Secrets of Organ Playing - 
Down-to-earth tips and advice about how to play the organ 
  • Home
  • About us
  • Organ Tutorial
  • Organist Bookstore
  • Calendar of Events
  • Audio Samples
  • Contacts
How to Use Finger Preparation in Organ Playing? 12/23/2011
0 Comments
 
When we listen to organ playing of real high level experts, we often marvel at how they can play without a single mistake. It seems like their music can be released directly to a CD recording. Moreover, these people can play flawlessly for hours.

Although there are a number of important reasons why real masters can play without mistakes, one technique which will help to achieve that is finger preparation.

Although very powerful, finger preparation is quite often overlooked and many people forget to take advantage of it. It seems so insignificant that they don't pay any attention to it.

The way finger preparation works is very simple. Your fingers should be in position for the next note right after they have finished playing the previous note. In other words, when you release the note, you have to be aware what the next note for this finger will be. For example, when playing the scale passage, we use thumb under technique.

To play the ascending C Major scale with the right we use 123 12345 fingering. This means that the note C should be played with the thumb, D - with the index finger, E - with the middle finger, F - again with the thumb, G - with the index finger, A - with the middle finger, B - with the ring finger, and C - with the little finger or pinky.

To apply the finger preparation technique for this passage, move you thumb in a position for F right when it finishes to play C. And the moment you release the E, your all five fingers should be prepared to play F, G, A, B, and C.

This is a very simple passage, of course. For more involved episodes, we have to think about the best ways to use finger preparation.

In addition, this technique is very useful for large leaps. It helps to prevent mistakes which otherwise may occur. When you encounter a large leap in the part of one hand, after finishing the previous note, try to move it right away to the position after the leap. This motion should be not circular but straight because it is the most efficient. If you practice this movement at least ten times, then it will begin to be very efficient.

At first, you will have to constantly keep your attention to this technique for several months at least. Later, however, if you insist on using finger preparation, it will become automatic and you will not need to think about it.

By the way, do you want to learn to play the King of Instruments - the pipe organ? If so, download my FREE video guide: "How to Master Any Organ Composition" in which I will show you my EXACT steps, techniques, and methods that I use to practice, learn and master any piece of organ music.
 


Comments




Leave a Reply

    Loading
    Picture
    Author
    Vidas Pinkevicius, DMA

    Follow Us

    Share This Page

    First time visitor?
    Start here:
    FREE instructional video guide "How to Master Any Organ Composition"

    Do you like the content of this blog?
    If so, subscribe to our newsletter:

    * indicates required

    Categories

    All
    19th Century French Organ Music
    20th Century French Organ Music
    Anthem Playing
    Articulate Legato
    Articulation
    Book Reviews
    Choir Conducting
    Choral Accompaniments
    Early Hymn Playing
    Early Pedal Technique
    Eliminating Mistakes
    Exceptions Of Legato Articulation
    Exercises
    Fast Tempo
    Figer Crossing
    Finger Crossing
    Finger Glissando
    Finger Substitution
    Fingering
    Goal Setting
    Hand And Feet Coordination
    Hand Independence
    How To Play The Organ
    Hymn Improvisation
    Hymn Playing
    Improvisation
    Instructional Videos
    J.S.Bach Music
    J.S.Bach Music
    J.S.Bach Organ Music
    J.S.bach Organ Music
    J.S.Bach Organ Music
    Keyboard Practice
    Legato Playing
    Manual Changes
    Manual Scales
    Memorisation
    North German Baroque Organ Music
    Ordinary Touch
    Organ Exercises
    Organ Method Books
    Organ Music
    Organ Practice
    Organ Registration
    Organ Repertoire
    Organ Technique
    Organist Mistakes
    Ornamentation
    Pedal Playing
    Pedal Scales
    Pedal Technique
    Pedaling
    Phrasing
    Piano Exercises
    Piano Practice
    Practicing Habits
    Scales And Arpeggios
    Sight Reading
    Sweelinck Organ Music
    Time Management


Create a free website with Weebly