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TOTAL ORGANIST

Welcome to the Total Organist program!

For the best results, in order not to feel overwhelmed by the material and implement our teachings in your practice, I recommend signing up for a couple of courses at a time. Choose your advancement level below wisely.

Click on this link to join our communication server on Discord:

https://discord.gg/Yg72vegeaD

We will be able to ask questions there, receive support and in general quadruple your results and motivation to practice.

I'm looking forward to helping you reach your goals
and grow in organ playing,

Vidas Pinkevicius

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The links below allow you to subscribe or download practice scores, trainings, and coaching programs of Total Organist (Beginner Level, Basic Level, Intermediate Level, Advanced Level and All Levels):

BEGINNER LEVEL
BAROQUE REPERTOIRE

All'Offertorio in C Major by Domenico Zipoli with Fingering
Would you like to master the famous All'Offertorio in C Major by Domenico Zipoli (1688-1726)? If so, I have prepared this practice score for you with complete fingering written in. It will save you many hours of figuring out the fingering yourself. Thanks to Annabel Brown for her meticulous transcription of fingering from the video. Beginner level. PDF score. 2 pages.

Pastorale by Domenico Zipoli with Fingering
Would you like to master the famous Pastorale by Domenico Zipoli (1688-1726)? If so, I have prepared this practice score for you with complete fingering written in. It will save you countless hours of figuring out the fingering yourself. Thanks to Jeremy Owens for his meticulous transcription of fingering from the video. Beginner level. PDF score. 2 pages.

HARMONY

Deciphering Lobe den Herren
Join Ausra as she cracks the harmony of the beloved Lobe den Herren "Praise to the Lord, the Almighty" hymn for Victoria during one of her lessons together. MP3 training, 51 minutes. The sheet with the hymn harmonization in 4 parts is also provided.

Deciphering Doxology
Join Ausra as she cracks the harmony of the beloved Doxology (Old Hundredth) hymn "Praise God from Whom All Blessings Flow" for Victoria during one of her lessons together. MP3 training, 45 minutes. The sheet with the hymn harmonization in 4 parts is also provided.

Deciphering Ich ruf zu Dir
Join Ausra when she does chord by chord analysis of Ich ruf zu dir, Herr Jesu Christ, BWV 639 by Johann Sebastian Bach for Victoria. 2 MP3 files (over 2 hours of training) + PDF score. 50 % discount is valid until July 5. Bonus: the 1st part of MP3 1 is about Secondary Dominant Chords.

Deciphering Menuet in G Major
Join Ausra when she does chord by chord analysis of Menuet in G Major, BWV Anh. 114 from the Notebook of Anna Magdalena Bach for Victoria (sometimes Vidas joins in this training too). 3 MP3 files (over 2 hours of training) + PDF score.

Deciphering Menuet in G Minor
Join Ausra when she does chord by chord analysis of Menuet in G Minor, BWV Anh. 115 from the Notebook of Anna Magdalena Bach for Victoria. 2 MP3 files (100 minutes of training) + PDF score.

Harmony Review for Beginners 3
4 MP3 recordings from Ausra's harmony lessons with Victoria. It's a continuation from Harmony Review for Beginners and Harmony Review for Beginners 2 (total - over 3.5 hours of training). Listen in as Ausra works with Victoria on the 2nd scale degree 7th chord and its inversions as well as harmonic analysis of "Ich ruf zu Dir, Herr Jesu Christ", BWV 639 by J.S. Bach (PDF score included).

Harmony Review for Beginners 2
4 MP3 recordings from Ausra's harmony lessons with Victoria. It's a continuation from Harmony Review for Beginners. Progress gradually as you brush up on some wonderful harmonic concepts. These trainings will even help your hymn playing too!

Harmony Review for Beginners 1
This is for absolute beginners who would not understand Vidas' Harmony for Organists Level 1 course but need help in harmony yes, you do need to know how to read notes in the treble and bass clefs). There will be lots of repetition and reinforcement by me because we will have to go slow in order for beginners to understand. You will get 4 MP3 files with PDF examples. Over 2 hours of audio training.

HYMN PLAYING

Adeste fideles (keyboard), beginner level with fingering
This is an arrangement of the famous Christmas Carol Adeste fideles ("O Come, All Ye Faifthful") for any keyboard instrument, beginner level for two voices. Fingering provided.PDF Score. Beginner Level. 1 page.

MODERN REPERTOIRE

Meditation on In dulci jubilo, Op. 152 (Organ Solo) by Vidas Pinkevicius (2022)
In this meditation on the Christmas chorale In dulci jubilo, Op. 152 the melody is placed in the tenor range played by the left hand with a soft reed registration. The feet play long pedal points on 7 notes and the right hand part plays around the notes of G major scale with some interesting rhythms. It's a very easy piece, suitable both for liturgical purposes and for concert playing when more contemplative music is required.
PDF score. Beginner level. 3 pages.

Jungfrauenregal from Organ ABC by Vidas Pinkevicius (2020)
I have improvised this piece on Vox humana 8' stop using Velesovo sample set of Hauptwerk VPO. I dedicate it to Michael Calabris for his participation in our Secrets of Organ Playing Contest. Hope you will enjoy it!PDF score. Beginner level. 1 page.Thanks to Diana Danilova for transcribing the music and the fingering from the video!

"Flutes" from "Organ ABC" with Fingering and Pedaling by Vidas Pinkevicius
As promised, here comes this new piece which I composed around lunchtime today. "Flutes" is dedicated to Auke Jongbloed for participating in our Secrets of Organ Playing contest week after week. It can be played using Flute of 8' or 4' pitch levels. It consists entirely of one voice passage starting in D minor and moving through the different accidentals. Thanks to Diana Danilova for transcribing the fingering from the video!In the first video I play very slowly and my hands are clearly visible. I use 8' flute registration. In the 2nd video, I play at the concert tempo with 4' flute registration. It took me 7 tries to record today and I chose the 3rd try from the end as it turned out to be the best.
Let me know what you think.
What will you get? PDF score. 2 pages. Beginner level.

Hautbois from Organ ABC for organ by Vidas Pinkevicius (2020)
This piece is dedicated to Audrė Dudėnienė for her participation in our Secrets of Organ Playing Contest. Hope you will enjoy it!PDF score. Beginner level. 1 page.

Iula from Organ ABC for organ by Vidas Pinkevicius (2020)
Very early in the morning, when Ausra was still asleep I fired up my laptop, MIDI controller keyboard and opened my Hauptwerk program. Today my goal was to improvise the 9th part of my cycle Organ ABC. The 9th letter of the Latin alphabet is "I" so I called it Iula. It is an organ flute stop of the 4' level. We have it at St John's church on the Swell. For this recording I used 4' flute. Its character came out humorous, hence I gave Giocoso indication. The piece is in Bb major key but travels to various keys in between to add more color. I dedicate it to Laurie Mueller for her participation in our Secrets of Organ Playing Contest. Hope you will enjoy it!PDF score. Beginner level. 1 page.

"Echo" from "Organ ABC" with Fingering and Pedaling by Vidas Pinkevicius
After I uploaded 10 tracks from my YouTube channel archives to Distrokid today, I thought of creating another piece for the organ. This time it was Part 5 from my cycle Organ ABC. It starts from letter E and I named it Echo.
Echo on the organ might mean two things - a separate manual on an organ with more than 2 manuals or it could be a compositional technique devised to create an echo effect.
I chose the latter. I wanted to create an effect of a dialogue between two layers of sound - loud and softer.
It is in the mode of F and I improvised it on my MIDI keyboard which was connected to the Sibelius software on my computer. After I played it, I went back and renotated the performance so that it would look legible on the score. I also changed the meter often and disposition of voices from time to time. For music in a new meter to look comprehensible I had to renotate the rhythms too - usually remove tied notes. As in the previous piece, here too I had a fun time with parallel fifths in both hands.

"Dulcian" from "Organ ABC" with Fingering and Pedaling by Vidas Pinkevicius
After I returned home from my long walk in the afternoon, yesterday I decided to compose my 4th movement from Organ ABC cycle. This piece starts from letter D and is called Dulcian. This is a low sounding organ stop, which reminds a little bit of a bassoon. Their pitch level is at 16' which means it sounds one octave lower than written in the score.

"Contrabourdon" from "Organ ABC" with Fingering and Pedaling by Vidas
Pinkevicius
My friend James Flores asked me today what I'm going to do today and I was just finished with recording my 3 improvisations for today and said that I'm ready to transcribe a Bach cantata for organ duet.
However, I got side-tracked into composing this 3rd part of my cycle "Organ ABC". It's called Contrabourdon. By the way, Contrabourdon is a very low sounding organ pedal stop...

"Bellows" from "Organ ABC" with Fingering and Pedaling by Vidas Pinkevicius
Bellows serve as lungs of the pipe organ so to illustrate this I first created long chords in my hand parts, then added the pedal part. Without good lungs, one cannot sing long notes, right? Then I cleaned up the score so it would be ready for performance.

"Aeoline" from "Organ ABC" with Fingering and Pedaling by Vidas Pinkevicius
Last week I set out to create my Organ ABC cycle for solo organ with 26 parts where every part is dedicated each of the letter of Latin alphabet. These will be the pieces accessible to play for relative beginners. And when a beginner finishes learning them, they will no longer be a beginner and actually will have advanced to the next level.The problem is that beginners need guidance in learning such pieces, for example, guidance in choosing the most efficient fingering and pedaling. That's where this score comes in.

MUSIC THEORY

Melodic Dictation Master Course
Do you want to train your ear and develop perfect pitch?Do you want to better understand music compositions?Do you want...

PRACTICE

Organ Practice Training
Are you struggling finding motivation or time to practice organ music?
Or perhaps you don't know how to practice efficiently, correctly, effectively so that you reach your goals fast?
Or perhaps you want to achieve precision and clarity in your organ playing but don't know how to do it in the most effective way possible?
To help you achieve your goals in organ playing, I have created this program which is designed to help you overcome the challenges you are having with specific issues of organ practice.
In these recordings you will find my teaching on many important aspects of organ practice, including:
-> Finding Motivation for Practice
--> Ideal Length of Practice Time
--> Finding Time for Practice
--> Correct, Effective, and Efficient Practice
--> Achieving Precision and Clarity in Your Practice
--> Creating Your Organ Practice Plan
--> Learning Multiple Organ Pieces
--> The Most Effective Memorization Systems of Organ Music
--> Greatest Practice Mistakes and How to Avoid Them
--> Keeping Your Organ Music in Long-Term Memory
--> and much more...
You will receive 4 MP3 files (over 2 hours of training) for download.

Beyond Performance Anxiety (Course Description)
A video training where Ausra and I teach you to manage your fear before and during public performance.

Finding Practice Time ( Course Description)
A video training where Ausra and I teach you the most effective ways to prioritize your time so that you would get the most of your organ practice in the least amount of time possible.

ROMANTIC REPERTOIRE

6 Short Trios, Canons, Trio and Prelude Funebre by Jacques-Nicolas Lemmens with Fingering and Pedaling
Would you like to learn 6 Short Trios, Canons, Trio and Prelude Funebre by Jacques-Nicolas Lemmens? These pieces are taken from his Organ Method, Part 2 (1862). I hope you'll enjoy playing this piece yourself from my PDF score.
Thanks to Diana Danilova for her meticulous transcription from the slow motion videos.
What will you get?
PDF score with complete fingering written in which will save you many hours of work. Beginner Level. 7 pages.

SIGHT-READING

Organ Playing Master Course Level 1 (Course Description)
This is a 12 week course which includes single-voice exercises in a PDF format for each of the days of the week delivered once a week to your email inbox. The exercises are arranged in gradually increasing level of difficulty (with the ascending number of accidentals and gradually smaller rhythmical values).
The exercises alternate between the articulate legato style (for early music composed up to about 1800, like pieces from the Baroque and Renaissance periods) and modern legato style (for Romantic and Modern organ music) so that you could learn both vital techniques at the same time.
You will also get an unlimited email access to me during the course of this program. If you need help with anything - simply write me a message and I'll will help you out.

TECHNIQUE

10 Day Pedal Playing Challenge
Would you like to improve your pedal technique in 10 days?If so, check out my new 10 Day Pedal Playing Challenge. These exercises are taken from the Solfege method book by Frederic Boissiere (1877). I added the pedaling to the 10 opening exercises so that you can practice one exercise per day for the next 10 days. Feel free to sing these exercises too which will also improve your musical hearing.

Organ Technique Training
Are you struggling with improving your left hand technique?
Or perhaps you don't know how to learn to play pedal solos easily and efficiently?
Or perhaps you want to develop proper independence between the left hand and pedals?
To help you achieve your goals in organ playing, I have created this audio program which is designed to help you overcome the challenges you are having with specific issues of organ technique.
In these recordings you will find my teaching on many important aspects of organ technique, including:
--> Difference between the piano and organ sound production
--> How to depress and release the keys and pedals correctly
--> How to use finger and pedal preparation
--> How to use finger and pedal glissando
--> How to use finger and pedal substitution
--> How to play pedal solos
--> How to develop finger dexterity
--> Difference between the modern and early organ technique
--> Paired and position fingering for early organ music
--> Interval fingering
--> Chord fingering
--> Alternate toe pedaling technique
--> Same toe technique
--> Developing left hand and feet independence
--> And much more...
You will receive 2 MP3 files (over 2 hours of training) for download.

Building Pedal Powers (Course Description)
A video training where Ausra and I teach you the most efficient ways to play the music in the early and legato style.

BASIC LEVEL

BAROQUE REPERTOIRE
Fantasia in C Major, BWV 570 by J.S. Bach with Fugue in C Major by V. Pinkevicius
Have you ever wished J.S. Bach had created a fugue to be played with Fantasia in C Major, BWV 570 for organ solo? I have and decided to create one. I hope you will enjoy my fugue in C Major which is based on the opening pedal motive of Fantasia in C Major. Recorded on Hauptwerk Obervellach sample set. Dedicated to Rien Schalkwijk.Basic level. PDF score for organ with pedals. 7 pages.

Flow My Tears (Organ Solo) by John Dowland
This is an organ solo arrangement of Lachrimae Antiquae (Flow My Tears) by John Dowland. It could be played on an organ with two manuals and pedals.
PDF Score. Basic Level. 2 pages.

Auf meinen lieben Gott, BuxWV 179 by Dieterich Buxtehude with Fingering
Would you like to master the famous chorale partita Auf meinen lieben Gott, BuxWV 179 by Dieterich Buxtehude? If so, I have prepared this practice score for you with complete fingering written in. It will save you countless hours of figuring out the fingering yourself.
Thanks to Annabel Brown for her meticulous transcription of fingering from the video.
Basic level. PDF score. 3 pages.

Wie schön leuchtet der Morgenstern by Johann Pachelbel with complete fingering and pedaling
Would you like to master Wie schön leuchtet der Morgenstern by Johann Pachelbel (1653-1706), Central German Baroque composer?I have created this score for you with complete fingering and pedaling which will save you many hours to achieve ideal articulation - articulate legato.
Thanks to Alan Peterson who transcribed this score from my slow video.
Basic level. PDF score. 2 pages.

Jesus, meine Zuversicht by Johann Ludwig Krebs with fingering and transcribed continuo notation
Would you like to master Jesus, meine Zuversicht by Johann Ludwig Krebs?
I've created this practice score with complete fingering and continuo notation transcription so that our students could master this piece efficiently, saving many hours of frustration and achieving ideal articulation - an articulate legato.
Thanks to Alan Peterson and Diana Danilova for their meticulous transcription from a video.
Basic level. PDF score. 14 pages.

An Wasserflussen Babylon by Johann Pachelbel
Would you like to master An Wasserflussen Babylon by Johann Pachelbel?
I've created this practice score with complete fingering so that our students could master this chorale prelude efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Juan Osorno for his meticulous transcription from slow motion video.
Basic level. PDF score. 2 pages.

Was Gott tut, das ist wohlgetan by J.L. Krebs with fingering
I hope you will enjoy practicing this beautiful Was Gott tut, das ist wohlgetan by J.L. Krebs. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve an articulate legato touch.
PDF score. Basic level. 3 pages.
Thanks to Alan Peterson for transcribing the fingering from the video.

Wachet auf, ruft uns die Stimme Chorale Harmonisation, BWV 140/7 by J.S. Bach
Would you like to master Wachet auf, ruft uns die Stimme Chorale Harmonisation, BWV 140/7 by J.S. Bach?I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Basic level. PDF score. 1 page.

Allein zu dir and An Wasserflussen Babylon by Friedrich Wilhelm Zachow
These 2 short little gems are representative of German Baroque composer's Friedrich Wilhelm Zachow's choral writing style - chorale theme is treated in imitation between the voices like a small fugue. Perfect for preludes before the church service.
PDF score. Basic level. 1 page.
Thanks to Diana Danilova for transcribing the music and the fingering from the video! My early fingering will save you lots of hours and help you practice efficiently and effortlessly with correct articulate legato touch.

