal.me/VPinkevicius My Hauptwerk setup: https://www.organduo.lt/tools.html Secrets of Organ Playing - When You Practice, Miracles Happen! https://organduo.lt
Vidas: Hello and welcome to Secrets of Organ Playing Podcast!
Ausra: This is a show dedicated to helping you become a better organist. V: We’re your hosts Vidas Pinkevicius... A: ...and Ausra Motuzaite-Pinkeviciene. V: We have over 25 years of experience of playing the organ A: ...and we’ve been teaching thousands of organists online from 89 countries since 2011. V: So now let’s jump in and get started with the podcast for today. A: We hope you’ll enjoy it! V: Hi guys! This is Vidas. A: And Ausra. V: Let’s start episode 595 of Secrets of Organ Playing Podcast. This question was sent by Giovanni. And he asks, How much is the price of an organ for a home, and where can I buy one? V: Well, this is very diverse question, I would say, right, Ausra? There is no one answer. A: Yes, there is no one answer. Because we ourselves have two organs in our home now. And one is tracker organ, which has only two stops, and it cost us a fortune at the time we got it. And now we have this Hauptwerk three manual and pedal Hauptwerk set (Update - 4 manuals now), which cost us much less money. V: Mm hm. A: Comparing to that other one. V: Because this was when we just returned from our studies in the US, and we were looking for an organ, and we were discussing various possibilities: electronic, pipe organs. We decided to go with the pipe organ even though it was very small, because we valued the mechanical touch, right? A: Well, and I still value mechanical touch. I don’t know about you, but I have strong feelings about this, and I still prefer tracker. And anyway, I think that this old electronic thing is still a piece of, well, you know what I mean, I won’t say tell this word aloud. But really, if you have already very good technique, outstanding technique, then yes, play the electronic, it won’t ruin your technique. But if you are a beginner, I strongly advise you to play tracker. V: Have you ever, Ausra, played electronic organ with tracker touch? A: Well no, I didn’t, but that’s... V: There are keyboards like that. A: I believe that this also would cost much more. V: Of course. Good things always cost a lot. And there are options, you know. You have to decide what kind of organ would you like to have: pipe organ, electronic organ, or even virtual organ? Those are not the same thing - virtual and electronic organ. Sometimes people comment on Facebook on my videos. They see both organs in our room and say, “It seems that you have a pipe organ in your house. Why are you playing on the synthesizer?” And I just pity those people, because they don’t have a clue what virtual organ is. A: Well, but I still understand why they are asking that. But it depends on what your goal in life is. I mean, if you only want to learn new music at home, yes, and you will be performing somewhere else all the time, and you are not going to record and to publish your recording, then yes, the tracker, as we have two stop, two manuals and pedals, it’s ideal for learning new music and keeping in good shape. But on such an organ, of course you will not be able to make public recordings because you will have only two stops. Of course, we could sort of add the MIDI keyboard to our tracker. V: Mm hm. A: It’s a possibility. But I sort of don’t want to mess up with it, because it might ruin the original instrument. V: Yes. It’s better to have a second virtual pipe organ, virtual, yes, pipe organ. A: Pipe organ. V: It’s called like that, you know. A: Yes, yes. V: Virtual pipe organ standing next to the real thing. Because you never know, you might need the real pipe organ for other things. And those virtual organs sound really virtually indistinguishable from real organs. It’s not the same with electronic organs, when the sound is synthesized, and comes not from the sampled, real pipes, right? But from synthesized sources. That’s the big difference nowadays. A: Well, I still hate playing the Hauptwerk. V: It’s because we have plastic keyboards. A: Yes. V: That’s all. If you had... A: I like to listen to it, but I hate playing it. V: If you had tracker action keyboards like my friends have shown me, like there are on the market, you wouldn’t feel the difference, actually. It’s the same feeling like mechanical action, tracker action organs. Those are much more expensive, of course. One keyboard could cost, I think, around $1,500. And we bought one keyboard for a little more than $100. Imagine the difference. But if you want real touch and still have the possibility to record on amazing sample sets from all over the world: smallest, largest, historical, modern organs, symphonic organs - whatever you want... A: Not all of them actually made an impression on me. V: No? A: So far, I found only two sample sets that I really liked. One is Velosovo… V: Mm hm. A: And another is Rotterdam. V: Oh yeah. A: So. But others haven’t made impression on me so far. V: It depends on many different factors, of course. If the samples that we’re playing on is surround or dry version, you know, with artificial reverberation, or if it’s recorded in surround sound with multiple microphones, that’s the difference. Rotterdam and Velosovo are surround. Therefore, we heard the acoustics of the room in our setting, too. A: But you know what is the danger of playing the Hauptwerk all the time - I think it really became your passion, and I’m afraid that when quarantine will be over, you will never go back to the real pipe organ. Because yes, it’s so convenient: you sit down on organ bench at home and you can play any type of organ you want. Any type of repertoire you want. And no tracker organ in reality will provide you such a possibility. V: And of course, you know, tracker organs are not entirely in tune, not entirely in good shape. You have to adjust your own expectations in many cases. But right now, we cannot really go to the church, right? Even with Unda Maris organ studio, we have to go once a week, but not to the church, but to the chapel of the University, on the small one manual organ. So when it’s over, of course I will go back to the church. A: Really? V: Don’t doubt my intentions. I of course will record from there too, and I will divide my time, both from the home Hauptwerk organ and the church organ. A: Well, we will see. V: Real thing is real thing of course. It’s just the convenience of having those sounds in your own practice room that’s very very beneficial right now. All right, so guys, you have to pick and choose whatever your needs are: how much you can spend, what kind of organ, what kind of touch you want to have. Possibilities are endless. If you are just dipping your toes, I think it’s not wise to invest thousands and thousands - I think actually tens of thousands of dollars into this, right Ausra? A: True. V: If you’re just starting and you don’t know if you will be playing the organ, let’s say, five years from now. A: Maybe you should acquire one keyboard and see how it goes. If you like it a lot… V: Yes! Just… A: ...and then you can expand little by little, you know, if such a need will... V: Remember what we did at first, we had just one MIDI keyboard which is made by Nektar - 61 keys. I was using this for my compositions with Sibelius software at first. And then my friend James Flores suggested, “Why don’t you download a free trial of Hauptwerk software, and you can hook up this MIDI keyboard, and try it out and see if you like it. And that’s how we started our Hauptwerk journey, with one keyboard at hand, no pedals at all. A: Yes, but keep in mind, that if you have, if you want to have Hauptwerk at home, you have to consider what kind of computer do you have. Because probably what you have right now home, won’t work very well with the Hauptwerk and you will get all kind of troubles. Like you know, can play only in a very slow tempo. V: Oh, this is sound delay. A: Yes, sound delay - it bothers me a lot. Then you might need a new computer, better computer, and so on and so forth. Basically, you know as we started all this Hauptwerk crazy journey, basically every day to our house new things arrived: new wires, new amplifiers, new all kinds of things that I don’t even know we need. V: (laughs) A: Boxes upon boxes upon boxes. V: Ausra is talking about the expansion of the Hauptwerk that we have. That’s right - if you have just regular laptop at your home, like we did before, we could use basic version of Hauptwerk very well, but if we needed this advanced version or larger sample sets, it wouldn’t work. You have to have more RAM; you have to have 64-bit computer for Hauptwerk. Check if you have an old one with 32-bit processor, then the software won’t work. But nowadays, all the computers are 64-bit. A: Well, but another thing to consider, if you want to get the virtual stuff… V: Mm hm. A: ...you need to be quite advanced in computers in general. Because otherwise… V: Yes, yes definitely. A: ...look at that Facebook Hauptwerk organist group… V: Mm hm. A: Each of them are asking, “Oh help, help, help - I bought this one and now I cannot do that one! Help, how do I plug this one, how I do this one?” V: But that’s good, because it’s a forum, it’s a group for help, for providing help to each other. If more experienced members know more, they help out. Like Andrew Grahame in our Total Organist community - he’s by the way our supporter on Patreon, too - and he wrote about his Hauptwerk journey. Did you read his post on Basecamp? A: Yes, I read it. V: He has, like maybe 100 sample sets, 100 organs in his disposal. Of course, he collected those sample sets not in one year, not in five years, but since, I don’t know, since he started back in the last decade. His journey is very extensive. And he was one of the first Beta testers of Hauptwerk, too. Where developers would send him Hauptwerk software and he would try it out and find bugs in the system, and they would correct those bugs and eliminate those for