Do you ever think about how much time it will take to reach the next level in organ playing? Of course, we all want to progress as fast as possible. We want to be able play those virtuoso organ pieces that master composers like Widor, Vierne, Franck, and others wrote. We wish to have the ability to master major polyphonic works by Bach and other Baroque composers.
So, what is the fastest way to achieve that level of competence? The answer to this is simple: slow, regular, and persistent practice.
By slow, I mean we should practice pieces in a slow tempo. Even the fast tempo pieces should be practiced this way. The tempo will become easy if you will know the piece very well. There are various practice techniques that help achieve fast tempo but generally speaking, we have to take such practice tempo in which we would avoid making mistakes.
In addition, we have to practice regularly. By regular practice, I mean that ideally we should practice every day. It does not always have to be two or more hours of practice, but try not to skip practicing. Even if you have only 20 minutes available, repeat the work that you practiced the day before and it will become a little better every time you practice it.
There is a saying among organists, that if we skip one day without practice then only we notice it. If we don't practice for two days, then our friends will start noticing it. If we spend three days without practice, then everyone will notice it.
Finally, it is important that we have persistance in practice. For example, what do we do if we find a challenging spot in the music and we make mistakes? There are three options:
1) correct the mistakes 2) play with mistakes 3) choose another piece
Ideally, we should strive for option 1. And that often takes persistance. Very often we will get discouraged by the difficult places in a piece. We don't always see the solution very clearly. But if we have persistance, then we'll find the way out eventually. By the way, option 3 might be a good solution, if the piece is too difficult to play comparing with our current level of ability.
So the fastest way to achieve higher level in organ playing would require slow, regular, and persistent practice. I sure hope you are practicing this way.
By the way, do you want to learn to play the King of Instruments - the pipe organ? If so, download my FREE video guide: "How to Master Any Organ Composition" in which I will show you my EXACT steps, techniques, and methods that I use to practice, learn and master any piece of organ music.
Many pieces in the organ repertoire are so beautiful that sometimes we can't decide which one is our favorite for the moment. And often we have to practice several different pieces every day. This can happen if we prepare for a recital, church service, which might require prelude, offertory, communion, and postlude music.
Even if you play the organ just because you like it, it might be a good idea to practice several different compositions. I will explain why it is so. You see, because different historical periods, national schools, and composers require different performance practice techniques, playing different pieces every day will give you a benefit of diversifying your organ technique, too.
One possible approach would be to take 4 compositions: one free work by Bach, one chorale work by Bach, one Romantic work (Mendelssohn, Brahms, Frank etc.), and one Modern work (Messiaen, Langlais, Distler, Hindemith etc.)
The question then is: how to plan your practice time in order to learn these 4 works every day.
First of all, you need to know how much time you can spend practicing your music every day. 2 hours a day of practice would be a reasonable amount of time. Working less than that would not give the results you want for these 4 pieces. By the way, this does not necessarily mean that you have to spend 2 actual hours at the organ. It can involve some time at the piano, or even working without the instrument, too.
I would suggest practicing each piece for 30 minutes. In these 30 minutes, you can have time to do 2 things: 1) 10 minutes to practice and repeat the pages that you already have learnt before. 2) 20 minutes to learn new music from this piece.
If you do this with all 4 compositions regularly, after some time you will get to the point when you will know them all together.
Note, that if you want to play even more pieces every day, you have to spend more time practicing every day, too. In other words, if you have 10 compositions that you need to learn you will have to spend that much time every day practicing them. Of course, not all organ pieces have equal length and not all of them might have the same level of difficulty. Therefore, these numbers are relative. We have to adjust them to a real situation.
It is possible to practice four or five pieces one day and another four or five the next day, too. That way we just alternate our repertoire every other day.
So, would you like to be able to learn multiple organ pieces? Try this approach for yourself.
By the way, do you want to learn to play the King of Instruments - the pipe organ? If so, download my FREE video guide: "How to Master Any Organ Composition" in which I will show you my EXACT steps, techniques, and methods that I use to practice, learn and master any piece of organ music.
In this article, I would like to discuss the matter of finding the main principle how to practice and master any organ piece. If you know this principle, or secret, or method, you will have no difficulty in applying it to many different compositions regardless of the level of difficulty. If you practice but without being aware of this secret, then the chances to succeed are not as high.
Everyone wants to have the main method of practice so that it could be applied to various pieces. I think, the secret to this is simple: analyze the piece and practice in smaller units.
I will give one example here. Let us imagine that we take a new and unfamiliar composition. How do we start to practice it? I think, it is a good idea to get familiar with the piece and sight-read it in a slow tempo. As we play it through, we have to try to notice a few things here. First, look at the form or the structure of the piece. How the piece is put together? Look especially for repetitions because they help us to perceive the form of the composition.
Once we know the form of the piece, next step would be to analyze the tonal structure of it. Here try to look for cadences and answer the question what keys or tonalities are used in the piece.
Once we know the tonal plan, try to think how the new keys are related to the starting key. For example, if the starting or the home key is C Major and the new key would be G Major that means that the relationship between the home key and the new key is a 5th scale degree or the Dominant.
Now, if you have analyzed the piece and know the form and tonal structure of it, you can start practicing the music. Try to remember how many mistakes did you make when you first played it. If the entire piece was too difficult and we made more than 3 mistakes, then we have to practice in smaller units.
It could be a fragment of 1 line, or 1-4 measures. Sometimes even that is too much and we are still making too many mistakes. In this case, we could play each voice separately of that fragment only quite slowly so that we avoid making mistakes. Later, play 2 voices combined. The next step would be combination of 3 voices. And only then we could attempt playing all parts together.
Of course, later we have to play in larger units as well (1 line, 2 lines, 4 lines, 1 page, 2 pages etc.). If we practice smaller fragments first, this will become natural and easy. In other words, we will be ready to play a larger episode.
By practicing this way, you can master any organ composition.
By the way, do you want to learn to play the King of Instruments - the pipe organ? If so, download my FREE video guide: "How to Master Any Organ Composition" in which I will show you my EXACT steps, techniques, and methods that I use to practice, learn and master any piece of organ music.
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