Marche pour la Ceremonie des Turcs by Jean-Baptiste Lully
Today I was looking for some March to start my next online recital and remembered this wonderful March pour la Ceremonie des Turcs by Jean Baptiste Lully. I love it so much not only because it is delightful and masterful music but also because it is written in minor key. You don't see minor keys in marches every day so it's twice as fun.
This piece is is very famous - you can hear it performed with period instruments in a French movie Tout le matin du monde (All the Mornings in the World) with Gerard Depardieu.
I used to play this march from an open score with 5 staves and French clefs but today I arranged it for the organ notation so that other organists could also play it.
Hope you will enjoy it!
PDF score. Basic level. 2 pages.

Komm, heiliger Geist, Herre Gott, BuxWV 199 by D. Buxtehude with fingering and pedaling
Would you like to master Komm, heiliger Geist, Herre Gott, BuxWV 199 by D. Buxtehude?I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Diana Danilova for her meticulous transcription from slow motion video.Basic level. PDF score. 3 pages.

Hilf Gott, dass mir's gelinge, BWV 624 by J.S. Bach
Would you like to master Hilf Gott, dass mir's gelinge, BWV 624 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 2 pages.

Christ ist erstanden, BWV 627 by J.S. Bach
Would you like to master Christ ist erstanden, BWV 627 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato. The left hand is written in the alto clef.
Thanks to Carlos David Bernales Vilca and Alan Peterson for their meticulous transcription from slow motion video.
Basic level. PDF score. 4 pages.

In dich hab' ich gehoffet, Herr, BWV 640 by J.S. Bach
Would you like to master In dich hab' ich gehoffet, Herr, BWV 640 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jan Pennell for her meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Three Part Sinfonia No. 12 in A Major, BWV 798 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 12 in A Major, BWV 798 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.

Three Part Sinfonia No. 15 in B Minor, BWV 801 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 15 in B Minor, BWV 801 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Alan Peterson for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1.5 pages.

Three Part Sinfonia No. 14 in Bb Major, BWV 800 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 14 in Bb Major, BWV 800 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Alle Menschen müssen sterben, BWV 643 by J.S. Bach
Would you like to master Alle Menschen müssen sterben, BWV 643 by J.S. Bach?
I've created this practice score (left hand in alto clef) with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Gerrit Jordaan for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Three Part Sinfonia No. 9 in F Minor, BWV 795 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 9 in F Minor, BWV 795 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 2 pages.

Three Part Sinfonia No. 11 in G Minor, BWV 797 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 11 in G Minor, BWV 797 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Juan Osorno for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 2 pages.

Three Part Sinfonia No. 10 in G Major, BWV 796 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 10 in G Major, BWV 796 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 2 pages.

Three Part Sinfonia No. 2 in C Minor, BWV 788 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 2 in C Minor, BWV 788 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Gerrit Jordaan for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Three Part Sinfonia No. 1 in C Major, BWV 787 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 1 in C Major, BWV 787 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Alan Peterson for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Three Part Sinfonia No. 4 in D Minor, BWV 790 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 4 in D Minor, BWV 790 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.Basic level. PDF score. 1 page.

Three Part Sinfonia No. 8 in F Major, BWV 794 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 8 in F Major, BWV 794 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Gerrit Jordaan for his meticulous transcription of fingering from the slow motion video.Basic level. PDF score. 1 page.

Three Part Sinfonia No. 7 in E Minor, BWV 793 by J.S. Bach with complete fingering
Would you like to master Three Part Sinfonia No. 7 in E Minor, BWV 793 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.Basic level. PDF score. 1 page.

Sonata on the 1st Tone by Jose Lidon with complete fingering
Would you like to master Sonata on the 1st Tone by Jose Lidon (1752-1827), a Spanish Classical composer?
I have created this score for you with complete fingering for ideal articulation, articulate legato.
Thanks to Alan Peterson who transcribed this score from my slow motion video.
Basic level. PDF score. 2 pages.

Christus, der uns selig macht, BWV 620 by J.S. Bach
Would you like to master Christus, der uns selig macht, BWV 620 by J.S. Bach?
I've created this practice score (left hand in alto clef) with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Carlos David Bernales Vilca for his meticulous transcription from slow motion video.
Basic level. PDF score. 1.5 pages.

Three Part Sinfonia No. 6 in E Major, BWV 792 by J.S. Bach
Would you like to master Three Part Sinfonia No. 6 in E Major, BWV 792 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Juan Osorno for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 2 pages.

Three Part Sinfonia No. 5 in Eb Major, BWV 791 by J.S. Bach
Would you like to master Three Part Sinfonia No. 5 in Eb Major, BWV 791 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1.5 pages.

Wer nur den lieben Gott lässt walten, BWV 642 by J.S. Bach
Would you like to master Wer nur den lieben Gott lässt walten, BWV 642 by J.S. Bach?
I've created this practice score (left hand in alto clef) with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Ach wie nichtig, ach wie flüchtig, BWV 644 by J.S. Bach
Would you like to master Ach wie nichtig, ach wie flüchtig, BWV 644 by J.S. Bach?
I've created this practice score (left hand in alto clef) with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Alan Peterson for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Vater unser im Himmelreich, BWV 636 by J.S. Bach
Would you like to master Vater unser im Himmelreich, BWV 636 by J.S. Bach?
I've created this practice score (left hand in alto clef) with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Gerrit Jordaan for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Es ist das Heil uns kommen her, BWV 638 by J.S. Bach
Would you like to master Es ist das Heil uns kommen her, BWV 638 by J.S. Bach?I've created this practice score (left hand in alto clef) with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Erschienen ist der herrliche Tag, BWV 629 by J.S. Bach
Would you like to master Erschienen ist der herrliche Tag, BWV 629 by J.S. Bach?
I've created this practice score (left hand in alto clef) with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jan Pennel for her meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Wenn wir in höchsten Nöten sein, BWV 641 by J.S. Bach
Would you like to master Wenn wir in höchsten Nöten sein, BWV 641 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Alan Peterson for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No. 12 in A Major, BWV 783 by J.S. Bach
Would you like to master Two Part Invention No. 12 in A Major, BWV 783 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Annabel Brown for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Liebster Jesu, wir sind hier, BWV 633-634 by J.S. Bach
Would you like to master Liebster Jesu, wir sind hier, BWV 633-634 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Juan Osorno for his meticulous transcription from slow motion video.
Basic level. PDF score. 2 pages.

Dies sind die heilgen Zehn Gebot, BWV 635 by J.S. Bach
Would you like to master Dies sind die heilgen Zehn Gebot, BWV 635 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Alan Peterson for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Christ lag in Todesbanden, BWV 625 by J.S. Bach
Would you like to master Christ lag in Todesbanden, BWV 625 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Alan Peterson for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Heut' triumphiret Gottes Sohn, BWV 630 by J.S. Bach
Would you like to master Heut' triumphiret Gottes Sohn, BWV 630 by J.S. Bach?I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Komm, Gott, Schöpfer, Heiliger Geist, BWV 631 by J.S. Bach
Would you like to master Komm, Gott, Schöpfer, Heiliger Geist, BWV 631 by J.S. Bach?I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Juan Osorno for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Christe, du Lamm Gottes, BWV 619 by J.S. Bach
Would you like to master Christe, du Lamm Gottes, BWV 619 by J.S. Bach?I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Gerrit Jordaan for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Erstanden ist der Hel'ge Christ, BWV 628 by J.S. Bach
Would you like to master Erstanden ist der Hel'ge Christ, BWV 628 by J.S. Bach?I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No. 15 in B Minor, BWV 786 by J.S. Bach
Would you like to master Two Part Invention No. 15 in B Minor, BWV 786 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Jesus Christus unser Heiland, BWV 626 by J.S. Bach
Would you like to master Jesus Christus unser Heiland, BWV 626 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Da Jesus an dem Kreuze stund, BWV 621 by J.S. Bach
Would you like to master Da Jesus an dem Kreuze stund, BWV 621 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

O Lamm Gottes, unschuldig, BWV 618 by J.S. Bach
Would you like to master O Lamm Gottes, unschuldig, BWV 618 by J.S. BachI've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to Alan Peterson for his meticulous transcription from slow motion video.
Basic level. PDF score. 2 pages.

Two Part Invention No. 14 in Bb Major, BWV 785 by J.S. Bach
Would you like to master Two Part Invention No. 14 in Bb Major, BWV 785 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Alan Peterson for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No. 7 in E Minor, BWV 778 by J.S. Bach
Would you like to master Two Part Invention No. 7 in E Minor, BWV 778 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Annabel Brown for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No. 4 in D Minor, BWV 775 by J.S. Bach
Would you like to master Two Part Invention No. 4 in D Minor, BWV 775 by J.S. Bach
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No.11 in G Minor, BWV 782 by J.S. Bach
Would you like to master Two Part Invention No.11 in G Minor, BWV 782 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No. 8 in F Major, BWV 779 by J.S. Bach
Would you like to master Two Part Invention No. 8 in F Major, BWV 779 by J.S. BachI have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No. 10 in G Major, BWV 781 by J.S. Bach
Would you like to master Two Part Invention No. 10 in G Major, BWV 781 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Two Part Invention No. 6 in E Major, BWV 777 by J.S. Bach
Would you like to master Two Part Invention No. 6 in E Major, BWV 777 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1.5 pages.

Aus tiefer Not schrei ich zu Dir, BWV 687 by J.S. Bach
Would you like to master Aus tiefer Not schrei ich zu Dir, BWV 687 by J.S. Bach from Clavierubung III?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Annabel Brown for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 2 pages.

Two Part Invention No. 3 in D Major, BWV 774 by J.S. Bach
Would you like to master Two Part Invention No. 3 in D Major, BWV 774 by J.S. Bach?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1.5 pages.

Two Part Invention No. 5 in Eb Major, BWV 776 by J.S. Bach
Would you like to master Two Part Invention No. 5 in Eb Major, BWV 776 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Alan Peterson for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1.5 pages.

Two Part Invention No. 2 in C Minor, BWV 773 by J.S. Bach
Would you like to master Two Part Invention No. 2 in C Minor, BWV 773 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Alan Peterson for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1.5 pages.

Christ, unser Herr zum Jordan kam, BWV 685 by J.S. Bach
Would you like to master Christ, unser Herr zum Jordan kam, BWV 685 by J.S. Bach from Clavierubung III?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Gott, durch deine Güte, BWV 600 by J.S. Bach
Would you like to master Gott, durch deine Güte, BWV 600 by J.S. Bach from the Orgelbuchlein?I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Wir glauben all' an einen Gott, BWV 681 by J.S. Bach
Would you like to master Wir glauben all' an einen Gott, BWV 681 by J.S. Bach from the Clavierubung III?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Alan Peterson for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score.

Kyrie, Gott Heiliger Geist, BWV 674 by J.S. Bach
Would you like to master Kyrie, Gott Heiliger Geist, BWV 674 by J.S. Bach from the Clavierubung III?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Annabel Brown for her meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Dies sind die heiligen Zehn Gebot, BWV 679 by J.S. Bach
Would you like to master Dies sind die heiligen Zehn Gebot, BWV 679 by J.S. Bach from the Clavierubung III?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 2 pages.

Allein Gott in der Hoh sei Ehr, BWV 677 by J.S. Bach
Would you like to learn Allein Gott in der Hoh sei Ehr, BWV 677 by J.S. Bach from Clavierubung Part III?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for meticulous transcription of fingering from the slow motion video.
Basic level. Manuals only. PDF score. 1 page.

Christe, aller Welt Trost, BWV 673 by J.S. Bach
Would you like to learn Christe, aller Welt Trost, BWV 673 by J.S. Bach from Clavierubung Part III?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for meticulous transcription of fingering from the slow motion video.
Basic level. Manuals only. PDF score.

Allein Gott in der Hoh sei Ehr, BWV 675 by J.S. Bach
Would you like to learn Allein Gott in der Hoh sei Ehr, BWV 675 by J.S. Bach from Clavierubung Part III?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for meticulous transcription of fingering from the slow motion video.
Basic level. Manuals only. PDF score. 2 pages.

Kyrie, Gott Vater in Ewigkeit, BWV 672 by J.S. Bach
Would you like to learn Kyrie, Gott Vater in Ewigkeit, BWV 672 by J.S. Bach by J.S. Bach from the Clavierubung III?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for meticulous transcription of fingering from the slow motion video.
Basic level. PDF score. 1 page.

Mit Fried' und Freud' ich fahr dahin, BWV 616 by J.S. Bach
Would you like to learn Mit Fried' und Freud' ich fahr dahin, BWV 616 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Alan Peterson for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 2 pages.

In dulci Jubilo, BWV 729 by J.S. Bach
Would you like to learn In dulci Jubilo, BWV 729 by J.S. Bach?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1.5 pages.

Fantasia in C Major, BWV 570 by J.S. Bach
Would you like to master Fantasia in C Major, BWV 570 by J.S. Bach?
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for meticulous transcription of fingering and pedaling from the slow motion videos.
Basic level. PDF score for organ with pedals. 2 pages.

Vom Himmel hoch, da komm' ich her, BWV 606 by J.S. Bach
Would you like to learn Vom Himmel hoch, da komm' ich her, BWV 606 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Paul Rosas for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Christum wir sollen loben schon, BWV 611 by J.S. Bach
Christum wir sollen loben schon, BWV 611 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to David Poole for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Wir Christenleut, BWV 612 by J.S. Bach
Would you like to master Wir Christenleut, BWV 612 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 2 pages.

Lobt Gott, ihr Christen allzugleich, BWV 609 by J.S. Bach
Would you like to master Lobt Gott, ihr Christen allzugleich, BWV 609 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 0.5 pages.

In dulci Jubilo, BWV 608 by J.S. Bach
Would you like to master In dulci Jubilo, BWV 608 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1.5 pages.

Puer natus in Bethlehem, BWV 603 by J.S. Bach
Would you like to master Puer natus in Bethlehem, BWV 603 by J.S. Bach from the Orgelbüchlein?I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Mark Downey for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Jesu, meine Freude, BWV 610 by J.S. Bach
Would you like to master Jesu, meine Freude, BWV 610 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Nun kom, der Heiden Heiland, BWV 599 by J.S. Bach
Would you like to master Nun komm', der Heiden Heiland, BWV 599 by J.S. Bach from the Orgelbüchlein?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Vom Himmel kam der Engel Schaar, BWV 607 by J.S. Bach
Would you like to master Vom Himmel kam der Engel Schaar, BWV 607 by J.S. Bach from the Orgelbüchlein?I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to David Poole for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 2 pages.

Helft mir Gottes Güte preisen, BWV 613 by J.S. Bach
Would you like to master Helft mir Gottes Güte preisen, BWV 613 by J.S. Bach?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Brown for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Gelobet seist du, Jesu Christ, BWV 604 by J.S. Bach
Would you like to master Gelobet seist du, Jesu Christ, BWV 604 by J.S. Bach?
I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Annabel Brown for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Herr Christ, der einge Gottes-Sohn, BWV 601 by J.S. Bach
Would you like to master Herr Christ, der einge Gottes-Sohn, BWV 601 by J.S. Bach?I've created this score with the hope that it will help our students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Thanks to Jan Pennell for meticulous transcription of fingering and pedaling from the slow motion video.
Basic level. PDF score. 1 page.

Lob sei dem allmächtigen Gott, BWV 602 by J.S. Bach
Would you like to master Lob sei dem allmächtigen Gott, BWV 602 by J.S. Bach?
I've created this practice score with complete fingering and pedaling so that our students could master this chorale prelude from the Orgelbuchlein efficiently, saving many hours of frustration and achieving ideal articulation - articulate legato.
Thanks to David Poole for his meticulous transcription from slow motion video.
Basic level. PDF score. 1 page.

Der Tag, der ist so freudenreich, BWV 605 by J.S. Bach
Would you like to master Der Tag, der ist so freudenreich, BWV 605 by J.S. Bach?
Hubertus asked me to create the fingering and pedaling for this beautiful ornamented Orgelbuchlein chorale prelude. I've done it with the hope that it will also help our other students who love early music to practice efficiently and recreate articulate legato style automatically, almost without thinking.
Basic level. PDF score. 2 pages.

Sweelinck More Palatino with fingering
These 4 delightful variations of More Palatino originally were attributed to Jan Pieterszoon Sweelinck.
I have created this score with the hope that it will help my students who love early music to recreate articulate legato style automatically, almost without thinking.
Thanks to Jeremy Owens for his meticulous transcription of fingering from the slow motion videos.
If you liked Baletto del Granduca, I'm sure you'll love More Palatino too.
Intermediate level. Manuals only. PDF score. 3 pages.