future users. So I would ask questions from Andrew, and he would gladly help out. The same is with Facebook group and Hauptwerk forum, from hundreds of people who are more knowledgeable and you’re not alone. A: So, but if you don’t want the trouble, then just get a tracker. You will just plug it in and you can practice whatever you want with no trouble. Because if I would have a virtual organ by myself… V: Mm hm. A: ...I don’t know how much time I would have to spend just to figure out how it works. Now even when you showed me how the things work, it’s still not so easy for me. Of course I can already do a lot, comparing to what I could do at the beginning, but still it’s a long journey. V: But you’re progressing, right? A: Yes. V: I can see you managing Hauptwerk with your mind only in the future, yes? A: Ha ha. V: Because your IQ is greater than mine, there is no reason you cannot figure this stuff out. A: Well, let’s don’t go in there. V: Okay. But if you guys want a tracker organ, pipe organ I mean, then be prepared to invest a sum of money that is comparable to the price of a car. A: True. V: A good new car, I mean. Okay. This was Vidas. A: And Ausra. V: Please send us more of your questions. We love helping you grow. And remember, when you practice, A: Miracles happen. V: This podcast is supported by Total Organist - the most comprehensive organ training program online. A: It has hundreds of courses, coaching and practice materials for every area of organ playing, thousands of instructional videos and PDF's. You will NOT find more value anywhere else online... V: Total Organist helps you to master any piece, perfect your technique, develop your sight-reading skills, and improvise or compose your own music and much much more… A: Sign up and begin your training today at organduo.lt and click on Total Organist. And of course, you will get the 1st month free too. You can cancel anytime. V: If you like our organ music, you can also support us on Patreon and get free CD’s. A: Find out more at patreon.com/secretsoforganplaying Yesterday my table from IKEA and Viscount organ bench from Thomann arrived and I started it assembling it for our Hauptwerk setup. At first I dismembered the 3 keyboards and Jaspers keyboard stand as well as the computer monitor with some wiring for the speakers. I was tired of this semi-vertical setup and therefore wanted more proper manual dimensions. Hence I needed the table. Probably the bench was easier to assemble than the table but in the end they both were put into place. I knew it was just temporary but I wanted to see how the keyboards would look on the table so I used DVD cases to put under the upper manuals. I felt quite tired afterwards so I decided to call it a day and continue the work with keyboards in the morning. The morning started with me clearing the table and looking for some old thick books to support the upper manuals. We also had unused black-and-white Pinky and Spiky comic books which worked well for this purpose. Parts of Jaspers music sand went into the new setup too. One by one I plugged in the keyboards and called Ausra to test the distances. She said it was better than before. I thought I would not do this today but I decided to set up the 4th Nektar keyboard which I had secretly bought the day before. Why wait... I wanted to surprise Ausra and didn't tell her about it when I called to play a duet of Bach's Mein gläubiges Herze with me. Only when I asked her which manuals will she want to use did she notice the change from 3 manuals to 4... Her reaction is best described in this comic I drew afterwards: So anyway, our 4 manual Hauptwerk setup is still not perfect - the music stand is too far away now that it has to lean against the table and not against the upper keyboard as before. To fix this I looked up on Amazon and ordered table music stand which should arrive next Monday.
Later in the afternoon I practiced my upcoming recital program (Bach, Widor and Lefebure-Wely) and wasn't sure I could comfortably play it before I get the new music stand. This change from Jaspers music stand to the table setup plus the 4th keyboard requires some major mental rewiring in the brain. It's really like a new organ and takes time to get used to. No rush. Oh and by the way, Ausra said the same thing when she finally tried the 4 manual Hauptwerk herself. She said she will not perform on it until the new music stand arrives and she recommended I'd do the same. The good news is we finally got our old organ bench where it belongs - next to our pipe practice organ. Maybe we can start playing on it again. Thank you everyone for participating! You all made us very happy with your entries. We have all selected the following winners. You can congratulate them here.
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Drs. Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene Organists of Vilnius University , creators of Secrets of Organ Playing. Our Hauptwerk Setup:
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