Voluntary in D Major No. 6, Op. 6 by John Stanley with fingering
Last Tuesday it was supposed to be my regular practice at my church. My practice usually consists of pieces I'm currently working on, improvisation and sight-reading.
Some things got in the way and I had to leave before I had time to sight-read anything that day.
Luckily, in the afternoon during Unda Maris organ studio rehearsal, my student Mindaugas Dulkys was playing Voluntary in D Major No. 6, Op. 6 by John Stanley (1712-1786) from England.
I wanted to show him how it's done and figured I could play it in a slow practice tempo. Not only I wanted to help him, I thought, but I also wanted to sight-read something that day.
Luckily, I had a video camera with me and recorded everything from the high angle so that my fingers were clearly visible as I usually do when I sight-read.
Of course, I had an idea to turn it into a practice score to help other students as well.
Thanks to Mindaugas Dulkys for his meticulous transcription of the fingering from my slow motion video into original edition from 1752.
Intermediate level. Manuals only. PDF score. 3 pages.
4 movements: Adagio-Andante-Adagio-Allegro Moderato

Fugue in C minor, BWV 574 on the theme of Legrenzi by J.S. Bach with fingering and pedaling
At the end of last summer the world-famous Dutch organist Pieter van Dijk came to Vilnius, Lithuania for a few days to give master-classes on early music. As part of this event he also played an hour-long recital at the Cathedral.
One of the pieces that really stood out was J.S. Bach's fugue in C minor on the theme of Legrenzi, BWV 574. Believe it or not I've never played nor heard this beautiful fugue before.
Van Dijk's playing was so inspiring and so rhythmically strong that the pulse could be heard even in the most romantic compositions from that day's repertoire.
It's a complex double fugue - the second theme enters in the middle of page 2. It also has fascinating canonic stretto entrances which will not be very easy to learn yet I'm sure lovers of fugue genre will find them amazing.
The ending of the fugue is particularly worth mentioning. At the end of page 6 the piece sort of ends with a strong authentic cadence but Bach decided to compose one more page with an extended virtuoso plagal cadence - basically a long excursion into the subdominant key of F minor which is also extended by the authentic cadence.
Contrary to basic logic, please make sure you hold the last chord extremely short. This will help you make a strong impact on your listeners (just like Pieter van Dijk made on me).
Ever since this recital, the fugue on the theme of Legrenzi haunted me wherever I went so that I decided to create a PDF practice score for you. I hope you'll enjoy playing from my score (7 pages) with complete fingering and pedaling which will save you many hours and set you on the efficient path of mastering it.
Let me know how your practice goes.

Fugue in B minor, BWV 579 on the theme of Corelli by J.S. Bach with fingering and pedaling
A few days ago I have received a request from Christian-Angel to provide a score of BWV 579 with fingering and pedaling. That's Johann Sebastian Bach's Fugue in B minor on the Theme by Corelli.
Today I finally finished this project which any of our students can now take advantage of. It will save you many hours of struggle and help you to master this beautiful fugue easier and quicker. It's a PDF score with 5 pages.
A few tips on learning this piece:
For Christian-Angel the most difficult part is the final Stretto - the last 3 systems. This is not surprising because in any Stretto composer develops the theme canonically. This means that a few voices have the same melody played but not at the same time - the parts enter before the previous one has finished.
In this fugue it's so important to practice ALL 15 combinations separately: S, A, T, B, SA, ST, SB, AT, AB, TB, SAT, SAB, STB, ATB and SATB. Make sure you don't skip any of the steps and try not to rush - extremely slow tempo works best for practice purposes.
Don't forget that you don't have to work on the fugue on its entirety, practice of small episodes of about 1 line works best. Start and finish each episode on the downbeat. This helps to connect the fragments between themselves.
In my experience, I had to repeat each step at least 3 times without mistakes in a row before I was ready to go on to the next combination.
And if you apply my fingering, you will achieve articulate legato naturally, almost without thinking.

Fantasia Chromatica by J.P. Sweelinck with complete early fingering
Ausra and I are preparing for a recital together which will be in 10 days were we will be performing solo and duet works by Sweelinck, Bach, Mozart and Mendelssohn.
Ausra is playing the famous Fantasia Chromatica by Jan Pieterszoon Sweelinck (1562-1621), "Orpheus of Amsterdam" and "the Maker of German Organists" as he was called back in the day to point out his artistic and pedagogical significance.
The piece is called "Chromatic" because of the theme which is presented in the beginning. It is formed of descending chromatic tetrachord and later developed in all kinds of ways - canons, augmentation, diminution, double augmentation and double diminution.
Interestingly, Sweelinck worked out not only the main subject but also the counter-subject so this piece is a pinnacle of polyphonic mastery before Bach. Of course it's so difficult to pick one Sweelinck's piece over the others because most of them are masterpieces.
Fantasia Chromatica is so fantastic that I thought our students who love early music would want to play it too. Therefore I've prepared a PDF score with complete early fingering (5 pages) for efficient practice and instant articulated legato touch. It will save you many hours and give you the tools for historically informed performance practice.
Enjoy and let us know how your practice of this piece goes.

8 Little Preludes and Fugues (BWV 553-560):
1. C Major, BWV 553
Prelude and Fugue in C Major, BWV 553 with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

2. D Minor, BWV 554
Prelude and Fugue in D minor, BWV 554 with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

3. E Minor, BWV 555
Prelude and Fugue in E minor, BWV 555 with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

4. F Major, BWV 556
Prelude and Fugue in F Major, BWV 556 with fingering and pedaling
for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

5. G Major, BWV 557
Prelude and Fugue in G Major, BWV 557 with fingering and pedaling
for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

6. G Minor, BWV 558
Prelude and Fugue in G Minor, BWV 558 with fingering and pedalingfor efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

7. A Minor, BWV 559
Prelude and Fugue in A Minor, BWV 559 with fingering and pedaling
for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

8. Bb Major, BWV 560
Prelude and Fugue in Bb Major, BWV 560 with fingering and pedaling
for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

Allein Gott in der Hoh sei Ehr by J.L. Krebs with fingering
Would you like to learn Allein Gott in der Hoh sei Ehr by Johann Ludwig Krebs?
If so, this PDF score with complete fingering, registration suggestions and basso continuo realization will save you tenths of hours and enable the most efficient and stylistically appropriate practice. Because of this fingering, you will be able to play with articulate legato touch naturally, almost without thinking.

Pastorella in F major, BWV 590 by J.S. Bach with fingering and registration
Would you like to learn the famous Pastorella in F Major, BWV 590 by Johann Sebastian Bach?
If so, this PDF score with complete fingering (and occasional pedaling) with registration suggestions will save you tenths of hours and enable the most efficient and stylistically appropriate practice. Because of this fingering, you will be able to play with articulate legato touch naturally, almost without thinking.

BWV 772 Home Study Course
Would you like to master the famous Bach's Two-Part Invention No. 1 in C Major, BWV 772?
If so, join Ausra as she works with Victoria on this piece. PDF score with complete fingering for efficient practice and 110 minutes of MP3 audio training available immediately after payment.

Handel Largo with fingering and pedaling
Learn the famous Largo "Ombra mai fu" from Xerxes by G.F. Handel. PDF score (2 pages). For organ with pedals.

Praeambulum in C by Heinrich Scheidemann: Training Video
A video tutorial on how Praeambulum in C by North German Baroque composer Heinrich Scheidemann is put together.

BWV 630 Practice Guide
A step-by-step practice score with fingering and pedaling for efficient practice and ideal articulation.What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

BWV 622 Practice Guide
BWV 622 Practice Guide - step-by-step practice score with fingering and pedaling for efficient practice and ideal articulation.What will you get?
A PDF score (60 pages) with every finger and pedal written in delivered to your email inbox.

Hanff Wär Gott Practice Guide
A course which teaches you to play one of the most beautiful chorale preludes by the contemporary of Dieterich Buxtehude.

BWV 645 Home Study Course
Home Study Course of Wachet auf, ruft uns die Stimme, BWV 645 by Bach. PDF Score with fingering and pedaling + audio training mp3.

BWV 659 Home Study Course
Home Study Course of "Nun komm', der Heiden Heiland", BWV 659 by Bach. PDF score with fingering and pedaling + audio training mp3.

BWV 731 Home Study Course
Home Study Course of "Liebster Jesu, wir sind hier", BWV 731 by Bach. Score with fingering and pedaling + mp3 audio training.

Magnificat Noni Toni by Samuel Scheidt
Magnificat Noni Toni by Samuel Scheidt from the Tabulatura Nova (1624) with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

O, Mensch bewein, BWV 622 by J.S. Bach
O Mensch bewein' dein Sunde gross, BWV 622 by J.S. Bach with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

Jesu, Joy of Man's Desiring by J.S. Bach
One of the most popular movements from the cantatas by Johann Sebastian Bach is the famous "Jesu, Joy of Man's Desiring", BWV 147/10. This work was originally composed as a choral part from the Cantata No. 147 sung at the end of parts I and II of this cantata.
Many organists love to play this work for weddings and other joyful occasions. Because of the popularity of this work, there are so many organ versions available which are not necessarily perfect for you. This arrangement for organ in 3 voices will sound very well and will be comfortable to play.
This practice score is fully edited and intended for instructional purposes with complete fingering and pedaling, and suggestions for various performance practice issues, such as articulation, tempo, and registration. In addition, you will find precise step-by-step instructions for everyday practice. Therefore, this score is perfect for study without an instructor.

Benedicamus by Samuel Scheidt
Practice Guide of Benedicamus by Samuel Scheidt from Tabulatura Nova (1624) for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

Menuet in G Minor, BWV Anh 115
Practice Guide of Menuet in G Minor, BWV Anh. 115 with fingering and pedaling for efficient practice and ideal articulation.What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

Menuet in G Major, BWV Anh 114
Practice guide of Menuet in G Major, BWV Anh. 114 with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

Ich ruf zu dir, Herr Jesu Christ, BWV 639
Practice Guide of “Ich ruf zu Dir, Herr Jesu Christ”, BWV 639 by J.S. Bach with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

Maria Zart by Arnoldt Schlick
Maria Zart by Arnoldt Schlick (c. 1455-1460 - after 1521, Germany) from Tabulaturen etlicher Lobgesang (1512), Complete fingering and pedaling edited by Ausra Motuzaite-Pinkeviciene.
Ausra says, it's one of her most favorites early organ music pieces.
"The beauty of this composition stems from the clear 3-part texture where both hands and feet play different melodic lines. When I play this piece on the organ, I always get the impression that 3 people are singing it. It's true: the vocal version of this piece has 12 stanzas."

Handel Largo Practice Guide
Learn the famous Largo "Ombra mai fu" from Xerxes by G.F. Handel. PDF score (18 pages) and video (60 minutes). Perfect for blind organists and other people who want to see step by step voices and combinations for speedy and guided mastering of the piece. For organ with pedals. The PDF practice guide provides you with sheet music (without fingering and pedaling) in all 15 steps - single parts, two-part combinations, three-part combinations and finally entire 4 part texture. The video is perfect for blind organists and people who want to hear (and see the score on the screen) to learn this fantastic piece by ear.

Jesu, meine Freude by Johann Ludwig Krebs with complete fingering
Jesu meine Freude from the Clavierubung by Johann Ludwig Krebs with fingering and pedaling for efficient practice and ideal articulation.
What will you get?
A PDF score with every finger and pedal written in delivered to your email inbox.

Estampie
Enjoy the oldest surviving organ piece! It's from Robertsbridge Codex which was compiled in the 14th century, from the time of Boccacio and Decameron. This music is of Italian origin but preserved in the British Library.
One of the most characteristic pieces from this manuscript is Estampie - a dance with many paralel fifths with several stanzas (puncti) each of which has two different endings (overt and clos).
It's so fascinating to hear the sounds from almost 700 years ago, from the times when the Black Death roamed Europe. (5 pages for manuals only with complete fingering and registration suggestion)

Estampie Retrove
Enjoy the oldest surviving organ piece! It's from Robertsbridge Codex which was compiled in the 14th century (ca. 1360), from the time of Boccacio and Decameron. This music is of Italian origin but preserved in the British Library.
One of the most characteristic pieces from this manuscript is Estampie - a dance with many paralel fifths with several stanzas (puncti) each of which has two different endings (overt and clos).
It's so fascinating to hear the sounds from almost 700 years ago, from the times when the Black Death roamed Europe. This score has 3 pages for manuals only with complete fingering and registration suggestion.

4 Pieces from Lochamer Liederbuch
4 pieces from Lochamer Liederbuch - a collection of German music from the mid 15th century (ca. 1451). It was roughly compiled at the time of Christopher Columbus - more than 500 years ago.Enjoy the video
The 4 pieces are:
1. En avois
2. Wach auff mein hort der leucht dorther
3. Mit ganczem Willen wunsch ich dir
4. Paumgartner
4 pages for manuals only with fingering and registration suggestions.

Das Alte Jahr Practice
Do you want to make a fresh start of the year in your organ playing? Practice and learn the famous "Das alte Jahr vergangen ist", BWV 614 by Johann Sebastian Bach from the Orgelbuchlein by watching me demonstrate all the practice steps and combinations on the largest pipe organ in Lithuania. Here's how it sounds. My fingers and keyboards are clearly visible on the screen. PDF practice score with complete fingering and pedaling for ideal articulate legato provided (2 pages). 3 training videos (86 minutes of practice). Finish the year strong!

In dulci jubilo by Johann Michael Bach with fingering and pedaling
PDF practice score with complete fingering and pedaling as well as registration suggestions. Level of difficulty: Very easy. 3 pages.

Bach Organ Mastery Level 1
Entire 16-week video training package of 8 Short Preludes and Fugues, BWV 553-560
What you will learn:

Detailed analysis of each piece, including tonal plan, harmony, cadences, sequences, modulations, form, and other aspects music theory
Principles behind creating your own fingering and pedaling for Bach's pieces
Principles of ideal Baroque articulation
Exact performance of ornaments in each piece
Tempo for practicing and performing each piece
Detailed practice procedure for fast and easy learning process which will prepare you for public performance
Easy and powerful ways to memorize the pieces.
What you will receive:

1. A link to the video teaching the specific prelude or fugue from the collection of 8 Short Preludes and Fugues, BWV 553-560 formerly attributed to Bach (delivered once a week).
2. A practice score in PDF format of the specific composition which is taught in the video with complete fingering and pedaling for easy practicing (delivered once a week).
3. Bonus MP3 recordings for each of the pieces taught in this course performed in a slow practice tempo for practicing while listening to it - excellent way to ensure your practice is correct (delivered once a week).
4. Bonus PDF files with the live size pictures of two-manual keyboards and pedalboard which you can print out, tape them together and practice your piece while listening to the recording - a powerful way to stay on track of your organ practice when no practice instrument is available!
5. Bonus videos and scores of two of the Bach pieces for people who have completed my free BWV 556 mini course.

Left Hand Training
An 8 week program in which you will perfect your left hand technique based on Bach's 6 Trio Sonatas for Organ, BWV 525-530. No fingering provided. In all keys.

Menuet, Polonaise and March Training
A video course which teaches you to play dances from the Notebook of Anna Magdalena Bach (no scores, only video).

Two Part Training
A 9 week course which teaches you to play polyphonic music in two parts and in 24 different keys. No fingering provided.

Estampie Retrove Training
A video course which teaches you to play the oldest surviving organ piece in the world from the 14th century.

COMPOSITION:

Ternary Exposition Training
In this training I will teach you how to create, compose or improvise exposition in C.

Writing Melodic Dictation Video
In this video I'll teach you how to write melodic dictation, which is very good way to train your ear.

HARMONY:

Deciphering Lobe den Herren
Join Ausra as she cracks the harmony of the beloved Lobe den Herren "Praise to the Lord, the Almighty" hymn for Victoria during one of her lessons together. MP3 training, 51 minutes. The sheet with the hymn harmonization in 4 parts is also provided.

Deciphering Doxology
Join Ausra as she cracks the harmony of the beloved Doxology (Old Hundredth) hymn "Praise God from Whom All Blessings Flow" for Victoria during one of her lessons together. MP3 training, 45 minutes. The sheet with the hymn harmonization in 4 parts is also provided.

Deciphering Ich ruf zu Dir
Join Ausra when she does chord by chord analysis of Ich ruf zu dir, Herr Jesu Christ, BWV 639 by Johann Sebastian Bach for Victoria. 2 MP3 files (over 2 hours of training) + PDF score. 50 % discount is valid until July 5. Bonus: the 1st part of MP3 1 is about Secondary Dominant Chords.

Deciphering Menuet in G Major
Join Ausra when she does chord by chord analysis of Menuet in G Major, BWV Anh. 114 from the Notebook of Anna Magdalena Bach for Victoria (sometimes Vidas joins in this training too). 3 MP3 files (over 2 hours of training) + PDF score.

Deciphering Menuet in G Minor
Join Ausra when she does chord by chord analysis of Menuet in G Minor, BWV Anh. 115 from the Notebook of Anna Magdalena Bach for Victoria. 2 MP3 files (100 minutes of training) + PDF score.

Harmonizing a Melody in French Modal Style
In this training I will demonstrate how to harmonise a melody in French modal style, as did 20th century composers.

Cadence Video Training
In this training I will teach you to create various types of cadences.

Harmonizing a melody in 4 parts in Bb major
In this video I will teach you how to create a melody and harmonise it in four parts in the key of B flat.

Harmonizing a melody in 4 parts
In this video I'll teach you you how to harmonise the melody in four parts, using soprano, alto, tenor and bass voices.

HYMN PLAYING:
10 Day Hymn Playing Challenge
Would you like to spend the next 10 days learning the skill of hymn playing? If so, this challenge is for you.
You will receive a PDF score with 10 hymns for the liturgical period of Lent with complete fingering and pedaling written in. 5 hymns will be in the early articulate legato style (composed until 1800's) and 5 - in the Romantic legato style (composed after 1800's).
Master 1 hymn per day for the next 10 days. Feel free to spend more days with each hymn if you want, you don't have to rush it.
Soprano and alto parts will have to be played with the right hand, tenor part - with the left hand and bass - with the pedals. NOTE: just like in any hymnal, the bass part is not written on the separate stave but notated together with the tenor.
Practice process - 15 steps (if you can't sight-read all 4 parts without mistakes right away). Repeat each step until you can play it 3 times in a row without mistakes:
1. Soprano
2. Alto
3. Tenor
4. Bass
5. Soprano-alto
6. Soprano-tenor
7. Soprano-bass
8. Alto-tenor
9. Alto-bass
10. Tenor-bass
11. Soprano-alto-tenor
12. Soprano-alto-bass
13. Soprano-tenor-bass
14. Alto-tenor-bass
15. Soprano-alto-tenor-bass
Please let me know what your practice experience with this training was after 10 days.
Basic level. PDF score - 10 pages.

IMPROVISATION:

Improvising Organ Verset
In this video I will teach you how to improvise an organ verset, which is a small organ piece suitable for liturgical use.

Improvising a piece in ABA form.
In this video I'll teach you how to improvise a piece in ABA form. I'll use the keys of C major, d minor and back to C major.

Improvising on "Silent Night"
In this video I will teach you how to improvise on the most famous Christmas carol "Silent Night".

Improvising Without A Chorale
In these video trainings I will teach you how to improvise on the original themes, compositions not based on pre-existing material, such as chorals, hymns, psalms etc.

MODERN REPERTOIRE:

Meditation on B-A-C-H, Op. 210 (Organ Solo) by Vidas Pinkevicius
This is a meditation based on the four letters of the name of Bach - Bb, A, C, B (H in German). The theme is repeated in the right hand part as a solo voice and the accompaniment constantly spins chords in increasing level of difficult, from triads to ninth-chords. Phrases of the theme are separate with the enchanting refrain. This piece will be very effective in liturgical playing and recital programs whenever contemplative music is desired.

Meditation on Franconia, Op. 208 (Organ Solo) by Vidas Pinkevicius
This is a Meditation on the hymn tune Franconia. It is a gentle composition which is written in the key of D major. The chorale tune is presented twice in the right hand part and it alternates with the phrases of the refrain. In the first verse the melody is played by a solo voice but the second time the texture thickens into three-note chords. It also reaches climax because the range and dynamic level increases but the piece ends quietly as in the beginning. This composition will be very effective in liturgical organ playing and recital programs.

Meditation on Winchester New, Op. 207 (Organ Solo) by Vidas Pinkevicius
This is a meditation on the hymn tune Winchester New. The piece explores the keys of Bb major and G major before returning to Bb major at the end. The tune is presented in the right hand and left hand parts alternatively. This composition will be very effective in liturgical organ playing and recital programs whenever contemplative music is desired.

Meditation on Wie schön leuchtet, Op. 204 (Organ Solo) by Vidas Pinkevicius
This meditation is written in the key of D major and is based on one of the most important hymn for Epiphany, Wie schön leuchtet der Morgenstern. The tune is presented in the right hand part. The left hand with pedals play a colourful ostinato figure leading the listener into the state of contemplation. This piece will be very effective in liturgical organ playing and recital programs.

Pastorale on Quem Pastores, Op. 201 (Organ Solo) by Vidas Pinkevicius
This is a pastorale on the delightful Christmas carol Quem Pastores. The tune is presented 3 times: in F major, in C major and again in F major with variation. The feet play pedal point throughout the piece. The dance-like refrain helps to connect the sections of this pastorale. This composition will be very effective in liturgical organ playing and recital programs if played on 4' flute registration.

Processional on "Angels We Have Heard on High", Op. 200 (Organ Solo) by Vidas Pinkevicius
This is an optimistic processional based on a well-known Christmas carol "Angels We Have Heard on High" (GLORIA), written in F major key. It features an energetic refrain which alternates with hymn phrases adorned in colourful harmony. It will be very effective in liturgical organ playing and recital programs. I recorded it using Hauptwerk Święta Lipka sample set.

Meditation on Dix, Op. 205 (Organ Solo) by Vidas Pinkevicius
his is a gentle meditation on the hymn tune DIX written in the key of G major and 3/4 meter. The tune is presented in the right hand part played by mutation stop combination. The left hand plays duets between alto and the tenor creating colourful harmonies. The pedals reinforce the foundation of the chords. This piece will be very effective in liturgical organ playing and recital programs. I recorded it on Hauptwerk Święta Lipka sample set.

Postlude on "In dir ist Freude", Op. 203 (Organ Solo) by Vidas Pinkevicius
In this optimistic and accessible postlude on the joyful hymn tune "In dir ist Freude" the piece starts with the recurring refrain over the pedal point and open fifth sounds. The hymn tune is presented in chords played by the right hand part. This piece will be very effective in liturgical organ playing and recital programs.

Meditation on Auld Lang Syne, Op. 209 (Organ Solo) by Vidas Pinkevicius
This is a meditation on the traditional Scottish tune Auld Lang Syne written in F major key. It has 2 verses - at first the tune is presented in the right hand as a solo voice and later in more dense chordal texture.PDF score. Basic level. 4 pages.

Meditation on "Das alte Jahr vergangen ist", Op. 202 (Organ Solo) by Vidas Pinkevicius
If you're looking for music to play for the end of the year liturgy or recital, I hope you will enjoy my meditation on chorale tune "Das alte Jahr vergangen ist". Dedicated to Clara Park.
PDF score. Basic level. 3 pages.

Meditation on Silent Night, Op. 190 (Organ Solo) by Vidas Pinkevicius
This is a gentle trio setting on the beloved Christmas carol Silent Night. The tune is played by the Cornet stop in the right hand while the other two parts create a colourful melodies around it. This piece will be very effective in liturgical organ playing and recitals.
PDF score. Basic level. 3 pages.

Meditation on Es ist ein Ros, Op. 185 (Organ Solo) by Vidas Pinkevicius
This is a meditation on the beloved Christmas chorale melody Est ist ein Ros' entsprungen ("Lo, How a Rose E'er Blooming"). The tune is presented in the right hand and the phrases of the chorale alternate with the colourful refrain. This piece will be very effective in liturgical organ playing and recital programs whenever contemplative music is desired. Dedicated to Remi Chapalain.
PDF score. Basic level. 2 pages.

Meditation on "Once in Royal David's City", Op. 197 (Organ Solo) by Vidas Pinkevicius
In this meditation on the beloved Christmas Carol "Once in Royal David's City" (IRBY) the tune is played by the left hand on the soft reed registration. The right hand and pedals play accompaniment figure from colourful arpeggiated chords. The gentle refrain helps to connect phrases of the hymn. This piece will be very effective in liturgical organ playing and recital programs whenever contemplative music is desired. Dedicated to NAK Organist.
PDF score. Basic level. 3 pages.

Greensleeves Siciliana, Op. 198 (Organ Solo) by Vidas Pinkevicius
This is a meditation in the style of Siciliana on the well-known Christmas carol Greensleeves ("What Child Is This"). The melody is placed in the right hand part and the accompaniment created colourful melodic and harmonic figures. This piece will be very effective in liturgical organ playing and recital programs.
PDF score. Basic level. 3 pages.

We Wish You a Merry Christmas, Op. 184 (Treble Instrument and Organ) by Vidas Pinkevicius
This is a fun original arrangement of the Christmas classic carol "We Wish You a Merry Christmas" for recorder or any other treble instrument and organ. Full score and solo part are included. Dedicated to my wife Ausra.
PDF score plus solo part. Basic level. 8+1 pages.

Meditation on Santa Lucia, Op. 192 (Organ Solo) by Vidas Pinkevicius
This is a meditation on the well-known Neapolitan barcarolle "Santa Lucia" where the melody is played by the right hand part on a gentle reed stop. The accompanying left hand and pedals create a colourful texture from which unifying refrain connects phrases of the tune. This piece will be suitable for all quiet occasions.
PDF score. Basic level. 3 pages.

Meditation on Adeste fideles, Op. 193 (Organ Solo) by Vidas Pinkevicius
This is a meditation on the beloved Christmas carol Adeste fideles (O Come, All Ye Faifthful) in the key of G major for organ with two manuals and pedals. Hymn tune is presented in the right hand part to be played on a solo registration with a soft reed, flutes and mutations. The accompanying parts would sounds well on principal stops. This piece will be very effective in liturgical organ playing and recital programs whenever contemplative music is desired.
PDF score. Basic level. 3 pages.

Bicinium on Away in a Manger, Op. 191 (Organ Solo) by Vidas Pinkevicius
This is a Bicinium on a beloved Christmas carol Away in a Manger. It's notated on two staves and could be played on small organs (even on one manual chamber organ). The right hand staves plays the tune and the left hand plays the accompaniment and refrain which connects the phrases of the hymn. This piece will be very effective in liturgical organ playing and recitals whenever contemplative music is desired. Dedicated to Scott Werdebaugh.
PDF score. Basic level. 2 pages.

Greensleeves Siciliana, Op. 198 (Organ Solo) by Vidas Pinkevicius
This is a meditation in the style of Siciliana on the well-known Christmas carol Greensleeves ("What Child Is This"). The melody is placed in the right hand part and the accompaniment created colourful melodic and harmonic figures. This piece will be very effective in liturgical organ playing and recital programs.
PDF score. Basic level. 3 pages.

Meditation on Puer nobis, Op. 178 (Organ Solo) by Vidas Pinkevicius
This is a gentle meditation on Advent hymn tune Puer nobis. The melody is presented in the right and left hand, charming refrain helps connect hymn phrases and composition touches D major and F major keys. It will be very effective for liturgical and concert playing.
PDF score. Basic level. 3 pages.

Cantabile on Wachet auf, Op. 187 (Organ Solo) by Vidas Pinkevicius
This piece is written in the key of C major is based on the hymn tune Wachet auf and features chorale melody in the tenor voice played by the left hand. It will be very effective for liturgical organ playing and recital programs.
PDF score. Basic level. 4 pages.

Meditation on Gabriel's Message, Op. 180 (Organ Solo) by Vidas Pinkevicius
In this gentle meditation the hymn tune Gabriel's Message is played by the pedals on the 4' solo stop. The accompanying voices in hand parts create a lush fabric of harmonies around it. This piece will be very effective in liturgical playing and recitals whenever contemplative music is desired. Dedicated to Steven Monrotus.
PDF score. Basic level. 3 pages.

Meditation on Sinterklaas Song, Op. 182 (Organ Solo) by Vidas Pinkevicius
This is a gentle meditation on a popular Dutch children song used for Sinterklaas (Saint Nicholas) Day "Zie Ginds Komt de Stoomboot" ("See Yonder Comes the Steamboat"). This piece is to be played on 4' registration on both manuals and pedals. The high-pitched twinkling sounds and recurring refrain remind of a musical box. This piece will be very effective on all Saint Nicholas Day (December 5) music occasions.
PDF score. Basic level. 4 pages.

Toccatina on Midden in de Winternacht, Op. 183 (Organ Solo) by Vidas Pinkevicius
This toccatina features a famous Dutch Christmas song Midden in de Winternacht in the long note values played by the pedals. Meanwhile manual part plays a fun and accessible sixteenth-note figuration. This piece will be very effective in Christmas liturgical playing and recital programs. Dedicated to Rien Schalkwijk.
PDF score. Basic level. 8 pages.

Meditation on Puer nobis, Op. 178 (Organ Solo) by Vidas Pinkevicius
This is a gentle meditation on Advent hymn tune Puer nobis. The melody is presented in the right and left hand, charming refrain helps connect hymn phrases and composition touches D major and F major keys. It will be very effective for liturgical and concert playing.
PDF score. Basic level. 3 pages.

Meditation on Macht hoch die Tür, Op. 179 (Organ Solo) by Vidas Pinkevicius
In this gentle Meditation on Advent hymn tune Macht hoch die Tür, Op. 179 chorale phrases are connected with a charming refrain transposed to various keys. Cornet 8 stop will suit very well for the solo voice and Principal 8 - for the accompaniment. This piece will be very effective for liturgy and concert programs whenever contemplative music desired. Dedicated to Gianluigi Spaziani.
PDF score. Basic level. 3 pages

Meditation on "Come, Thou Long-Expected Jesus", Op. 177 (Organ Solo) by Vidas Pinkevicius
Beautiful American hymn tune JEFFERSON from the 19th century Southern Harmony hymnal is arranged into this soothing meditation. The tune alternates with the enchanting refrain. This piece will be very effective for liturgy and concert performance whenever contemplative mood is desired. Dedicated to Orgelhase.
PDF score. Basic level. 2 pages

Prelude on "Nun komm der Heiden Heiland", Op. 7 (Organ Solo) by Ausra Motuzaite-Pinkeviciene
This quiet prelude on classic Advent chorale "Nun komm der Heiden Heiland" features a canon between the right hand and pedal parts. Left hand plays eighth-note figuration with trichord sounds. The piece moves from G minor to B minor keys and back to G minor. It will be very effective in Advent liturgical playing and recital programs. Dedicated to Paulius Grigonis.PDF score. Basic level. 3 pages

Meditation on Ukrainian Christmas Carol "Good Evening to You, Master", Op. 172 (Organ Solo) by Vidas Pinkevicius
This meditation is created for organists who are at a loss for words about the terrible war in Ukraine but cannot keep silent. It is based on Ukrainian Christmas Carol (Koladka) "Good Evening to You Master". In Ukrainian it's known as "Добрий вечір тобі, пане господарю" (Dobryy vechir tobi, pane hospodaryu). It will be very effective in Christmas liturgy as well as in recitals.
PDF score. Basic level. 3 pages.

Meditation on Ukrainian Christmas Carol "The New Joy Is Here", Op. 171 (Organ Solo) by Vidas Pinkevicius
This quiet meditation on Ukrainian Christmas Carol or Koladka "The New Joy is Here" is written to spread awareness about the terrible war in Ukraine. In Ukrainian this koladka is known as "Нова радість стала" (Nova radist' stala). Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. It will work very well for meditative music during liturgy and/or concert setting.PDF score. Basic level. 3 pages.

Meditation on Comfort, Comfort Ye My People, Op. 174 (Organ Solo) by Vidas Pinkevicius
If you're looking for a gentle piece suitable for Advent, I hope you will enjoy this meditation on the hymn tune Comfort, Comfort Ye My People (FREU DICH SEHR). It has colourful harmony, beautiful melody and overall delightful character. This composition will be very effective for liturgy and recital programs whenever contemplative music is desired.
PDF score. Basic level. 2 pages.

Meditation on Creator of the Stars of Night, Op. 173 (Organ Solo) by Vidas Pinkevicius
This gentle meditation on the Advent hymn tune Creator of the Stars of Night (Conditor alme siderum) features lush chords, beautiful solo voice and colourful tonal structure. It will be very effective in liturgy and recital program whenever contemplative music is desired.
PDF score. Basic level. 3 pages.

In Paradisum, Op. 168 (Organ Solo) by Vidas Pinkevicius
In this meditative piece Gregorian chant In Paradisum is played in canon between the right hand and pedal parts on 4' registration. Phrases of the chant alternate with refrain in which one can hear the fluttering of wings of angels. Tonally, the mode moves back and forth between F and D Mixolydian. This composition will be very effective for funerals, memorial liturgy and recitals whenever contemplative music is desired. Dedicated in memory of Laimutis Telksnys.
PDF score. Basic level. 5 pages.

Meditation on Wachet auf, Op. 175 (Organ Solo) by Vidas Pinkevicius
The beloved Advent hymn tune Wachet auf is presented in the right hand part in this meditation which alternates with an enchanting refrain between the phrases of the hymn. Colourful harmony is heard throughout this very accessible piece. It will be very effective in liturgy and recital programs whenever contemplative music is desired.
PDF score. Basic level. 3 pages.

Meditation on Veni Emmanuel, Op. 170 (Organ Solo) by Vidas Pinkevicius
This meditation on the beloved Advent hymn Veni Emmanuel features a calming refrain which alternates with the phrases of the hymn. All the notes in the accompaniment parts are based on the melody of the hymn. The piece explores both E minor and G minor keys before returning to E minor again. The tune migrates from one hand to another for the second verse. It will be a very effective piece for Advent liturgy and/or recital programs whenever contemplative music is desired.
PDF score. Basic level. 3 pages.

Meditation on "I Heard the Voice of Jesus Say", Op. 160 (Organ Solo) by Vidas Pinkevicius
In this meditation based on the hymn Thomas Tallis' tune "I heard the Voice of Jesus Say" the melody is played first in the right hand and then in the left hand parts. A simple two measure long refrain connects hymn phrases. This piece will be suitable for any contemplative occasion, such as Communion, Offertory, Vespers, funerals or recital. Dedicated in memory of Bob Anderson.
PDF score. Basic level. 3 pages.

Meditation on Nun komm, der Heiden Heiland, Op. 162 (Organ Solo) by Vidas Pinkevicius
In this meditation on the beloved Advent hymn Nun komm, der Heiden Heiland (Saviour of the Nations, Come) chorale phrases alternate with the thoughtful refrain. Colourful chords and syncopated rhythms in the left hand part give the piece a special feeling. This composition will be effective during Advent liturgy and recitals whenever contemplative mood is desired. Dedicated to Graham Twist.
PDF score. Basic level. 2 pages.

In Paradisum, Op. 168 (Organ Solo) by Vidas Pinkevicius
In this meditative piece Gregorian chant In Paradisum is played in canon between the right hand and pedal parts on 4' registration. Phrases of the chant alternate with refrain in which one can hear the fluttering of wings of angels. Tonally, the mode moves back and forth between F and D Mixolydian. This composition will be very effective for funerals, memorial liturgy and recitals whenever contemplative music is desired. Dedicated in memory of Laimutis Telksnys.
PDF score. Basic level. 5 pages.

Meditation on Divinum Mysterium, Op. 159 (Organ Solo) by Vidas Pinkevicius
This meditation is based on the beloved Christmas chant Divinum Mysterium (Of the Father's Love Begotten). It features a lovely refrain connecting the chant melody moving gently in the top voice. This piece will be suitable for Christmas liturgy as a Communion or Offertory piece. It could work for Christmas recital program whenever contemplative music is required. Dedicated to Sandie Anderson.
PDF score. Basic level. 3 pages.

Dies irae, Op. 163 (Organ Solo) by Vidas Pinkevicius
This piece is based on the Gregorian chant sequence "Dies irae" and has dark and brooding character. At the root of this composition is the sound of the perfect fifths which gives this work a very archaic and cold character. It will be suitable to play for liturgy and recital whenever medieval sounding modal, soft to medium volume level music is desired. Dedicated to the memory of my father Vidas Pinkevicius (1949-2012). I first improvised it during a recital at Vilnius St Casimir's church on 2022-10-30. Hope you will enjoy it!
PDF score. Basic level. 6 pages.

Fiery Fanfare, Op. 157 (Organ Solo) by Vidas Pinkevicius
This fanfare is written in a familiar ABA form. The outer sections explore the exciting F major key and the middle section is written in A major key. Throughout the piece colourful chords could be heard which spice up this fanfare. This composition will be effective as processional or recessional in liturgy, graduation and wedding ceremonies and also recital piece. Dedicated to Rien Schalkwijk. I recorded it at Vilnius University St John's church.
PDF score. Basic level. 3 pages.

Dreamy Meditation, Op. 158 (Organ Solo) by Vidas Pinkevicius
This meditation was created as part of the tutorial with 5 simple steps on how to compose a meditation for the organ. It's not based on any hymn but on a free original theme. It will be very suitable any contemplative occasion, such as Communion, Offertory, wedding etc. Dedicated to Rien Schalkwijk.
PDF score. Basic level. 3 pages.

King Solomon's Fanfare, Op. 156 (Organ Solo) by Vidas Pinkevicius
This exciting fanfare is composed entirely of major triads. It has some middle Eastern flavour, hence the name. It will be suitable for any bombastic occasion, like graduation, processional, wedding etc. Dedicated to Steven Monrotus.
PDF score. Basic level. 3 pages.

Meditation on Requiem Aeternam, Op. 155 (Organ Solo) by Vidas Pinkevicius
If you're looking for some meditative music suitable for funerals, All Soul's Day and other memorial occasions, I hope you will enjoy this Meditation on Gregorian chant tune Requiem Aeternam. In this colourful piece, sections of the chant alternate with a refrain, reminding of flowing water.
PDF score. Basic level. 4 pages.

Meditation on Nearer My God to Thee, Op. 154 (Organ Solo) by Vidas Pinkevicius
This gentle meditation on beloved hymn tune Nearer My God to Thee features rocking rhythm, alternation between solo melody and charming refrain. It can be easily played on a two manual and pedal organ and will be very effective for any contemplative occasion - liturgy, funeral or recital program. Dedicated to Rien Schalkwijk.
PDF score. Basic level. 3 pages.

Psalm 75 Concerto, Op. 153 (Organ Solo) by Vidas Pinkevicius (2022)
This Psalm 75 Concerto was first improvised during a video tutorial about improvising a postlude on any hymn tune. The tutorial was requested by Nils van Velzen who was studying this psalm at the time. When I published this tutorial Rien Schalkwijk requested that I would transcribe it into a score notation for organ solo. I did and dedicated it to him. This piece is based on an optimistic Baroque style Ritornello technique where recurring fragment alternates with psalm phrases. It would serve as a delightful postlude to a church service or it could be played during a recital too.
PDF score. Basic level. 5 pages.

Meditation on Happy Birthday, Op. 151 (Organ Solo) by Vidas Pinkevicius (2022)
In this slow meditation on the beloved Happy Birthday tune, the melody is first heard in the soprano in the key of C major, then in the tenor in the key of F major and finally in the bass in the home key of C major. The tune is enveloped in sweet yet spicy harmonies played on the string stops. This composition will work very well as a liturgical and/or recital piece. Dedicated to Ausra on the occasion of her birthday.
PDF score. Basic level. 3 pages.

The Herring Lived on Dry Land, Op. 149 (Organ Duet) by Vidas Pinkevicius (2022)
This fun organ duet (4 hands, 2 fee) is based on a beloved Estonian folk song "Heeringas" which talks about the herring which lived on dry land and liked to eat salt. She also used to catch mice and rodents and basically was regarded as a pet. This one time she accidentally ate through the board of the trading ship which carried bags of salt. The ship sank and the salt spilled into the sea. Then god of the sea, Neptune, banished poor herring to live under the water and that's how sea water became salty. This piece will be a fun addition to any recital program and could serve as an excellent encore. Dedicated to Ines Maidre. Ausra and I recorded it on the Kolbe organ at St Elisabeth church in Pärnu, Estonia. Hope you will enjoy it!
6 pages. Basic level.

Meditation on Amazing Grace, Op. 148 (Organ Solo) by Vidas Pinkevicius (2022)
This meditation is based on one of the most beloved hymn tunes of all times - Amazing Grace. It is designed to be played on a two-manual and pedal organ. The tune migrates from F Major to Ab major and back to F Major. Musical fabric is unified by a two-measure refrain. This piece will work for liturgical purposes and concert programs very well whenever contemplative mood is needed.
3 pages. Basic level.

Meditation on Herzliebster Jesu, Op. 147 (Organ Solo) by Vidas Pinkevicius (2022)
If you're looking for meditative music suitable for Lent, you will enjoy this Meditation on Herzliebster Jesu, Op. 147 ("O Dearest Jesus, What Law Hast Thou Broken"). The piece can be played on the organ with two manuals and pedals and it has 3 sections. In the first section, choral melody is presented in the right hand part in the key of G minor, in the second section, chorale appears in the left hand part in the key of A minor and in the last section, the key of G minor returns again with the last two phrases of the chorale as the conclusion. Everything is united with the recurring two measure meditative refrain. Dedicated to Miguel Crespo.
3 pages. Basic level.

Meditation on Ukrainian Folk Song "Plyve Kacha", Op. 144 (Organ Solo) by Vidas Pinkevicius (2022)
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "Пливе кача по Тисині" (Plyve kacha po Tysyni), translated to English "Duckling floats on Tisyna". This composition will work very well for meditative music during liturgy and/or concert setting. Mourning song “Plyve Kacha” is considered a symbol of Euromaidan in 2014 when more than 120 people were shot by snipers during Revolution of Dignity. Dedicated to Yulia Yurchiak.
Basic level. 4 pages.

Meditation on Ukrainian Folk Song "Oh, Don't Creep, You Creeping Myrtle", Op.142 (Organ Solo)
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "Ох і не стелися, хрещатий барвінку" (Okh i ne stelysya, khreshchatyy barvinku). This composition will work very well for meditative music during liturgy and/or concert setting. Dedicated to Nadiya Velychko.
Basic level. 3 pages.

Meditation on Ukrainian Folk Song "A Sycamore Stands Over the Water", Op. 143 (Organ Solo)
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "Стоїть явір над водою" (Stoyitʹ yavir nad vodoyu). This composition will work very well for meditative music during liturgy and/or concert setting. Dedicated to Yulia Yurchiak.
Basic level. 5 pages.

Meditation on Ukrainian Folk Song "Oh What Kind of Crow Is That", Op. 141
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "Oй що бо то та й за ворон" (Oy shcho bo to ta y za voron). This composition will work very well for meditative music during liturgy and/or concert setting. Dedicated to Simon Reichert.
Basic level. 3 pages.

Promenada Magna, Op. 140 (Organ Solo) by Vidas Pinkevicius (2022)
In this optimistic composition, joyful harmonies and dancing rhythms create a feeling of the majestic promenade. Written in the key of Bb major, it will be suitable for any joyful occasion in liturgical organ playing, including preludes, postludes, processionals, recessionals, weddings etc. It would also work as a recital piece very well. Dedicated to Ausra Motuzaite-Pinkeviciene.
6 pages. Basic level.

Promenada Piccola, Op. 138 (Organ Solo) by Vidas Pinkevicius (2022)
If you're looking for a short but fun-sounding Processional or Recessional (Prelude or Postlude), you will enjoy this Promenada Piccola, Op. 138. It's written in the key of F Major and features dancing syncopating rhythms, colourful harmonies and effective but accessible pedal line. Dedicated to Renāte Stivriņa and Jakub Wszołek on the occasion of their engagement.
3 pages. Basic level.

Meditation on "The Water Is Wide", Op. 145 (Organ Solo) by Vidas Pinkevicius (2022)
This meditation is based on a beloved Scottish folk song "The Water Is Wide" (O Waly, Waly) and features a romantic solo melody of the tune appearing in the soprano and tenor voices. The accompaniment figure is kept simple so that it would be accessible yet very effective. This composition will work for weddings and any other contemplative occasions very well. Dedicated to Ausra.
3 pages. Beginner level.

Intrada Syncopata, Op. 137 (Organ Solo) by Vidas Pinkevicius (2022)
This syncopated processional is constructed in the form of Rondo. Refrain (part A) is written in G Major which alternates with Part B (E Major) and Part C (Bb Major). Colourful harmonies, fiery rhythms and full organ registration makes this piece a very effective for any solemn occasion, processional, recessional, fanfare, prelude, promenade, graduation, coronations, weddings. It will works as a perfect recital opening too. Dedicated to Clara Park.
3 pages. Basic level.

St John's Communion, Op. 135 (Organ Solo) by Vidas Pinkevicius (2022)
This piece is created in ABA form and features charming melody, colourful harmonies and accessible pedal part. Part A is written in G major and part B - in B flat major. This composition will be effective for liturgical organ playing and/or recitals. Suitable for Communion part of the liturgy, vespers, offertory, weddings, preludes and other contemplative occasions. Dedicated to Klavs Berks.
3 pages. Basic level.

St John's Offertory, Op. 134 (Organ Solo) by Vidas Pinkevicius (2022)
This piece is created in ABA form and features charming melody, colourful harmonies and accessible pedal part. Part A is written in F major and part B - in A flat major. This composition will be effective for liturgical organ playing and/or recitals. Suitable for offertory part of the liturgy, vespers, communion, weddings, preludes and other contemplative occasions. Dedicated to Janis Kalnins.
3 pages. Basic level.

Summer Celebration, Op. 133 (Organ Solo) by Vidas Pinkevicius (2022)
This piece is created in ABA form and features powerful chords, colourful harmonies and strong but accessible pedal part. Part A is written in F major and part B - in A major. This composition will be effective for liturgical organ playing and/or recitals. Suitable for weddings, processionals, recessionals, preludes, postludes, graduations, coronations and other solemn occasions. Dedicated to Jakub Wszolek.
3 pages. Basic level.

Toccata on America the Beautiful, Op. 139 (Organ Solo) by Vidas Pinkevicius (2022)
If you're looking for an accessible yet affective piece for organ on the patriotic theme, you will enjoy this Toccata on America the Beautiful. After the initial bold introduction, in the first part (Bb major) the tune is presented in the pedals and in the second part (D major) - in the hand parts with broken chord toccata figuration. The introduction motive comes back at the end and toccata finishes optimistically in the home key of Bb major. Perfect piece as a postlude for liturgical organ playing or the end of recital. Dedicated to James Michael Stevens.
7 pages. Basic level.

Processional on National Anthem, Op. 136 (Organ Solo) by Vidas Pinkevicius (2022)
In this fanfare-like processional on National Anthem (God Bless Our Native Land) repeated chord texture and dotted rhythms dominate the score. Catchy refrain alternates with the phrases of the anthem. The first verse is presented in F major in the hands part and second time it moves to C major and can be heard in the pedals. The ending refrain rounds up the music and brings back initial melodic and harmonic material. This piece will be an effective addition to the liturgical and concert organ playing. Dedicated to Phil Lehenbauer. I recorded it at Vilnius University St John's church.
3 pages. Basic level.

Fiery Praises, Op. 132 (Organ Solo) by Vidas Pinkevicius (2022)
This fanfare is created in ABA form and features powerful chords, colourful harmonies and strong but accessible pedal part. Part A is written in D major and part B - in F major. This composition will be effective for liturgical organ playing and/or recitals. Suitable for weddings, processionals, recessionals, preludes, postludes, graduations, coronations and other solemn occasions. Dedicated to Marcin Amadeusz Majak. I have played it at Vilnius University St John's church.
3 pages. Basic level.

St John's Fanfare, Op. 131 (Organ Solo) by Vidas Pinkevicius (2022
This fanfare is created in ABA form and features powerful chords, colourful harmonies and strong but accessible pedal part. This Fanfare will be effective for liturgical organ playing and/or recital opening. Dedicated to John Higgins.
3 pages. Basic level.

St John's Offertory, Op. 134 (Organ Solo) by Vidas Pinkevicius (2022)
This piece is created in ABA form and features charming melody, colourful harmonies and accessible pedal part. Part A is written in F major and part B - in A flat major. This composition will be effective for liturgical organ playing and/or recitals. Suitable for offertory part of the liturgy, vespers, communion, weddings, preludes and other contemplative occasions. Dedicated to Janis Kalnins.
3 pages. Basic level.

St John's Recessional, Op. 130 (Organ Solo) by Vidas Pinkevicius (2022)
In this optimistic postlude, chordal texture is presented throughout the piece. Harmonies are spiced up with some additional notes to make them even more colourful. This Recessional will serve well as a postlude for the church service and/or recital. This piece is dedicated to Markus Dreja.
4 pages. Basic level.

St John's Processional, Op. 129 (Organ Solo) by Vidas Pinkevicius (2022)
St John's Processional works like a trumpet voluntary where sections of the exciting solo melody alternate with chorus sounds. Written in ABA form, this composition will be suitable as a joyful prelude for church services and/or recitals. This piece is dedicated to Markus Dreja.
3 pages. Basic level.

Meditation on Ukrainian Folk Song "Good Evening to You, Green Oak", Op. 128 (Organ Solo)
This meditation by Vidas Pinkevicius is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as Добри вечір тобі, зелена діброво (Dobry vechir tobi, zelena dibrovo). This composition will work very well for meditative music during liturgy and/or concert setting. Dedicated to Svitlana Pozdnysheva.
Basic level. 3 pages.

Meditation on "Pange Lingua", Op. 124 (Organ Solo) by Vidas Pinkevicius (2022)
This gentle meditation on the well-known Gregorian chant tune "Pange Lingua Gloriosi" (Corpus Christi Sunday) features rocking ostinato motive which repeats itself several times throughout the piece. To make the composition for colourful, the tune appears both in Bb major and D major keys. This piece will be suited for liturgical organ playing (Communion, Vespers etc.) and/or recitals whenever contemplative music is desired. Dedicated to my friend James Flores.

Cambridge Lullaby, Op. 127 (Organ Solo) by Vidas Pinkevicius (2022)
This piece is dedicated to the prolific composer from the US, Carson Cooman (b. 1982) on the occasion of his 40th birthday anniversary. The melody in the right hand part consists entirely of 2 notes only - C and A, symbolising Carson's name (CArson CoomAn). Also there are exactly 40 measures in this composition, each measure representing one year of Carson's life so far.

Prelude on Abide with Me, Op. 6 (Organ Solo) by Ausra Motuzaite-Pinkeviciene (2022)
In this optimistic setting of the beloved hymn tune EVENTIDE (Abide with Me) hymn phrases alternate with an elegant refrain. This piece will be suitable for liturgical organ playing and/or recitals. This composition is dedicated to our YouTube organist friend Rien Schalkwijk.
Intermediate level. 3 pages.

Postlude on "Grosser Gott", Op. 125 (Organ Solo) by Vidas Pinkevicius (2022)
This piece was created as a postlude for Holy Trinity Sunday. It features hymn tune "Grosser Gott", sung to the text Holy God, We Praise Your Name. It will also work as an optimistic recital piece. It can be played on a one manual and pedal organ. Dedicated to Ausra Motuzaite-Pinkeviciene.
Basic level. 4 pages.

Fanfare on "Nicaea", Op. 122 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy practicing this beautiful chorale prelude O Gott, du frommer Gott, Op. 122 No. 7 by Johannes Brahms. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 3 pages.
Thanks to Jan Pennell for transcribing the fingering from the video.

Meditation on Ukrainian Song "Hey Brothers Opryshki", Op. 121 (Organ Solo) by Vidas Pinkevicius
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "Гей браття опришки" (Hey brattya opryshky). This composition will work very well for meditative music during liturgy and/or concert setting. Dedicated to Olenka Matselyukh.
Basic level. 3 pages.

Meditation on St Anne, Op. 119 (Organ Solo) by Vidas Pinkevicius (2022)
In this gentle meditation on a beloved hymn tune St Anne delightful refrain alternates with colourfully harmonised hymn phrases. This piece will be suitable both for liturgical playing and for recitals whenever contemplative mood is needed.

Meditation on St Columba, Op. 118 (Organ Solo) by Vidas Pinkevicius (2022)
This is an optimistic piece with a charming refrain alternating with the hymn tune St Columba in the right hand part. It will be useful for liturgical and recital playing whenever contemplative music is needed.

Meditation on Repton, Op. 116 (Organ Solo) by Vidas Pinkevicius
In this gentle meditation on the hymn tune "Repton" the melody is alternating with a catchy refrain. This piece will be suitable to play on a two manual and pedal organ during liturgy or recital whenever contemplative selection is appropriate. It is dedicated to my friend Graham Twist who has created a wonderful prelude on the same hymn tune.

Meditation on Ukrainian Folk Song "For Neman I Go", Op. 117 (Organ Solo) by Vidas Pinkevicius
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "За Німан іду" (Za Niman idu). This composition will work very well for meditative music during liturgy and/or concert setting.
Basic level. 3 pages.

Tuba Tune on "Worcester", Op. 123 (Organ Solo) by Vidas Pinkevicius
In this optimistic tuba tune based on the famous "Worcester" hymn tune, joyful refrain alternates with phrases of the hymn. This tune is sung to the text "Glory Be to God the Father". Perfect piece to start a recital or a church service. Dedicated to Ausra.
Basic level. 3 pages.

Meditation on Bryn Calfaria, Op. 113 (Organ Solo) by Vidas Pinkevicius
In this melancholic meditation on the hymn tune Bryn Calfaria hymn phrases alternate with a catchy refrain. This piece can be played on a two manual organ with pedals. It will work very well whenever contemplative music is required - during liturgy, vespers or recitals. Dedicated to my friend Graham Twist.
Basic level. 3 pages.

Voluntary in F Major, Op. 115 (Organ Solo) by Vidas Pinkevicius (2022)
This optimistic, accessible and effective work features colourful harmonies and fun modulations. It is playable on a modest one manual and pedal organ and will work very well as processional in graduation ceremonies, liturgy, weddings or recital programs. Dedicated to Phil Lehenbauer.Basic level. 3 pages.

Voluntary in C Major, Op. 114 (Organ Solo) by Vidas Pinkevicius (2022)
This optimistic, accessible and effective work features colourful harmonies and fun modulations. It is playable on a modest one manual and pedal organ and will work very well as processional in graduation ceremonies, liturgy, weddings or recital programs. Dedicated to Jerry Martin.
Basic level. 3 pages.

Walk With Me, Op. 108a (Organ Solo) by Vidas Pinkevicius (2022)
In this gentle and optimistic arrangement for solo organ of Walk with Me, Op. 108 for organ duet by Vidas Pinkevicius beautiful solo melody in the soprano can be heard among lush sounds of string stops. This piece is dedicated to composer's wife Ausra on the occasion of their silver wedding anniversary. The title Walk With Me comes from their second most favourite activity (after playing organ duets) which is taking walks in the forrest together. It is also an allusion to walking together through life. This piece will work very well for both liturgy and recital setting when meditative music is needed.
Basic level. 3 pages.

Tuba Tune on Veni Creator Spiritus, Op. 5 (Organ Solo) by Ausra Motuzaite-Pinkeviciene (2022)
Toccata on the Themes by Mikalojus Konstantinas Ciurlionis, Op. 5 (2011). 5 pages.

Meditation on Ukrainian Folk Song "Cossack Is Leaving", Op. 112 (Organ Solo) by Vidas Pinkevicius
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "Козак вiд’їжджає" (Kozak vidʺyizhdzhaye). This composition will work very well for meditative music during liturgy and/or concert setting.
Basic level. 3 pages.

Meditation on Abide with Me, Op. 111 (Organ Solo) by Vidas Pinkevicius (2022)
In this meditation on the famous hymn tune Abide with Me (Eventide) the hymn melody alternates with a gentle refrain. This piece will work very well for liturgy or recitals whenever contemplative music is required. Dedicated to Paulius Grigonis.
Basic level. 3 pages.

Toccata on Veni Creator Spiritus, Op. 110 (Organ Solo) by Vidas Pinkevicius (2022)
In this optimistic toccata based on Gregorian chant Veni Creator Spiritus hymn, joyful refrain with broken chord figuration alternates with phrases of the chant in the pedals in large note values. Perfect piece to end a recital or a church service. Dedicated to Ausra.
Intermediate level. 7 pages.

Toccata on Ode to Joy, Op. 109 (Organ Solo) by Vidas Pinkevicius (2022)
In this energetic Toccata, the phrases of the Ode to Joy alternate with colourful refrain. The dancing pedals help to emphasise the driving pulse which is the backbone of this composition. It will serve well as a powerful postlude during liturgy and also supplement recital programs. Will work as an encore very well.
Intermediate level. 7 pages.

Walk With Me, Op. 108 (Organ Duet) by Vidas Pinkevicius (2022)
In this gentle and optimistic composition for organ duet (4 hands and 2 feet), two beautiful solo melodies talk to each other among lush sounds of string stops. This piece is dedicated to composer's wife Ausra on the occasion of their silver wedding anniversary. The title Walk With Me comes from their second most favourite activity (after playing organ duets) which is taking walks in the forrest together. It is also allusion to walking together through life. This piece will work very well for both liturgy and recital setting when meditative music is needed.
Basic level. 6 pages.

Prelude on "Christ lag in Todesbanden", Op. 107 (Organ Solo) - Vidas Pinkevicius (2022)
In this accessible yet effective prelude on the hymn tune "Christ lag in Todesbanden" (Christ Jesus Lay in Death's Strong Bands) gentle refrain alternates with the colourful chorale phrases. This composition will supplement Easter liturgy and recital programs very well when one needs contemplative music. I have dedicated it to my friend Jerry Martin and recorded it on Hauptwerk Nancy sample set.
Basic level. 3 pages.

Meditation on Ukrainian Folk Song "My Dear Mother", Op. 106 (Organ Solo) by Vidas Pinkevicius (2022)
This meditation is written to spread awareness about the terrible war in Ukraine. Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. In Ukrainian it is known as "Рідна мати моя ти ночей не доспала" (Ridna maty moya ty nochey ne dospala). This composition will work very well for meditative music during liturgy and/or concert setting. I dedicated it to Carson Cooman and played it on Hauptwerk Nancy sample set.
Basic level. 3 pages.

Postlude on "Gelobt Sei Gott", Op. 104 (Organ Solo) by Vidas Pinkevicius (2022)
In this optimistic postlude on the hymn tune "Gelobt Sei Gott" ("Christ Is Alive With Joy We Sing" or "Good Christians All, Rejoice And Sing!") joyful refrain alternates with the hymn tune harmonised with colourful harmony. This accessible yet very effective piece will supplement Easter services and organ recital programs very well. This piece is dedicated to our friend James Flore. I played it on Hauptwerk Alessandria sample set. Hope you will enjoy it!
Basic level. 3 pages.

Meditation on "O Sacred Head, Now Wounded", Op. 105 (Organ Solo) - Vidas Pinkevicius (2022)
In this accessible yet effective meditation on the hymn tune "O Sacred Head, Now Wounded" (Passion Chorale) gentle refrain alternates with the colourful chorale phrases. This composition will supplement Lent, Good Friday liturgy and recital programs very well when one needs contemplative music. This composition is dedicated to Markus Dreja.
Basic level. 3 pages.

Meditation on Ukrainian Folk Song "The Moon in the Sky", Op. 103 (Organ Solo) by Vidas Pinkevicius (2022)
This meditation on Ukrainian Folk Song "The Moon in the Sky" is written to spread awareness about the terrible war in Ukraine. In Ukrainian this song is known as "Місяць на небі" (Misyatsʹ na nebi). Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. The song melody is presented in the left hand part on a solo registration and accompanied by flowing motion of sixteenth notes in the right hand part and pulsating octaves in the pedals. This composition will work very well for meditative music during liturgy and/or concert setting. It is dedicated to Ausra Motuzaite-Pinkeviciene.
Basic level. 3 pages.

Prelude on "Victory", Op. 102 (Organ Solo) by Vidas Pinkevicius (2022)
In this optimistic prelude on the hymn tune "Victory" (The Strife is O'er, the Battle Done) joyful refrain alternates with the hymn tune harmonised with colourful harmony. This accessible yet very effective piece will supplement Easter services and organ recital. This composition is dedicated to Eunjoo Lisa Fierro.
Basic level. 4 pages.

Meditation on Ukrainian Folk Song "Rumble, Rumble, Rumble in the Oak Forest", Op. 101 (Organ Solo) by Vidas Pinkevicius (2022)
This meditation on Ukrainian Folk Song "Rumble, Rumble, Rumble in the Oak Forest" is written to spread awareness about the terrible war in Ukraine. In Ukrainian this song is known as "Гомін, гомін, гомін по діброві" (Homin, homin, homin po dibrovi). Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. The song melody alternates between the pedals and solo voice in the soprano. In the pedals the tune is presented in augmentation. This composition will work very well for meditative music during liturgy and/or concert setting.
Basic level. 3 pages.

Victimae Paschali Laudes, Op. 4 (Organ Solo) by Ausra Motuzaite-Pinkeviciene (2022)
In this accessible yet effective composition on the famous Easter sequence Victimae Paschali Laudes toccata-style figuration alternates with the phrases of the Gregorian chant tune. It will supplement very well Easter liturgy and recital program.
Basic level. 4.5 pages.

Meditation on Ukrainian Folk Song "Oh, Trouble, Trouble, Me, Seagulls", Op. 99 (Organ Solo) by Vidas Pinkevicius (2022)
This quiet meditation on Ukrainian folk song "Oh, Trouble, Trouble, Me, Seagulls" is written to spread awareness about the terrible war in Ukraine. In Ukrainian this song is known as "Ой, біда, біда мні, чайці-небозі" (Oy, bida, bida mni, chaytsi-nebozi). Organists of all countries who are at a loss for words but cannot keep silent will find their voice in this piece. It will work very well for meditative music during liturgy and/or concert setting.
Basic level. 3 pages.

Processional on Easter Hymn, Op. 98 (Organ Solo) by Vidas Pinkevicius (2022)
This joyful processional on Easter Hymn "Jesus Christ Is Risen Today" calls for Tuba registration in recurring Ritornellos and Tutti in chorale phrases. The musical language of this piece is simple yet colourful due to regular key changes and extended use of major/minor chords. This compositional will serve not only as a perfect prelude or processional for Easter services but it will also compliment any recital program. Dedicated in memory of Jimmy L. Sullivan.
Basic level. 4 pages.

Meditation on "Southwell", Op. 97 (Organ Solo) by Vidas Pinkevicius (2022)
This gentle composition is set to the tune "Southwell", known with the text "O Christ, You Walked the Road". The tune is presented 3 times - first in the soprano (E minor key), then in the tenor (G minor key) and finally in the pedals (E Minor key). The rhythmic movement intensifies throughout the piece but still keeps a calm mood. It will be suitable to perform for Lent and any occasion where meditative music is required - Communion, Vespers, Compline etc.
Basic level. 3 pages.

Meditation on Passion Choral, Op. 3 (Organ Solo) by Ausra Motuzaite-Pinkeviciene (2022)
This gentle composition is set to the tune "Southwell", known with the text "O Christ, You Walked the Road". The tune is presented 3 times - first in the soprano (E minor key), then in the tenor (G minor key) and finally in the pedals (E Minor key). The rhythmic movement intensifies throughout the piece but still keeps a calm mood. It will be suitable to perform for Lent and any occasion where meditative music is required - Communion, Vespers, Compline etc.
Basic level. 2 pages.

Meditation on "Kingsfold", Op. 96 by Vidas Pinkevicius
This gentle composition is dedicated to my friend American composer and organist Phil Lehenbauer. It will be suitable to perform for Lent and any occasion where meditative music is required - Communion, Vespers, Compline etc.
Basic level. 3 pages.

Prayer for Peace, Op. 95 (Organ Solo) by Vidas Pinkevicius (2022)
This composition is dedicated to Ukraine and restoring peace to its people. It will be suitable to perform for any occasion where meditative music is required - Communion, Vespers, Compline etc.
Basic level. 3 pages.

Easy Fanfare, Op. 94 (Organ Solo) by Vidas Pinkevicius (2022)
This short fanfare is composed entirely of major and minor triads and their inversions, it features optional pedal part with only 2 pedals. Therefore, it could be played by organists with very modest skills, even on organs without pedals. It could work very well for all occasions that call jubilant music. I dedicated it to Rūta Dubakienė.
Basic level. 2 pages.

Meditation on "Möge die Straße", Op. 92 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Meditation on "Möge die Straße", Op. 92, "May the Road Rise to Meet You" (Irish Blessings). I dedicated it to Vanessa Gartshore from Germany on her birthday.
Basic level. 3 pages.

Dance on Ukrainian Folk Song "The Cossack Rode Beyond the Danube", Op. 93 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Dance on Ukrainian Folk Song "The Cossack Rode Beyond the Danube", Op. 93 (Organ solo) which I have created to help spread the word about the freedom war in Ukraine. in Ukrainian this song is known as "Їхав козак за Дунай" (Ikhav kozak za Dunaj).
Basic level. 3 pages.

Meditation on "Gethsemane", Op. 91 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Meditation on "Gethsemane", Op. 91 ("Go to Dark Gethsemane"). I dedicated it to my friend Fraser Gartshore from Germany/Scotland.
Basic level. 3 pages.

Meditation on "Aberystwyth", Op. 90 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Meditation on "Aberystwyth", Op. 90 ("Jesus, Lover of My Soul"). I dedicated it to my friend Rien Schalkwijk from the Netherlands.
Basic level. 3 pages.

Meditation on "Slane", Op. 89 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Meditation on "Slane", Op. 89 ("Be Thou My Vision"). I dedicated it to my friend James Flores from Australia.
Basic level. 3 pages.

Meditation on Ukrainian Folk Song "The Willow Board", Op. 88 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Meditation on Ukrainian Folk Song "The Willow Board", Op. 88 (Organ Solo) which I have created to help spread the word about the freedom war in Ukraine. in Ukrainian this song is known as "Вербовая дощечка" (Verbovaya Doshchechka).
Basic level. 2 pages.

Meditation on "Beach Spring", Op. 87 (Organ Solo) by Vidas Pinkevicius (2022)
Yesterday I finally was able to finish transcribing my improvisation on hymn tune "Beach Spring" which I played during a tutorial earlier in the year. It was a painstakingly slow process and not because I did it like a musical dictation while listening to a recording in a slow motion. It was a slow process because my method of note input into Sibelius has been slow - I would use computer keyboard to enter pitches and on screen rhythm pad to change rhythms one by one.
But yesterday my colleague from the US, composer James Michael Stevens who composes music even on the road told me a secret that he uses mini 25 note MIDI keyboard to enter pitches and numeric keypad to changed rhythms. I tried this at home and the process was much much faster. I'm so happy now!
Hope you will enjoy this piece too, it's so relaxing and will suit the needs for Communion or any other meditative occasion. I have recorded it on Hauptwerk Nancy sample set.
Basic level. 3 pages.

Sarabande on Ukrainian Folk Song "The Sun Is Rising Over Siberia", Op. 86 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Sarabande on Ukrainian Folk Song "The Sun Is Rising Over Siberia", Op. 86 which I have created to help spread the word about the freedom war in Ukraine. in Ukrainian this song is known as ""За Сибіром сонце сходить" (Za Sybirom sontse skhodytʹ).
Basic level. 2 pages.

Meditation on Ukrainian Song "Moonlight Night", Op. 85 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Meditation on Ukrainian Song "Moonlight Night", Op. 85 (2022) which I have created to help spread the word about the freedom war in Ukraine. in Ukrainian this song is known as "Ніч яка місячна" (Nich yaka misyachna). Thanks to Joost van Beek for bringing this tune to my attention!
Basic level. 2 pages.

Meditation on Ukrainian Song "Homeland", Op. 84 (Organ Solo) by Vidas Pinkevicius (2022)
Meditation on Ukrainian Folk Song "A Cossack Went to War", Op. 82 (Organ Solo) by Vidas Pinkevicius (2022)
I hope you will enjoy my new piece - Meditation on Ukrainian Song "Homeland", Op. 84 (2022) which I have created to help spread the word about the freedom war in Ukraine. in Ukrainian this song is known as "Родимий краю" (Rodymyy krayu).
Basic level. 3 pages.

Ukrainian National Anthem for Organ Manuals Only, Piano or Keyboard solo (arr. by Vidas Pinkevicius, 2022)

My recent arrangement of Ukrainian National Anthem for organ solo is receiving a lot of attention from organists, as is my other music for Ukraine. I'm very glad people are playing it in church services, recitals and online and helping spread the word about this unthinkable Ukrainian tragedy.
I also feel the need to provide an arrangement for keyboard, piano or organ without pedals which I'm glad to share it with you here. It retains nice full harmony and fluid bass line but it only has 3 voices and is easier to play.

Ukrainian Folk Song "Farewell, Dear Country Home" for Organ solo, Op. 81 (2022) by Vidas Pinkevicius
I hope you will enjoy my new piece - Ukrainian Folk Song "Farewell, Dear Country Home" for Organ solo, Op. 81 which I have created to help spread the word about the freedom war in Ukraine. in Ukrainian this song is known as "Прощай, Село Ріднесеньке". Thanks to Katya Kolesnikova for the help with title translation!
Basic level. 2 pages.

Ukrainian Folk Song "Oh Whose Horse Is Standing" for Organ solo, Op. 80 (2022) by Vidas Pinkevicius
I hope you will enjoy my new piece - Ukrainian Folk Song "Oh Whose Horse Is Standing" for Organ solo, Op. 80 which I have created to help spread the word about the freedom war in Ukraine. in Ukrainian this song is known as "Ой чий то кінь стоїть".
Basic level. 4 pages.

Ukrainian National Anthem for Organ solo (arr. by Vidas Pinkevicius, 2022)
In order to help spread awareness of freedom war of Ukrainian people among the organist community, I have just created my own arrangement of Ukrainian National Anthem for organ solo.

Preambule from 24 Pieces en style libre, Op. 31 by Louis Vierne
Would you like to master Preambule from 24 Pieces en style libre, Op. 31 by Louis Vierne?
I've created this practice score with complete fingering and pedaling so that our students could master this piece efficiently, saving many hours of frustration and achieving ideal articulation - a perfect legato.
Thanks to Juan Osorno for his meticulous transcription from a video.
Basic level. PDF score. 2 pages.

3eme Gymnopedie by Erik Satie with fingering and pedaling
I hope you will enjoy practicing this beautiful 3ème Gymnopedie by Erik Satie. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Diana Danilova for transcribing the fingering and from the video.

Trio on Safely Through Another Week (Vidas Pinkevicius)
I hope you will enjoy practicing this trio based on the hymn Safely Through Another Week. I composed it back in 2013.
PDF score. Basic level. 1 page.

2me Gymnopedie by Erik Satie with fingering and pedaling
I hope you will enjoy practicing this beautiful 2ème Gymnopedie by Erik Satie. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Diana Danilova for transcribing the fingering and from the video.

Quintadena from Organ ABC by Vidas Pinkevicius (2020)
I have played this piece at Vilnius University St John's church. Hope you will enjoy it!
PDF score. Basic level. 3 pages.
Thanks to Diana Danilova for transcribing the music and the fingering from the video!

Meditation in G Major by Gabriel Dupont with fingering and pedaling
I hope you will enjoy practicing this beautiful Meditation by Gabriel Dupont. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 5 pages.
Thanks to Alan Peterson for transcribing the fingering and from the video.

1re Gymnopedie by Erik Satie with fingering and pedaling
I hope you will enjoy practicing this beautiful 1ère Gymnopedie by Erik Satie. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.PDF score. Basic level. 2 pages.
Thanks to Diana Danilova for transcribing the fingering and from the video.

Principal from Organ ABC by Vidas Pinkevicius (2020)
I have played this piece at Vilnius University St John's church. Hope you will enjoy it!
PDF score. Basic level. 2 pages.
Thanks to Diana Danilova for transcribing the music and the fingering from the video!

Ophicleide from Organ ABC by Vidas Pinkevicius (2020)
I have played this piece at Vilnius University St John's church. Hope you will enjoy it!
PDF score. Basic level. 3 pages.
Thanks to Diana Danilova for transcribing the music and the fingering from the video!

Nassat from Organ ABC by Vidas Pinkevicius (2020)
I have played this piece at Vilnius University St John's church. Hope you will enjoy it!
PDF score. Basic level. 1 page.
Thanks to Diana Danilova for transcribing the music and the fingering from the video!

Mixture from Organ ABC by Vidas Pinkevicius (2020)
I have played this piece on Velesovo sample set by Sonus Paradisi of Hauptwerk VPO. I dedicated it to Jeremy Owens. Hope you will enjoy it!
PDF score. Basic level. 4 pages.
Thanks to Diana Danilova for transcribing the music and the fingering from the video!

Larigot from Organ ABC by Vidas Pinkevicius (2020)
I have played this piece on Velesovo sample set by Sonus Paradisi of Hauptwerk VPO. I dedicated it to James Flores. Hope you will enjoy it!
PDF score. Basic level. 2 pages.
Thanks to Diana Danilova for transcribing the music and the fingering from the video!

Krummhorn from Organ ABC by Vidas Pinkevicius (2020)
I have played this piece on the Rotterdam Sint Laurenskerk (main organ) sample set by Sonus Paradisi of Hauptwerk VPO. I dedicated it to James Flores. Hope you will enjoy it!
PDF score. Basic level. 3 pages.
Thanks to Diana Danilova for transcribing the music and the fingering from the video!

Memento nostri, Domine, Op. 69 (Vidas Pinkevicius) with fingering and pedaling
Would you like to master Memento nostri, Domine, Op. 69 that I composed back in 2019?
I've created this practice score with complete fingering and pedaling so that our students could master this piece efficiently, saving many hours of frustration. It's dedicated to James Spanner.
Thanks to Jeremy Owens for his meticulous transcription from slow motion video.
Basic level. PDF score. 5 pages.

Gamba from Organ ABC for organ by Vidas Pinkevicius (2020)This piece is dedicated to Justinas Sapola for his participation in our Secrets of Organ Playing Contest. Hope you will enjoy it!
PDF score. Basic level. 1 page.

Regina caeli, Op. 75 for organ by Vidas Pinkevicius (2020)
Last night James Flores composed a piece Regina caeli, Op. 2 and dedicated to me. Now I'm returning the favor.
Since I don't have a MIDI pedalboard at home yet, I had a hard time playing the pedal part on top of the manual part. That is until I asked Ausra to help out by playing the pedals with her right hand at the same time with me.
This was fun. Enjoy!
PDF score. Basic level. 2 pages.

Ave Regina Caelorum for organ. Op. 74 by Vidas Pinkevicius (2020)
I got inspired to create this piece yesterday after listening to James Flores' Op. 1 which is also a piece of the same title. So it's appropriate that I dedicate it to him. My piece is to be played on 4' flutes both on manuals and pedals and it features a gentle canon between the soprano and the bass.
PDF score. Basic level. 2 pages.

Christ lag in Todesbanden, Op. 73 for organ by Vidas Pinkevicius (2020)
I improvised this piece the first thing in the morning using Hauptwerk 5 software and worked all day long on producing this score. There is a canon between the right hand part and the pedals which I hope you will appreciate. Dedicated to James Flores who inspired me to create it.
PDF score. Basic level. 3 pages.

Vierne Meditation with fingering and pedaling
Meditation by Louis Vierne (3 pages, PDF file).

Vierne Berceuse with fingering and pedaling
Last Saturday Ausra taught Harmony seminar at Vilnius University to some 40 church organists from all over Lithuania. I had a pleasure sitting through it and writing down fingering and pedaling for the Dubois Toccata.At the same time other organists taught classes on church music, Gregorian chant and other subjects relevant to liturgical musicians. In the evening everyone gathered at our church for a joint recital.
Masterclasses "Organ for the Future of Lithuania" were organized by the National Association of Organists.
My friend and student Paulius Grigonis performed at this joint recital. He played the famous "Berceuse" by Louis Vierne. Incidentally, I had with me my score in which I kept writing in fingering and pedaling. When others saw me writing something in the score, they asked me what I was doing to which I jokingly replied, "I'm writing fingering and pedaling for Paulius so that he could play it tonight."
Actually, this wasn't very far from the truth. Vierne's "Berceuse" sounded towards the end of the program and by the time Paulius' turn had come, I had almost finished the editing process.
I hope you'll enjoy playing this piece yourself from my PDF score (3 pages). I've edited it to be played with pedals and two manuals even though "Berceuse" was originally published on two staves. Here the bottom stave is mostly shared by the left hand and the feet parts.

ROMANTIC REPERTOIRE
Fanfare in D Major by Lemmens with fingering and pedaling
Would you like to learn to play the famous Fanfare by D Major by Jacques-Nicolas Lemmens?You can do it much faster with my fingering and pedaling.
Thanks to Jeremy Owens for his meticulous transcription from my slow-motion video.

Trio in E Major, Op. 39 No. 4 by Gustav Merkel with fingering and pedaling
I hope you will enjoy practicing this beautiful Trio in E Major, Op. 39 No. 4 by Gustav Merkel. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Juan Osorno for transcribing the fingering from the video!

Trio in F# Major, Op. 39 No. 3 by Gustav Merkel with fingering and pedaling
I hope you will enjoy practicing this beautiful Trio in F# Major, Op. 39 No. 3 by Gustav Merkel. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Jeremy Owens for transcribing the fingering from the video!

Trio in F Major, Op. 39 No. 1 by Gustav Merkel with fingering and pedaling
I hope you will enjoy practicing this beautiful Trio in F Major, Op. 39 No. 1 by Gustav Merkel. Ausra has prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 3 pages.
Thanks to Jeremy Owens for transcribing the fingering from the video!

Trio in G Major, Op. 39 No. 2 by Gustav Merkel with fingering and pedaling
I hope you will enjoy practicing this beautiful Trio in G Major, Op. 39 No. 2 by Gustav Merkel. Ausra has prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 3 pages.
Thanks to Juan Osorno for transcribing the fingering from the video!

Ein feste Burg ist unser Gott, Op. 135a No. 5 by Max Reger
Would you like to master Ein feste Burg ist unser Gott, Op. 135a No. 5 by Max Reger?
I've created this practice score with complete fingering and pedaling so that our students could master this piece efficiently, saving many hours of frustration and achieving ideal articulation - a perfect legato.
Thanks to Diana Danilova for her meticulous transcription from a video.
Basic level. PDF score. 1 page.

Nun danket alle Gott, Op. 135a No. 18 by Max Reger
Would you like to master Nun danket alle Gott, Op. 135a No. 18 by Max Reger?
I've created this practice score with complete fingering and pedaling so that our students could master this piece efficiently, saving many hours of frustration and achieving ideal articulation - a perfect legato.
Thanks to Alan Peterson for his meticulous transcription from a video.
Basic level. PDF score. 1 page.

Freu dich sehr, o meine Seele, Op. 65 No. 5 by Sigfried Karg-Elert
Would you like to master Freu dich sehr, o meine Seele, Op. 65 No. 5 by Sigfried Karg-Elert?
I've created this practice score with complete fingering and pedaling so that our students could master this piece efficiently, saving many hours of frustration and achieving ideal articulation - a perfect legato.
Thanks to Jeremy Owens for his meticulous transcription from a video.
Basic level. PDF score. 2 pages.

Prelude in C Major, Op. 20 No. 1 by Juozas Naujalis with fingering and pedaling
I hope you will enjoy practicing this beautiful Prelude in C Major, Op. 20 No. 1 by Lithuanian Romantic composer and organist Juozas Naujalis (1869-1934).
Naujalis was Lithuanian Romantic composer, organist and choir conductor. He was one of the most significant musical figures in Lithuania at the beginning of the 20th century. He organised musical schools, choral societies, choir festivals and published calendar for organists. Today I'd like to share with you his Prelude No. 1 from the cycle of 14 Preludes for the organ which are dedicated to his friend priest Teodoras Brazys.
I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 4 pages.
Thanks to Jeremy Owens for transcribing the fingering from the video.

O Gott, du frommer Gott, Op. 122 No. 7 by Johannes Brahms with fingering
I hope you will enjoy practicing this beautiful chorale prelude O Gott, du frommer Gott, Op. 122 No. 7 by Johannes Brahms. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 3 pages.
Thanks to Jan Pennell for transcribing the fingering from the video.

Canon in B Major, Op. 56, No. 6 by Robert Schumann with fingering and pedaling
I hope you will enjoy practicing this beautiful Canon in B Major, Op. 56, No. 6 by Robert Schumann. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Juan Osorno for transcribing the fingering from the video.

Schmücke dich, o liebe Seele, Op. 122 No. 5 by Johannes Brahms with fingering
I hope you will enjoy practicing this beautiful chorale prelude Schmücke dich, o liebe Seele, Op. 122 No. 5 by Johannes Brahms. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Annabel Brown for transcribing the fingering and from the video.

Een Vaste Burg ist onze God by Jan Zwart with Fingering and Pedaling
Would you like to learn Een Vaste Burg ist onze God by Jan Zwart?
I hope you'll enjoy playing this piece yourself from my PDF score.
Thanks to Alan Peterson for his meticulous transcription from the video.
What will you get?
PDF score with fingering and pedaling written out for fast and efficient practice. Basic Level. 2 pages.
Let me know how your practice goes.

Poco Allegretto in C Major from L'Organiste by Cesar Franck with Fingering
Would you like to learn Poco Allegretto in C Major by Cesar Franck from L'Organiste?
I hope you'll enjoy playing this piece yourself from my PDF score.
Thanks to Juan Osorno for his meticulous transcription from the slow motion video.
What will you get?
PDF score. Basic Level. 2 Pages.

Herzlich tut mich verlangen, Op. 122 No. 9 by Johannes Brahms with fingering and pedaling
I hope you will enjoy practicing this beautiful chorale prelude Herzlich tut mich verlangen, Op. 122 No. 9 by Johannes Brahms. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Juan Osorno for transcribing the fingering and pedaling from the video.

O Welt, ich muss dich lassen, Op. 122 No. 11 by Johannes Brahms with fingering and pedaling
I hope you will enjoy practicing this beautiful chorale prelude O Welt, ich muss dich lassen, Op. 122 No. 11 by Johannes Brahms. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Jeremy Owens for transcribing the fingering and pedaling from the video.

Herzlich tut mich verlangen, Op. 122 No. 10 by Johannes Brahms with fingering and pedaling
I hope you will enjoy practicing this beautiful chorale prelude Herzlich tut mich verlangen by Johannes Brahms. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 4 pages.
Thanks to Jeremy Owens for transcribing the fingering and pedaling from the video.

Es ist ein Ros' entsprungen, Op. 122 No. 8 by Johannes Brahms with fingering
I hope you will enjoy practicing this beautiful chorale prelude Herzlich tut mich verlangen by Johannes Brahms. I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 4 pages.
Thanks to Jeremy Owens for transcribing the fingering and pedaling from the video.

O Welt, ich muss dich lassen, Op. 122 No. 3 by Johannes Brahms with fingering and pedaling
I hope you will enjoy practicing this beautiful chorale prelude by Johannes Brahms. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Jan Pennell for transcribing the fingering and pedaling from the video.

O wie selig seid ihr doch ihr Frommen, Op. 122 No. 6 by Johannes Brahms with fingering
I hope you will enjoy practicing this beautiful chorale prelude by Johannes Brahms I have prepared a practice score with complete fingering written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 1 page.
Thanks to Juan Osorno for transcribing the fingering from the video.

Herzlich tut mich erfreuen, Op. 122 No. 4 by Johannes Brahms with fingering and pedaling
I hope you will enjoy practicing this beautiful chorale prelude by Johannes Brahms I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Jeremy Owens for transcribing the fingering and pedaling from the video.

Herzliebster Jesu, Op. 122 No. 2 by Johannes Brahms with fingering and pedaling
I hope you will enjoy practicing this beautiful chorale prelude by Johannes Brahms. I have prepared a practice score with complete fingering and pedaling written in which will help you save many hours, practice efficiently and achieve a perfect legato touch.
PDF score. Basic level. 2 pages.
Thanks to Jan Pennell for transcribing the fingering and pedaling from the video.

Allegretto amabile in Ab Major from L'Organiste by Cesar Franck with Fingering

Quasi lento in G Major from L'Organiste by Cesar Franck with Fingering

Sortie in G Major from L'Organiste by Cesar Franck with Fingering

Poco Maestoso in Ab Major from L'Organiste by Cesar Franck with Fingering

Poco lento in Gb Major from L'Organiste by Cesar Franck with Fingering

Noel Angevin in G Major from L'Organiste by Cesar Franck with Fingering

Noel Angevin in G Minor from L'Organiste by Cesar Franck with Fingering

Poco Allegro in F# Minor from L'Organiste by Cesar Franck with Fingering

Offertoire funebre in F# Minor from L'Organiste by Cesar Franck with Fingering

Poco Allegretto in G Major from L'Organiste by Cesar Franck with Fingering

Poco Allegretto in Gb Major 2 from L'Organiste by Cesar Franck with Fingering

Andantino in F# Minor 2 from L'Organiste by Cesar Franck with Fingering

Poco Allegretto in Gb Major (Chant Bearnais) from L'Organiste by Cesar Franck with Fingering

Sortie in F Major from L'Organiste by Cesar Franck with Fingering

Air Bearnais from L'Organiste by Cesar Franck with Fingering

Poco lento in F Minor from L'Organiste by Cesar Franck with Fingering

Poco allegretto in E Major from L'Organiste by Cesar Franck with Fingering

Allegretto in F Minor from L'Organiste by Cesar Franck with Fingering

Lento in F Minor from L'Organiste by Cesar Franck with Fingering

Andantino in F Major from L'Organiste by Cesar Franck with Fingering

Allegretto in F Major from L'Organiste by Cesar Franck with Fingering

Offertory or Communion in E Minor from L'Organiste by Cesar Franck with Fingering

Allegretto in E Major from L'Organiste by Cesar Franck with Fingering

Priere in E Minor from L'Organiste by Cesar Franck with Fingering

Non troppo lento in E Major from L'Organiste by Cesar Franck with Fingering

Piece in E Minor from L'Organiste by Cesar Franck with Fingering

Andantino in Eb Minor from L'Organiste by Cesar Franck with Fingering

Quasi andante in D Major from L'Organiste by Cesar Franck with Fingering

Sortie or Offertory in D Major from L'Organiste by Cesar Franck with Fingering

Poco allegro in Eb Major from L'Organiste by Cesar Franck with Fingering

Allegretto in Eb Major from L'Organiste by Cesar Franck with Fingering

Andantino poco allegretto in Eb Major from L'Organiste by Cesar Franck with Fingering

Molto moderato in Eb Minor from L'Organiste by Cesar Franck with Fingering

Quasi lento in Eb Major from L'Organiste by Cesar Franck with Fingering

Maestoso in D Minor from L'Organiste by Cesar Franck with Fingering

Maestoso in D Major from L'Organiste by Cesar Franck with Fingering

Quasi allegro in D Major from L'Organiste by Cesar Franck with Fingering

Andante in Db Major (long) from L'Organiste by Cesar Franck with Fingering

Tres lent in D Minor from L'Organiste by Cesar Franck with Fingering

Offertoire in C Major from L'Organiste by Cesar Franck with Fingering

Lento in C# Minor from L'Organiste by Cesar Franck with Fingering

Andantino in Db Major from L'Organiste by Cesar Franck with Fingering

Poco Allegro in C Minor from L'Organiste by Cesar Franck with Fingering

Andante in Db Major from L'Organiste by Cesar Franck with Fingering

Poco Lento in C Major from L'Organiste by Cesar Franck with Fingerin

Maestoso in C Minor from L'Organiste by Cesar Franck with Fingering

Poco Lento in C Minor from L'Organiste by Cesar Franck with Fingering

Andante in D Major by Felix Mendelssohn

Boellmann Priere a Notre-Dame with fingering and pedaling

Dubois Toccata with fingering and pedaling

Leon Boellmann Carillon from 12 Pieces, Op. 16 with fingering and pedaling

Leon Boellmann Introduction-Choral from Suite Gothique with fingering and pedaling

Leon Boellmann Toccata from Suite Gothique with fingering and pedaling

MUSIC THEORY:

Basic Chord Workshop

ORGAN PRACTICE:
Organ Practice Training
Focusing at the Organ Bench

Memorize Easier

Vidas Live Coaching

I'm A Slow Learner

My Goal Is To Be A Better Church Organist

Organist Success Training

Building Pedal Powers

Finding Practice Time

Beyond Performance Anxiety

ORGAN REGISTRATION:
Organ Registration Workshop

ORGAN TECHNIQUE:
Pedal Virtuoso Master Course

Organ Technique Training

10 Day Pedal Playing Challenge

TRANSPOSITION:

Creating and transposing an organ exercise for 3 voices in A minor in 3/4 meter: Training video

Creating and transposing an organ exercise for 3 voices in C major in 3/4 meter: Training video

INTERMEDIATE LEVEL:

BAROQUE REPERTOIRE:

Passacaglia in D Minor, BuxWV 161 by Dieterich Buxtehude with Fingering and Pedaling

Prelude in C Major, BuxWV 137 by Dieterich Buxtehude with Fingering and Pedaling

Prelude and Fugue in C Major by Georg Böhm with Fingering and Pedaling

Nun komm, der Heiden Heiland, BWV 659 by J.S. Bach with Fingering and Pedaling

Almande Gratie (More Palatino) by Jan Pieterszoon Sweelinck with fingering

Wir glauben all an einen Gott by Johann Ludwig Krebs with fingering and pedaling

"Nun komm, der Heiden Heiland", BWV 661 by J.S. Bach with Fingering and Pedaling

"Nun komm, der Heiden Heiland", BWV 660 by J.S. Bach with Fingering and Pedaling

Christ, unser Herr zum Jordan kam, BWV 684 by J.S. Bach

J.S. Bach's Fugue in G Minor, BWV 578

In Dir ist Freude, BWV 615 by J.S. Bach

Fugue in C Minor, BWV 575 by J.S. Bach

Toccata And Fugue in D Minor, BWV 565

Der Tag, der ist so freudenreich, BWV 605 by J.S. Bach

Sweelinck More Palatino with fingering

Balleto del Granduca by Samuel Scheidt with fingering

Sweelinck Da Pacem, Domine with fingering

Fugue in C minor, BWV 574 on the theme of Legrenzi by J.S. Bach with fingering and pedaling

Fugue in B minor, BWV 579 on the theme of Corelli by J.S. Bach with fingering and pedaling

BWV 577 with fingering and pedaling and training video

Learning Baletto del Granduca by Samuel Scheidt (formerly attributed to Jan Pieterszoon Sweelinck) - videos in slow motion:
Variation 1, Variation 2, Variation 3, Variation 4, Variation 5

Praeambulum in C by Heinrich Scheidemann: Training Video

Contrapunctus I, BWV 1080 by Bach from the Art of the Fugue with complete fingering and pedaling

Wir glauben BWV 680

Handel Hallelujah Chorus with fingering and pedaling

Daquin Noel

Buxtehude Wie schon leuchtet der Morgernstern

Bach's 6 Schubler chorales with fingering and pedaling

BWV 549 Video Training: Videos and PDF Score

BWV 533 with fingering and pedaling

Bach Organ Mastery Level 1

Couperin Mass Training

COMPOSITION:

Ternary Exposition Training

Cadence Video Training

Adeste Fideles Variation Training

Modern Variation Workshop

HARMONY:

Harmonizing a Melody in French Modal Style

Enharmonic Modulation through the D7 Chord

Harmonizing a melody in 4 parts in Bb major

Harmonizing a melody in 4 parts

Harmony for Organists Level 1

Hymn Harmonization Workshop

Bach Choral Analysis Workshop

Seventh Chord Training

Modulation Workshop

HYMN PLAYING:

Hymn Playing Workshop

MODERN REPERTOIRE:
Carillon on Morning Star, Op. 206 (Organ Solo) by Vidas Pinkevicius

Processional on "Bernelis gimė Betliejuj", Op. 196 (Organ Solo) by Vidas Pinkevicius

Adeste fideles Suite (Organ Solo) by Vidas Pinkevicius
Toccata on Wachet auf, Op. 188 (Organ Solo) by Vidas Pinkeviciu
Processional on Wachet auf, Op. 176 (Organ Solo) by Vidas Pinkevicius

Processional on Nun danket alle Gott, Op. 164 (Organ Solo) by Vidas Pinkevicius

Nun danket alle Gott Suite (Organ Solo) by Vidas Pinkevicius

Gaudeamus Igitur Suite, Op. 146 (Organ Solo) by Vidas Pinkevicius (2022)

The Herring Lived on Dry Land, Op. 149 (Organ Duet) by Vidas Pinkevicius (2022)

The Gartshore Gang Suite, Op. 120 (Organ Solo) by Vidas Pinkevicius (2022)

March on Ukrainian Riflemen Song "Oh, in the Meadow Red Viburnum", Op. 83
(Organ Solo) by Vidas Pinkevicius (2022)

Lord, Dismiss Us With Your Blessing (2004) by Vidas Pinkevicius

Come, Thou Precious Ransom, Come (2004) by Vidas Pinkevicius

Hark! A Thrilling Voice Is Sounding (2004) by Vidas Pinkevicius

O Lord, How Shall I Meet You (2004) by Vidas Pinkevicius

Processional on Sursum Corda, Op. 79 (2021) by Vidas Pinkevicius

Andantino, Op. 4 (2010) by Vidas Pinkevicius

Silent Night, Op. 77 by Vidas Pinkevicius

Trumpet Tune, Op. 76 by Vidas Pinkevicius

St Anne's Vision, Op. 72 (2020) for organ manualiter by Vidas Pinkevicius

Populus Sion, Op. 42 For Solo Organ (Vidas Pinkevicius) With Fingering And Pedaling

O Master, Let Me Walk With Thee, Op. 36

MOTIVATION:
Organist Success Training

MUSIC THEORY:
Writing Melodic Dictation Video

Melodic Dictation Master Course

ORGAN IMPROVISATION:

Improvising Organ Verset

Improvising a piece in ABA form

Improvising on "Silent Night"

Improvising Without A Chorale

Organ Hymn Improvisation Level 1

Prelude Improvisation Formula (First take Keyboard Prelude Improvisation Mini Course)

Organ Verset Improvisation Master Course

Suite Improvisation Workshop

ORGAN PRACTICE:
Vidas Live Coaching

Focusing at the Organ Bench

Memorize Easier

ORGAN TECHNIQUE:

Pedal Virtuoso Master Course

ROMANTIC REPERTOIRE:

Sortie in Eb Major by Lefebure-Wely with fingering and pedaling

Menuet Gothique from Suite Gothique, Op. 25 by Leon Boellmann with Fingering and Pedaling

Chopin Military Polonaise in A Major, Op. 40 with fingering and pedaling

Mein Jesu, der du mich, Op. 122 No. 1 by Johannes Brahms with fingering and pedaling

Prelude and Fugue in G Major, Op. 37 No. 2 by Felix Mendelssohn with Fingering and Pedaling

Andante Sostenuto by Ch.-M. Widor with complete fingering and pedaling

Boellmann Priere a Notre-Dame with fingering and pedaling

Vierne Allegretto with fingering and pedaling

Vierne Meditation with fingering and pedaling

Vierne Berceuse with fingering and pedaling

Dubois Toccata with fingering and pedaling

Leon Boellmann Carillon from 12 Pieces, Op. 16 with fingering and pedaling

Leon Boellmann Introduction-Choral from Suite Gothique with fingering and pedaling

Leon Boellmann Toccata from Suite Gothique with fingering and pedaling

Cantabile by Alexander Guilmant from his 7th Organ Sonata, Op. 89:
Training video and Performance video

Adagio by Widor from the Symphony No. 5 with complete fingering and pedaling

Karg-Elert "Nun danket alle Gott" with fingering and pedaling

Gigout Toccata with Fingering and Pedaling

SIGHT-READING

Organ Sight-Reading Master Course

TRANSPOSITION:

Creating and transposing an organ exercise for 3 voices in A minor in 3/4 meter: Training video

Creating and transposing an organ exercise for 3 voices in C major in 3/4 meter: Training video

Transposition for Organists Level 1

ADVANCED LEVEL:

BAROQUE REPERTOIRE:

Ecce Dominus Veniet (Organ Duet) by Hieronymus Praetorius

Brandenburg Concerto No. 1 in F Major, BWV 1046 by J.S. Bach (Organ Duet)

Brandenburg Concerto No. 2 in F Major, BWV 1047 (Organ Duet)

Schmücke dich, o liebe Seele, BWV 654 by Johann Sebastian Bach with Fingering and Pedaling

Veni Creator by Nicolas de Grigny with fingering and pedaling

Trio Sonata No. 5 in C Major, BWV 529 by J.S. Bach with fingering and pedaling

Trio Sonata No. 2 in C Minor, BWV 526 by J.S. Bach with fingering and pedaling

Trio Sonata No. 3 in D Minor, BWV 527 by J.S. Bach with fingering and pedaling

Organ Concerto No. 2 in A Minor, BWV 593 by Johann Sebastian Bach with Fingering and Pedaling

Toccata and Fugue in E Major, BWV 566 by J.S. Bach

Prelude and Fugue in G Major, BWV 541 by J.S. Bach

Prelude and Fugue in A Minor, BWV 543 by J.S. Bach

Vater unser im Himmelreich, BWV 682 by J.S. Bach

Aus tiefer Not schrei ich zu Dir, BWV 686 by J.S. Bach

Prelude and Fugue in G Major, BWV 550 by J.S. Bach

Fantasia and Fugue in G Minor, BWV 542 by J.S. Bach

Prelude and Fugue in B Minor, BWV 544 by J.S. Bach

Prelude and Fugue in A Major, BWV 536 by J.S. Bach

Prelude and Fugue in F Minor, BWV 534 by J.S. Bach

Prelude and Fugue in C Major, BWV 547 by J.S. Bach

BWV 538 With Fingering And Pedaling

BWV 539 With Fingering And Pedaling

BWV 546 With Fingering And Pedaling

BWV 537 With Fingering And Pedaling

Prelude and Fugue in C Major, BWV 531 with fingering and pedaling

Prelude and Fugue in D Major, BWV 532 with fingering and pedaling

Prelude and Fugue in Eb Major, BWV 552 with fingering and pedaling

Kyrie, Gott Heiliger Geist, BWV 671 with fingering and pedaling

Prelude and Fugue in C Major, BWV 545 with fingering and pedaling

Dies sind die heilgen zehn Gebot, BWV 678 with fingering and pedaling

Christe, aller Welt Trost, BWV 670 with fingering and pedaling

Bach Passacaglia, BWV 582 with fingering and pedaling

Kyrie, Gott Vater in Ewigkeit, BWV 669 with fingering and pedaling

Allein Gott, BWV 676 by J.S. Bach with fingering and pedaling

Fantasia Chromatica by J.P. Sweelinck with complete early fingering

BWV 572 Practice Score

Trio Sonata in Eb Major, BWV 525 by J.S. Bach with fingering and pedaling

BWV 577 with fingering and pedaling and training video

Learning Fantasia in G minor, BWV 542/1 by J.S.Bach - the videos in slow motion: Part 1, Part 2, Part 3, Part 4

Learning Fugue in G minor, BWV 542/2 by J.S.Bach - the videos in slow motion: Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7

BWV 540 with fingering and pedaling

BWV 548 with fingering and pedaling

Wir glauben BWV 680

BWV 564 with fingering and pedaling

MODERN REPERTOIRE

Carillon-Sortie by Henri Mulet with Fingering and Pedaling

Toccata on "Infant Holy, Infant Lowly", Op. 8 (Organ Solo) by Ausra Motuzaite-Pinkeviciene

ROMANTIC REPERTOIRE:

Fantaisie, Op. 16 by Cesar Franck with Fingering and Pedaling

Chorale in A Minor by Cesar Franck with Fingering and Pedaling

Chorale in B Minor by Cesar Franck with Fingering and Pedaling

Prelude, Fugue and Variation, Op. 18 by Cesar Franck with Fingering and Pedaling

Prelude and Fugue in C Minor, Op. 37 No. 1 by Felix Mendelssohn with fingering and pedaling

Carillon of Westminster by Louis Vierne

Widor Toccata with fingering and pedaling

Vierne Final from Symphony No. 1 with fingering and pedaling

ALL LEVELS:

PDF BOOKS:

Why Do You Need The Music In Front Of You?

Understanding What French Organ Registrations Mean

The Amount Of Time We Waste On Things Is Frightening

Please Help Me Learn To Play Organ Pedals

I Find It Hard To Think Of Chord Progressions

How To Learn To Read And Count Music Well

I'm A Slow Learner

My Goal Is To Be A Better Church Organist

I Have Forgotten the Basics

I Don't Have Time to Practice Organ Playing

Is It Possible to Learn to Play the Organ When You Are 56 Years Old (E-Book)

MUSIC THEORY:

Harmony (video playlist)

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